This wonderful 3 LP Box Set boasts rich and Tubey Magical Double Plus (A++) sound or BETTER on all SIX sides
All six sides play about as quiet as any UK pressings from this era every do (and with no audible marks), making this is a very special copy indeed
There are only two complete Brandenburgs that we like for music and sound, this Munchinger on Decca/London from 1959 and the Britten from 1969
When you have enough of each for a shootout, and can play them side by side, you hear the differences between 1959 and 1969, but choosing one over the other when they can both be so good is a lot harder than it sounds
There are about 150 orchestral recordings we think offer the best performances with the highest quality sound. This record is certainly deserving of a place on that list.
This superb 2-LP London pressing of the complete Brandenburg Concertos boasts Double Plus (A++) grades or BETTER on all FOUR sides
It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
There are only two complete Brandenburgs that we like for music and sound, the Munchinger on Decca/London from 1959 and this one
When you have enough of both for a shootout, and can play them side by side, you hear the differences between 1959 and 1969, but choosing one over the other when they can both be so good is a lot harder than it sounds
I much prefer Britten’s excellent conducting to his rather tiresome composing – most of his classical and orchestral works seem uninspired and academic
Marks in the vinyl are the nature of the beast with these early pressings – there simply is no way around them if the superior sound of vintage analog is important to you
4 1/2 stars: “Benjamin Britten’s interpretations of the Brandenburgs occupy a middle ground between extremes, and these tasteful performances should satisfy all but the most partisan advocates of one performance practice over the other. Informed by the musicological discoveries of the 1960s in terms of rhythmic nuances and appropriate ornamentation, Britten’s performances are rich with Baroque inflections without sounding unnaturally contrived.”
