Hot Stamper Pressings of Pictures at an Exhibition
More on Mussorgsky’s (and Ravel’s) Masterpiece – Pictures at an Exhibition
This review dates from 2007. We recently played a stereo copy of the album and did not much care for the sound of it, which you can read about here.
This is the kind of record that the mono cartridge owners of the world worship. And for good reason. But you don’t need to have a mono cartridge to hear how good — in fact, how much BETTER — this copy sounds than most of the stereo pressings out there.
I found out about mono classical records one day when I got a mono copy of The Power Of The Orchestra, VCM 2659. It sounded better than any stereo recording of that work I had ever heard. All the instruments were so much more solid sounding, so palpable, so free from distortion, that it made me recognize for the first time what the mono record lovers of the world were talking about.
That was well over ten years ago. Since then many high end mono cartridges have come on the market, specifically to bring out that sound.


