Pressings with Excellent Sound Quality

Elton John – Goodbye Yellow Brick Road

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More Reviews and Commentaries for Goodbye Yellow Brick Road

  • An outstanding early British pressing with big, bold Double Plus (A++) sound or close to it on three sides and superb Nearly Triple Plus (A++ to A+++) sound on the fourth
  • There’s real Tubey Magic on this album, along with breathy vocals, in-your-listening-room midrange presence and no shortage of rock and roll energy
  • Overflowing with great songs, way too many to list – Candle In The Wind, Bennie And The Jets, and GYBR all sound killer here
  • A Top 100 Title: “…its individual moments are spectacular and the glitzy, crowd-pleasing showmanship that fuels the album pretty much defines what made Elton John a superstar in the early ’70s.”

GYBR has the best rocker Elton and Bernie ever wrote: Saturday Night’s Alright for Fighting. Of course, it’s one of the tracks on side four we used to test with — if you’re going to listen to GYBR all day, why not play the songs that are the most fun to play? On the good pressings, the song just KILLS. (more…)

The Young Rascals – Groovin’

More Breakthrough Pressing Discoveries

  • Both sides of this Blue and Green Atlantic stereo pressing are rich and smooth, with vocal presence that will bring the Young Rascals’ pop music to life in your very own listening
  • We stumbled upon the right stampers a few years back purely by chance,
  • Which of course is the only way to do it, as Peter Lynch well knows
  • The right original label is far more likely to have bad sound than good, and the later labels are uniformly awful
  • Good luck finding a quiet copy with good sound – we gave up!

Atlantic pressings are all over the map. When you find a good one, you can be pretty sure it’s the exception, not the rule. That’s been our experience anyway.  (more…)

Harry Belafonte / Belafonte at Carnegie Hall – Wrong About Harry Again?

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Live and Learn, Right?

  • This early Black Label RCA pressing boasts stunning Shootout Winning Triple Plus (A+++) sound or very close to it on all four sides
  • A very large group of musicians will transport themselves directly into your listening room, Harry included, all backing him live on the stage in real time and in ANALOG
  • The palpable presence and performance energy of the man himself are really something to hear, and a copy this good lets you REALLY hear it
  • Harry Pearson made his reputation bringing this kind of amazing recording to the attention of the audiophile public, and for that we owe him a debt of gratitude
  • This is one of the pressings we’ve discovered with Reversed Polarity.
  • 5 stars: “The granddaddy of all live albums, this double-LP set captures the excitement of a Harry Belafonte concert at the height of his popularity.”

NEWSFLASH:

We’ve long known that some copies of the album are mastered with the polarity reversed. This is one of those copies.

But the crazy news we have today is that this copy of the records sound just fine without adjusting the system polarity, better than any other copy we played.

It sounds a bit better with your polarity reversed, but it is still our Shootout Winner even with the polarity wrong.

I would never have believed that to be the case in the past, but my theory is that the new studio we built has reduced distortions and problems to such a degree that polarity issues are less of a problem now than they might have been in the past.

As I say, it’s just a theory, and as time goes on we will revisit this idea with other recordings that we know to have polarity issues, and we’ll be sure to let you know what we find. (more…)

Peter Frampton – Wind of Change

The Music of Peter Frampton Available Now

Peter Frampton Albums We’ve Reviewed

  • Frampton’s solo debut returns, now with Double Plus (A+++) sound on both sides and fairly quiet vinyl for an early UK pressing circa 1972
  • This vintage British pressing is the very definition of TUBEY MAGIC, with sound so rich and sweet it will make you want to take all your CDs and dump them in the trash (now that record stores don’t even want them anymore)
  • The best copies like this one keep what’s good about the recording while letting us hear into the soundfield with glorious transparency
  • 4 stars: “The sound is crisp, the melodies catchy, and Frampton’s distinctive, elliptical Gibson Les Paul guitar leads soar throughout…“

This is some of the best High-Production-Value rock music of the ’60s and ’70s. The amount of effort that went into the recording of this album is comparable to that expended by the engineers and producers of bands like Supertramp, Yes, Jethro Tull, Ambrosia, Pink Floyd, Elton John and too many others to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted.

The best song Peter Frampton ever wrote (and performed) is on this very record, in White Hot Stamper sound no less: All I Wanna Be (Is by Your Side). It has the Tubey Magical sound WE LOVE here at Better Records.

However, the richness that makes British recordings from the era so good can easily go over the edge, turning the sound into a thick, mucky stew in which the individual sonic components become difficult to separate out. Think of the typically dull Who’s Next or early Genesis or Jethro Tull albums and you’ll know exactly what I mean.

Only a select group of pressings are able to strike the right balance between Tubey Magic and clarity. This is one of those.

And as far as we can tell it’s the only version of the album that’s pressed from the master tape. The domestic A&M LPs are clearly made from dubbed tapes. They are as flat, small, smeary, veiled and opaque as any Heavy Vinyl pressing being made today, and we long ago gave up on them (i.e., domestic pressings of this album and Heavy Vinyl in general). (more…)

Cat Stevens – The World of Cat Stevens

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  • Cat Stevens 1970 compilation album returns with outstanding Double Plus (A++) sound from start to finish and British Decca vinyl that is about as quiet as we can find it
  • These sides are doing most everything right — the sound is rich, full-bodied and Tubey Magical, Cat’s vocals are present, and there is plenty of studio space on the recording
  • Everything you want in a Folky Pop Star recording are here
  • Not an easy record to find in audiophile playing condition with top quality sound – it took us years to get this shootout going

Tubey Magical Acoustic Guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings). (more…)

Frank Zappa / The Grand Wazoo – Smear, Sibilance and Tubey Magical Keyboards to Die For

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The Tubey Magic found on the title cut is really something to hear.

The Grand Wazoo now gets my vote as the best sounding record Zappa ever made (along with Absolutely Free).

Biggest Problems

Smear on the horn transients are always a problem on this album (and Zappa’s previous big band album, Waka/Jawaka) .

After that we would say a lack of top end is the other most common shortcoming we hear. To find a copy that’s not dull and smeary is no mean feat.

The vocals on For Calvin (And His Next Two Hitch-Hikers) are usually slightly spitty. The best copies keep the spit under control. (more…)

The Mahavishnu Orchestra – The Inner Mounting Flame

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More 5 Star Albums

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  • A KILLER copy with Double Plus (A++) or BETTER sound from the first note to the last – exceptionally quiet vinyl too
  • The band’s debut is a true Jazz/Rock Fusion Demo Disc with the Big Sound we love here at Better Records
  • This album was recorded in 1971, only a year after Bitches Brew single-handedly created the genre of Jazz Fusion itself
  • 5 Stars “…a furious, high-energy, yet rigorously conceived meeting of virtuosos that, for all intents and purposes, defined the fusion of jazz and rock…”

This is the first album by the band, recorded only a year after Bitches Brew single-handedly created the genre of Jazz Fusion itself. Or is it better described as an album of Prog Rock without the vocals? Remember, King Crimson had a violinist and not a whole lot of singing too.

Whatever it is, mostly what this music wants to do is rock. And on this copy it rocks like you will not believe. The louder you play it the better it sounds.

The best copies had huge amounts of bottom end weight as well as rich, Tubey Magical grungy guitar tone. Once you’ve heard it sound that way, on the copies without both you’ll notice that the sound falls flat pretty quickly.

It’s hard to think of another record that rocks as hard, and it’s not even a real rock record! We find ourselves playing albums like Zep II and Back in Black for hour after hour, with dozens of copies to get through, and we do it on a regular basis. If anybody knows Big Rock Sound, it’s us. But can we really say that those albums rock any harder than this one (more…)

Bob Dylan – Bringing It All Back Home

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More Vintage Columbia Pressings

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  • With two nearly Triple Plus (A++ to A+++) sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner
  • These early pressings can be killer when you find one like this – they’re clearly more lively, more transparent, and richer, with dramatically more immediacy in the midrange so that Dylan’s voice is front and center and in the room with you
  • You would be hard pressed to find a copy that sounds this good and plays this quietly
  • 5 stars: “With Bringing It All Back Home, he exploded the boundaries, producing an album of boundless imagination and skill. And it’s not just that he went electric, either, rocking hard on “Subterranean Homesick Blues,” “Maggie’s Farm,” and “Outlaw Blues”; it’s that he’s exploding with imagination throughout the record.”

NOTE: There is a mark that plays haflway through track five about eight times at a moderate level.

You may be aware that it is hard to find a 360 Columbia Stereo pressing from 1965 that plays any quieter!

It’s tough to find copies of this album that give you all the tubey richness and warmth that this music needs to sound its best. Too many copies seem to be EQ’d to put the vocals way up front, an approach that renders Dylan’s voice hard and edgy. Copies like that sound impressive at first blush (“Wow, he’s really IN THE ROOM!”) but become fatiguing in short order. When you get a copy like this one that’s smooth, relaxed and natural, the music sounds so good that you forget about the sound and just get lost in the music.

(more…)

Sade – Promise

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More Titles Only Offered on Import LP

  • Sade’s Best Album returns with stunning Shootout Winning Triple Plus (A+++) sound from start to finish – exceptionally quiet vinyl too
  • Both sides of this UK disc are guaranteed to be amazing sounding compared to whatever you’ve heard
  • There’s no denying the power of Sade’s sultry voice when you can actually hear it – she is on fire on this album
  • Her best song is on side one here – Is It a Crime – and the big band arrangement will surely send chills up and down your spine, especially with Triple Plus sound quality

Not many copies manage to have this kind of consistently sweet sound across both sides. Here are the kind of present, breathy vocals this music absolutely requires to work its magic.

If you know this album at all, you know that most pressings are just too damn dark sounding. Sade herself is typically recessed in the mix and veiled; it takes an exceptional copy such as this one to make her voice both present and breathy. (more…)

Van Morrison – A Sense Of Wonder

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Reviews and Commentaries for Van Morrison

  • This is probably the last domestically pressed record he made that still has the kind of sound we look for in a Hot Stamper
  • “Over the years, Morrison has gathered around him a band that plays, like the best jazz ensembles, with effortless empathy. The group follows him through all his moods and meanderings, from the lilting cadences of “Tore Down à la Rimbaud” and “Ancient of Days” to the stately auguring of “Let the Slave” and the airy, triumphal shimmer of “A New Kind of Man.” A Sense of Wonder is serenely uplifting. With astonishing commitment and profound belief, Van Morrison continues to push forward into the mystic.”

(more…)