The original Large Tulip early pressings are the best on this record, right?
Nope. It’s just another Record Myth, as explained in the commentary for our recent Hot Stamper 2-pack. That pair of pressings was all the proof we required to back up our contention that either label can be the best on this classic DG recording. Original is better? Again, not so much. Original can be better fits more with our experience.
To pull off this kind of Mind Boggling sound from start to finish we combined an amazing side one on the Large Tulips label with an amazing side two on the Small Tulips label. And what a finish — side two earned a grade of A+++, being a full step above even our hottest other side two, and we played a lot of copies, more than a dozen in fact. (more…)
This superb 2 LP set boasts excellent Double Plus (A++) sound or BETTER on all four sides!
Truly one of the greatest live albums of all time, recorded late at night in the big room at the Sands Hotel in Vegas
This is Basie and Sinatra in their natural habitat and in their prime, putting on the show of a lifetime – quiet vinyl too
“Basie and the orchestra are swinging and dynamic, inspiring a textured, dramatic, and thoroughly enjoyable performance from Sinatra … the definitive portrait of Frank Sinatra in the ’60s.” – AMG
This double album presents Sinatra and Basie at the height of their powers, in a setting especially conducive to both men’s music, the big room at the Sands Hotel in Vegas. If you missed it — and I’m sure most all of us did — here’s your chance to go back in time and be seated with the beautiful people front row center. This two disc all tube-mastered analog set is practically the only way you’ll ever be able to hear the greatest vocalist of his generation — in his prime no less — fronting one of the swingingest big bands of the time.
You Are There
The presence and immediacy here are staggering. Turn it up and Frank is right between your speakers, putting on the performance of a lifetime.(more…)
Ambrosia’s first album does exactly what a Test Disc should do. It shows you what’s wrong, and once you’ve fixed it, it shows you that it’s now right.
We audiophiles need records like this. They make us better listeners, and they force us to become better tweakers. You cannot buy equipment that will give you the best sound. You can only tweak the right equipment to get it.
At most 20% of the sound of your stereo is what you bought. At least 80% is what you’ve done with it. Based on my experience I would put the number closer to 90%.(more…)
Stunning sound on this stereo pressing with both sides rating close to our Shootout Winner, just shy of Triple Plus (A++ to A+++)
One of Tom Dowd’s many outstanding recordings of John Coltrane at the height of his powers – the sound is to die for
Exceptionally quiet on both sides for a vintage jazz album such as this – it actually plays a true Mint Minus
5 stars: “Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording.”
If all you have ever played is an original pressing or a modern reissue, you are in for a treat — this copy is going to murder them.
We found all of this out the hard way, by having some originals and some of the “wrong” reissues in our shootout. Of course, we didn’t know they were not going to be especially good sounding until we played them, but it didn’t take long to recognize there was one stamper and one stamper only that had the sonic goods. It was simply no contest. And it was not an original pressing.
Needless to say, this record has that stamper.(more…)
One of the better Speakers Corner Heavy Vinyl remasters. (Probably. It’s been a very long time since I played it.)
Speakers Corner did the album in 2003 and if memory serves I liked it and recommended it at the time. I rather doubt I could stand it now. I have much less tolerance now for the vague imaging, lack of ambience and overall lifeless quality their records invariably suffer from than I did then.(more…)
160 gram Simply Vinyl pressing of this EXCELLENT LP. This is the early, BLUESY Mac, about as far from Rumours as you can get. The sound here is excellent — dark and smooth like a good British Blues album should be. Simply Vinyl did a superb job here.
Correction: an unnamed mastering engineer at the label that owns the tape did a superb job. Simply Vinyl isn’t in the business of mastering or remastering ANYTHING. They leave that up to the pros at the record labels.
Sometimes those guys screw it up and sometimes they get it right.
One of the best copies of this phenomenal Fusion Guitar Jazz Classic to ever hit the site, Triple Plus (A+++) throughout
Both sides are incredibly lively, full-bodied, open and present – the sound is HUGE and WEIGHTY and it rocks
There is a mark that plays during track one on side one so we’ve discounted this one accordingly
5 stars: “Generally an explosive affair, although it does have a fair amount of variety. A near classic in the fusion vein.”
SHOCKINGLY GOOD SOUND for one of the all-time great guitar albums! We were positively BLOWN AWAY by how lively, dynamic and full-bodied this copy sounds. There’s real texture to all the instruments and the bottom end is tight and punchy beyond belief. They just don’t make records with this kind of Tubey Analog Magic anymore.
If you’ve enjoyed the sonics on one of our Hot Stamper pressings of Return To Forever, Weather Report or Santana, I think you’ll find a lot to like about this record.
This album still holds up today. The All Music Guide gives it five big stars, and on a copy like this one I bet you’ll rate the music just as highly. When you have a pressing with this kind of weight, power, clarity and transparency, you can easily appreciate just how amazing the musicianship is.(more…)
One of the best copies from our most recent shootout with a Triple Plus (A+++) side one and an excellent Double Plus (A++) side two
Julie is in the room with you – her voice is intimate, breathy and Tubey Magical like practically nothing you’ve ever heard
Unusually clean surfaces, playing Mint Minus Minus (w/ caveats, see below), a step up from most of the copies we’ve been running into lately
“Her subtle sensuality and lightly swinging style made for a potent combination.” – All Music
If you’re a fan of vintage female vocals – the kind without a trace of digital reverb – you should get quite a kick out of Make Love To Me. And unless I miss my guess you’ll be the first and only person on your block to own it. (That’s not a bad thing considering the average person’s taste in music.)
Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These Liberty pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.(more…)
This ’70s pressing was our Shootout Winner on side two for its clean, clear and lively sound, with lovely space around all of the instruments
Not an easy title to find, and this one is quieter than most of what we played – Mint Minus to Mint Minus Minus
“Hawes had lost nothing of his swinging style while in prison, as can be heard on such numbers as “Vierd Blues,” “St. Thomas” and “Secret Love,” and he was just starting to hint at moving beyond bop. Recommended.” – All Music
This Contemporary Yellow Label LP has wonderful Contemporary All Tube sound, courtesy of the amazing engineering of Howard Holzer. The piano is right — weighty and percussive with a full-bodied tone. The bass definition is superb. The clarity and transparency here are nothing short of breathtaking.
Steve Ellington’s brush work on the snare is very clear on this copy, helping to push the music to the next level. On the great Sonny Rollins track, St. Thomas, Steve Ellington is doing some fancy playing on the rims of his drums — the ambience bouncing off the studio walls is amazing.
A major highlight here is the completely original interpretation of Blue Skies. Hawes gets going with some really complicated two-handed playing. With the superb clarity of this copy you won’t miss a note.(more…)
Eno produced, Rhett Davies engineered, every track is (psycho) killer – a Must Own from 1978
5 stars: “Brian Eno brought a musical unity that tied the album together, especially in terms of the rhythm section, the sequencing, the pacing, and the mixing.”
If you thought you’d never hear a truly great pressing of this album, here’s the copy that will prove you wrong and rock your world doing it! The top end is extended and sweet, the bottom end is big and punchy, and the overall sound is as rich and full-bodied as you could expect from this zany art-rock.
The vocals have the kind of presence that put David Byrne right there in your living room, and not under a blanket or behind the speakers as most of the pressings we played were wont to do.
Top Notch ’70s Art Rock
I don’t think these guys ever put together a better group of songs. The ultimate pressings of Little Creatures go a step further sonically, but the best copies of this one can sound incredible, if not quite Demo Disc worthy.(more…)