hv-dis-class

Here you will find the worst of the Heavy Vinyl classical pressings we’ve reviewed over the last thirty or more years.

Love for Three Oranges Suite on Classic Records Heavy Vinyl

More of the music of Sergei Prokofiev (1891-1953)

Reviews and Commentaries for the Music of Sergei Prokofiev

The standard Classic Records failings are as obvious and as irritating on this remaster as they are on practically all of the others.

A lack of ambience. Smeary and hard strings. A lack of Tubey Magic. Overall veiled and recessed presentation.

The Bottom line: This is not a good sounding record.

It should go without saying that the real Mercury pressing is none of these things.

It has long been our judgment that Classic Records made very few good records. Why should this one be any different?

These Mercury releases apparently fooled a lot of audiophiles though.  Allow me to quote a writer with his own website devoted to explaining and judging classical recordings of all kinds. His initials are A.S. for those of you who have been to his site.

Classic Records Reissues (both 33 and 45 RPM) – These are, by far, the best sounding Mercury pressings. Unfortunately, only six records were ever released by Classic. Three of them (Ravel, Prokofiev and Stravinsky) are among the very finest sounding records ever made by anyone. Every audiophile (with a turntable) should have these “big three.”

Obviously we could not disagree more. I’ve played all six of the Classic Mercurys. The Ravel and Prokofiev titles are actually even worse than the Stravinsky we reviewed here on the blog.

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Liszt / Sonata in B Minor – A Speakers Corner Disaster

More of the music of Franz Liszt (1811-1880)

More Classical and Orchestral Music

Sonic Grade: F

More vinyl dreck from Speakers Corner and a Hall of Shame pressing if ever there was one.

Pure mud. What piano ever sounded like this?

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LSC 2603 on Classic Records Is Airless, Smeary and Low-Rez

Hot Stamper Pressings with Jascha Heifetz Performing Available Now

It should go without saying that a good original pressing kills the Classic reissue, and the Classic version is one of the better Classics.

It might earn a grade of D or C, simply because it might sound about as good as the typical Red Seal reissue from the 70s.

Still, it’s no match for the real thing, not even close.

The Classic is low-rez, with smeary strings, which means that all the subtleties of the music — and the performance — will be much more difficult to appreciate. 

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The Merchant of Venice Suite – Another Dubby Klavier Record

Hot Stamper Pressings of Classical and Orchestral Music

Sonic Grade: F

A Hall of Shame Pressing and another Heavy Vinyl Classical LP debunked.

This record sounds like it was mastered from copy tapes, which is where at least some of its dubby sound comes from. All the Klavier Heavy Vinyl pressings we’ve played have this problem.

Yes, it is yet another murky, smeary Audiophile Piece of Trash from the mastering lathe of the formerly brilliant Doug Sax. He used to cut the best sounding records in the world. Once he started cutting Heavy Vinyl it was all over.