*Our Record Overview – The Good

Muddy Waters – Folk Singer

More Muddy Waters

More Folk Singer

xxxxx

  • An outstanding copy with solid Double Plus (A++) sound, or close to it, on both sides – quiet vinyl too 
  • Folk Singer is an exceptional live-in-the-studio recording, with some of the best sound Muddy Waters ever managed
  • This ’80s reissue is guaranteed to trounce any heavy vinyl pressing you’ve heard of it or we’ll give you your money back!
  • 4 1/2 Stars: “Muddy’s “unplugged” album was cut in September of 1963 and still sounds fresh and vital today. It was Muddy simply returning to his original style on a plain acoustic guitar in a well-tuned room…”

This 1963 recording pressed on ’80s vinyl has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.

Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.). The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real person singing live in your listening room. The best copies have an uncanny way of doing just that. (more…)

The Faces – A Nod Is As Good As A Wink

More The Faces

More A Nod Is As Good As A Wink

xxxxx

  • Triple Plus (A+++) sound on side one backed with excellent Double Plus (A++) sound on side two, this copy is a MONSTER!
  • Rich and solid, yet open, spacious, and transparent — nothing like the muddy, congested sound we heard all day
  • 5 stars: it “doesn’t feel cobbled together and it serves up tremendous song after tremendous song.”

This Warner Bros. Green Label LP has MASTER TAPE sound on the first side and not far from it on the second! If you like your hard rock dirty and bluesy, you can’t do much better than this record. You’re going to freak out over the meaty guitars, the HUGE bass, and the live-in-the-studio vocals. We played a ton of copies and none of them could hold a candle to this one. 

You won’t be a minute into this record before you’re blown away by all the ambience and echo. You can really hear the sound of the big room around these guys as they rock out. The vocals sound Right On The Money — smooth, but with all of the raspiness that Rod Stewart is famous for.

The drums are big and punchy and the guitars sound grungy and  right. (more…)

Prokofiev’s Lt. Kije at 45 RPM – An Audiophile Pressing to Shame Them All

More Sergei Prokofiev (1891-1953)

More Prokofiev / Lt. Kije / Abbado

xxxxx

A distinguished member of the Better Records Orchestral Music Hall of Fame.

This Japanese 45 RPM remastering of our favorite recording of Prokofiev’s wonderful Lt. Kije Suite has DEMONSTRATION QUALITY SOUND. For starters, there are very few records with dynamics comparable to these. Since this is my favorite performance of all time, I can’t recommend the record any more highly. 

Most of what’s “bad” about a DG recording from 1978 is ameliorated with this pressing. The bass drum (drums?) here must be heard to be believed. We know of no Golden Age recording with as believable a presentation of the instrument as this.

The drum is clearly and precisely located at the back of the stage; even better, it’s as huge and powerful and room-filling as it would have been had you attended the session yourself. That’s our idea of hi-fidelity here at Better Records. (more…)

Ray Charles – All Time Great Country and Western Hits

More Ray Charles

More All Time Great Country and Western Hits

xxxxx

  • A killer sounding copy with Double Plus (A++) sound or better on all four sides!
  • What was especially shocking about this shootout is that in some ways the best sounding copies of the reissue not just equal but best their original album counterparts 
  • Twenty-two songs on two LPs, including huge hits like I Can’t Stop Loving You, You Don’t Know Me, Oh Lonesome Me, Bye Bye Love, and much more – no wonder AMG gave both discs 5 stars
  • This is some big, bold, absolutely glorious Tubey Magical analog – the tape to disc transfer is Hard To Fault (HTF), making a mockery of the audiophile remasters to come

The music is wonderful. Just listen to that swingin’ horn section behind Ray on Hey, Good Lookin’. They are hot! And Bye Bye Love just plain ROCKS. (more…)

Pink Floyd – The Wall

More Pink Floyd

More The Wall

xxxxx

  • A superb Demo Disc Quality pressing – all four sides earned outstanding Double Plus (A++) sonic grades
  • Buzzing helicopters, ringing telephones, clicking typewriters and so on happen RIGHT THERE in the room with you
  • James Guthrie labored mightily to make this one as big, bold and immersive as any Prog Rock recording we know of, and succeeded brilliantly
  • Rock & Pop Top 100 – “A triumph of production…” and indisputable proof that analog in 1979 could still be absolutely amazing 

Pink Floyd tends to be an amazingly well-recorded band, and this album is certainly no exception. If you’ve taken home one of our Hot Stampers for Dark Side of the Moon, Meddle, or Wish You Were Here, then you certainly know what we’re talking about. Big grungy electric guitars, crystal clear vocals, HUGE punchy drums, earth-shaking bass and TONS of ambience are the hallmarks of any Pink Floyd Hot Stamper. (more…)

Nat “King” Cole’s Love Is The Thing – The Breatkthrough We Were Waiting For

More Nat “King”

More Love Is The Thing

xxxxx
xxxxx

Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating your copy (or ours) of the album.

Love Is The Thing has long been one of the best sounding Nat “King” Cole recordings we had auditioned over the years. With a large variety of copies to play, including some interesting “finds” among them, we now know it actually is The Best. We have never heard the man sound better than he does on the hottest copies of this very album.

Of course we’re always on the lookout for Nat King Cole albums with good sound. In our experience that is not nearly as easy as one might expect. Far too many of his recordings are drenched in bad reverb and can’t be taken seriously. At least one we know of has his voice out of phase with the orchestra on most of the copies we played, putting a quick end to that shootout.  (more…)

Stockhausen / Noda – Zyklus & Eclogue on Direct to Disc (Reviewed in 2011)

More Audiophile recordings

More Stockhausen / Noda

xxxxx

A distinguished member of the Better Records Orchestral Music Hall of Fame.

This RCA 45 RPM Direct-to-Disc fulfills the promise of both the direct to disc recording medium AND the 45 RPM cutting speed so much in vogue these days. As with the Virtuoso Guitar record we listed today, the sound is simply SUPERB — open, dynamic and distortion free. This is a real DEMO DISC, no doubt about it.

I’ve known this record had top quality sound for decades; we started way back in 1987 selling these kinds of audiophile pressings and this one was clearly a Top Title even back then. I’m happy to say that, unlike most of the audiophile pressings we used to sell, this title has actually gotten BETTER with time. 

Side One

A++ or Better — it’s so good who can say for sure what the grade is? We get one of these in about every six to twelve months, and in that time many changes to the stereo and room have been made, so comparisons with previous pressings get tricky.

Here’s what we can say: this record is DYNAMIC, with huge amounts of space and real TRANSIENTS. It’s about as much like Live Music as any record you are likely to own. Play this one for your CD loving friends and watch their jaws drop.

Side Two

A++ or better again. We’re not that crazy about the flute on this side but the percussion is SUPERB.

TRACK LISTING

Side One

Zyklus

Side Two

Eclogue

Dave Brubeck Quartet – Time Further Out

More Dave Brubeck

More Time Further Out

xxxxx

  • With two seriously good Double Plus (A++) sides, this 360 label stereo copy was one of the better pressings we played in our recent shootout – it’s on quiet vinyl too
  • These early sides are incredibly tubey – rich, full-bodied and warm – yet clear, lively and dynamic
  • This copy demonstrates the big-as-life Fred Plaut Columbia Sound at its best – better even than Time Out(!)
  • “Brubeck treats the fifth, sixth, seventh, eighth, and ninth tunes in corresponding meters, to particular effect on the 7/4 hoedown of “Unsquare Dance,” the 8/8 barrelhouse changes of “Bru’s Boogie Woogie” and the engaging dissonances of his 9/8 mood piece “Blue Shadows in the Street.””

Time Further Out is consistently more varied and, dare we say, more musically interesting than Time Out.

If you want to hear big drums in a big room these Brubeck recordings will show you that sound better than practically any record we know of. These vintage recordings are full-bodied, spacious, three-dimensional, rich, sweet and warm in the best tradition of an All Tube Analog recording. 

The Piano

If you have full-range speakers, some of the qualities you may recognize in the sound of the piano are WEIGHT and WARMTH. The piano is not hard, brittle or tinkly. Instead the best copies show you a wonderfully full-bodied, warm, rich, smooth piano, one which sounds remarkably like the ones we’ve all heard countless times in piano bars and restaurants. (more…)

Bryan Ferry – Boys and Girls

More Bryan Ferry

More ABoys and Girls

xxxxx
xxxxx

  • You’ll find excellent Double Plus (A++) sound on both sides of this classic Ferry album from 1985 
  • This copy was super big, full and lively with plenty of presence and bottom end weight
  • On this record, bigger bass and punchier drums make all the difference in the world
  • “Instead of ragged rock explosions, emotional extremes, and all that made his ’70s work so compelling in and out of Roxy, Ferry here is the suave, debonair if secretly moody and melancholic lover, with music to match…”

Excellent sound and quiet vinyl on both sides! If you’ve spent any time with this album, you will be blown away by how great both sides of this copy sound.

Key Listening Test

The song Valentine, the second track on side two, is a key test for that side. Note how processed Ferry’s vocals are; on the best copies they will sound somewhat bright. The test is the background singers; they should sound tonally correct and silky sweet. If Ferry sounds correct, they will sound dull, and so will the rest of the side. That processed sound on his vocal is on the tape. Trying to “fix” it will ruin everything. (more…)

Beethoven / ‘Appassionata’ / Kamiya – Reviewed in 2010

More of our Direct to Disc recordings

More Beethoven / ‘Appassionata’ / Kamiya

xxxxx

A distinguished member of our Better Records Hall of Fame.

A famous resident of the TAS list, this album mixes beautiful music with lovely, solid piano tone, the best of both worlds for audiophiles. A friend of mine tells me that Kamiya plays this piece exactly the way Horowitz did, and that’s probably a good thing. Good luck finding a Horowitz recording that sounds like this.

You will have a hard time finding a better recording of solo piano than this. It’s one of the all time great Direct-to-Disc recordings.