- With two seriously good Double Plus (A++) sides, this was one of the better sounding copies we played in our recent shootout – exceptionally quiet vinyl too
- The presence is superb — turn it up good and loud and you’ll be right there at the Jazz Corner of the World with Blakey and the boys, circa 1960
- 4 1/2 stars: “Mixing up standards and favored originals from peer group composers, the band is, in the vernacular of the era, cooking… this band was as definitive a modern jazz ensemble as there ever was, and the immaculately chosen repertoire elevates this to one of the greatest live jazz session ever, and belongs on the shelf of all serious jazz listeners.”
There’s lots of deep, note-like bass to go a long with plenty of extension up top. The transparency is mindblowing — you can really hear the sound of the musician’s breath moving through the horns.
What amazing sides such as these have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1960
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We Listen For on At The Jazz Corner Of The World Vol. 2
- Energy for starters. What could be more important than the life of the music?
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Chicken an’ Dumplings
M & M
Art Blakey’s Jazz Messengers of 1959 were hitting their full stride, as trumpeter Lee Morgan joined the fold with tenor saxophonist Hank Mobley, the reliable pianist Bobby Timmons and steady bassist Jymie Merritt… Mixing up standards and favored originals from peer group composers, the band is, in the vernacular of the era, cooking… this band was as definitive a modern jazz ensemble as there ever was, and the immaculately chosen repertoire elevates this to one of the greatest live jazz session ever, and belongs on the shelf of all serious jazz listeners.