- A STUNNING copy of Cycles with Shootout Winning Triple Plus (A+++) sound from first note to last
- Big, full-bodied and musical, with exceptional presence for the most important element of the recording, Sinatra’s clear, richly expressive bourbon baritone
- The midrange reproduction is superb – breathy and natural, with dramatically more Tubey Magic than you will hear on any other copy you can find, guaranteed
- “Cycles was Frank Sinatra’s first full-fledged pop/rock-oriented album, concentrating on a more orchestrated variation on the popular folk-rock of the late ’60s.”
This vintage Reprise pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.).
The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real Frank Sinatra singing live in your listening room. The best copies have an uncanny way of doing just that.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What the Best Sides of Cycles Have to Offer Is Not Hard to Hearhersc
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1968
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We’re Listening For on Cycles
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt — Lee Herschberg and Frank Laico in this case — would put them
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Rain In My Heart
From Both Sides, Now
Little Green Apples
By The Time I Get To Phoenix
My Way Of Life
Gentle On My Mind
Cycles was Frank Sinatra’s first full-fledged pop/rock-oriented album, concentrating on a more orchestrated variation on the popular folk-rock of the late ’60s. The foundation of the arrangements on Cycles are guitars, bass, and drum kits, all played gently and unobtrusively; the strings are layered on top of the pop rhythm section.
Appropriately, Sinatra sang a variety of material associated with folk-rock, particularly Joni Mitchell’s “Both Sides Now” and Glen Campbell’s “Gentle on My Mind” and “By the Time I Get to Phoenix.” Sinatra responds to the softer material by phasing out most of the edginess in his phrasing.