Elvis Presley / From Elvis in Memphis – Good Sounding on Speakers Corner Heavy Vinyl?

More Elvis Presley

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Sonic Grade: B

Speakers Corner did the album in 2003 and if memory serves I liked it and recommended it at the time. I rather doubt I could stand it now. I have much less tolerance now for the vague imaging, lack of ambience and overall lifeless quality their records invariably suffer from than I did back then.

AMG 5 Star Review

After a 14-year absence from Memphis, Elvis Presley returned to cut what was certainly his greatest album (or, at least, a tie effort with his RCA debut LP from early 1956).

The fact that From Elvis in Memphis came out as well as it did is something of a surprise, in retrospect — Presley had a backlog of songs he genuinely liked that he wanted to record and had heard some newer soul material that also attracted him, and none of it resembled the material that he’d been cutting since his last non-soundtrack album, six years earlier.

And he’d just come off of the NBC television special which, although a lot of work, had led him to the realization that he could be as exciting and vital a performer in 1969 as he’d been a dozen years before.

And for what was practically the last time, the singer cut his manager, Tom Parker, out of the equation, turning himself over to producer Chips Moman.

The result was one of the greatest white soul albums (and one of the greatest soul albums) ever cut, with brief but considerable forays into country, pop, and blues as well. Presley sounds rejuvenated artistically throughout the dozen cuts off the original album, and he’s supported by the best playing and backup singing of his entire recording history.

TRACK LISTING

Side One

Wearin’ That Loved On Look
Only The Strong Survive
I’ll Hold You In My Heart (Till I Can Hold You In My Arms)
Long Black Limousine
It Keeps Right On A-Hurtin’
I’m Movin’ On

Side Two

Power Of My Love
Gentle On My Mind
After Loving You
True Love Travels On A Gravel Road
Any Day Now


FURTHER READING

The sonic signature of the modern Heavy Vinyl Classical Reissue in Four Words: Diffuse, Washed Out, Veiled, and Vague.

Here are some of our reviews and commentaries concerning the many Heavy Vinyl pressings we’ve played over the years, well over 200 at this stage of the game. Feel free to pick your poison.

Heavy Vinyl Commentaries

Heavy Vinyl Disasters

Heavy Vinyl Mediocrities

Heavy Vinyl Winners

And finally,

A Confession

One final note of honesty. Even as recently as the early 2000s we were still somewhat impressed with many of the better Heavy Vinyl pressings. If we had never made the progress we’ve worked so hard to make over the course of the last twenty plus years perhaps we would find more merit in the Heavy Vinyl reissues so many audiophiles seem to prefer.

We’ll never know of course; that’s a bell that can be unrung. We did the work, we can’t undo it, and the system that resulted from it is merciless in revealing the truth — that these newer pressings are second-rate at best and much more often than not third-rate or worse.

Setting higher standards — no, being able to set higher standards — in our minds is a clear mark of progress. We know that many of our customers see things the same way.

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