*Our Record Overview – The Good

Willie Nelson – The Troublemaker

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The Troublemaker

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  • With outstanding Double Plus (A++) sound on both sides, this is an excellent copy from our most recent shootout – exceptionally quiet vinyl too 
  • It’s richer, fuller, more musical and more natural – Willie’s breathy voice is reproduced with a solidity and immediacy that’s not easy to find
  • “The Troublemaker is Willie Nelson’s first all-gospel album, but country gospel in his hands doesn’t sound like traditional country gospel — it’s a Willie album, through and through… Consequently, it’s every bit as wonderfully idiosyncratic as any of his other mid-’70s work and, in some ways, even more so, because inspirational songs and religious material are usually not given arrangements as imaginative and free-spirited as this… “

This Columbia LP has the MIDRANGE MAGIC that’s surely missing from The Typical Modern 180 Gram Reissue. This record is dramatically more real sounding than anything that’s been remastered for the audiophile market in years. (more…)

Oscar Peterson – We Get Requests

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We Get Requests

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A distinguished member of the Better Records Jazz Hall of Fame.

This is the way it must have sounded inside the RCA Studios in New York way back in 1964, not the club shown on the cover. The legendary RCA engineer BOB SIMPSON was behind the board.  (more…)

Paul Desmond – Desmond Blue

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Desmond Blue

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  • Paul Desmond’s phenomenal 1962 release finally arrives on the site, boasting outstanding Double Plus (A++) sound from first note to last
  • This is vintage Sixties Living Stereo at its best – big, rich and Tubey Magical like you will not believe
  • A “highly innovative and meticulously crafted work,” this collection is brimming with delightful jazz classics, including “My Funny Valentine,” “I’ve Got You Under My Skin,” and “Body and Soul”
  • 4 stars: “… lush, reflective, thought-provoking, and soul-stirring. This work is quite a plus for any listener and especially those who consider themselves avid fans of Paul Desmond.”

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These original Living Stereo pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here. (more…)

B.B. King – Blues On Top Of Blues

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Blues On Top Of Blues

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  • You’ll find outstanding Double Plus (A++) sound or close to it from first note to last on this 1968 pressing, BB King’s fourteenth studio album
  • This is the album he made right before Lucille, so the man was definitely on a roll and doing some great work in the late ’60s
  • 4 1/2 stars: “Featuring brassy arrangements by Johnny Pate, it presents King’s sound at its fullest without sacrificing any of his grit or sophisticated swing … the material is very strong throughout.”

Watch for more B. B. King albums coming to the site soon. Some of the Bluesway pressings we’ve auditioned recently have had exceptionally big, rich, lively sound, and that’s the way we like to hear our music. There are plenty of dogs in the King canon, especially in the ’70s, so you have to be a bit careful with the man’s recordings, but good titles in the ’60s with excellent sound can still be found if you’re willing to do the work (or you’re willing to let us do it for you). (more…)

Pink Floyd – Atom Heart Mother

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Atom Heart Mother

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  • A KILLER sounding copy with Triple Plus (A+++) sound or very close to it on both sides
  • The overall sound here is incredibly rich, full and dynamic with huge amounts of Tubey Magic and a solid bottom end
  • This is by far the best copy we have played in years – it’s richer, bigger and more solid than practically everything we were able to throw against it
  • While the music here may not be for everyone, if you’re a fan you’ll have a hard time finding a copy that sounds even remotely as good as this one does

This is an album that rarely sounds any good. We’ve spent a ton of money over the years chasing British originals and various other pressings looking for that Pink Floyd magic, but the early pressings were consistently disappointing, as are most reissues. If you like this music — admittedly a big if — I don’t think you can find better sound for it. (more…)

Ella Fitzgerald – Ella At Duke’s Place

 

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A distinguished member of the Better Records Jazz Hall of Fame.

We have a very hard time doing the famous Ella Fitzgerald Songbooks due to the fact that so many pressings don’t sound good, and the ones that do sound good are usually noisy.

That’s why it came as a pleasant surprise that Ella At Duke’s Place had the potential for excellent sound and reasonably quiet vinyl on the best copies.

We hope to do more in the future but with the reissues from the ’70s being mostly awful and the originals being harder and harder to find we are not at all sanguine about our chance of success. (more…)

Gershwin / An American In Paris & Rhapsody In Blue

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More An American In Paris & Rhapsody In Blue

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

I’ve always loved these performances, but the shrill Columbia sound has been hard to get past. So many copies suffer from upper-midrangy, glary, hard sound and blary brass. I’ve come to accept that this is nothing more nor less than the “Columbia Sound,” and as a consequence I rarely put much effort into surveying their prodigious catalog these days. (more…)

Dave Brubeck – Tonight Only!

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Tonight Only!

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  • This superb Brubeck recording, with Carmen McRae on vocals, finally returns to the site with Shootout Winning Triple Plus (A+++) sound from start to finish
  • This Six-Eye Stereo pressing was richer and tubier and just plain more musical than every other copy we played (which is exactly why it won the shootout)
  • The first of three collaborations between Brubeck and McRae in the early ’60s
  • Billboard notes that “Brubeck teams up with canary Carmen McRae on this package and the results are eminently tasteful and listenable”.
  • Every reviewer on Amazon for this album (on CD of course) gave it Five Stars – how often does that happen? 

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Cream – Goodbye – Some of the Best Live Rock Sound Ever Recorded

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More Goodbye

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

When you get a good side one of Goodbye you’ll hear exactly why we are calling it one of the Best Sounding Live Rock Albums of all time.

Goodbye has the Big Rock Sound that we go crazy for here at Better Records. The top copies just plain ROCK HARDER than all the others. Yes, they’re bigger. Yes, they have more weight and whomp down low. Yes, they are smoother and more natural up top. But what really sets them apart is the tremendous Energy they contain in their grooves. The music EXPLODES out of the speakers and comes to life on the best copies like practically nothing you have ever heard. (more…)

Bill Evans – California Here I Come

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California Here I Come

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  • This wonderful live double album boasts outstanding Double Plus (A++) sound or close to it from start to finish 
  • You’d be hard-pressed to find a copy that’s this well balanced, yet big and lively, with such wonderful clarity in the mids and highs
  • Recorded live at Village Vanguard in New York City in August of 1967, this LP captures this stellar trio’s superb sound
  • 4 1/2 stars: “[Evans] trades introspection for upbeat on this entertaining live set featuring the propulsive drumming of ‘Philly’ Joe Jones and Evans’ new young bassist Eddie Gomez… This trio swings and sparkles through a varied song-list that includes show tunes, some jazz standards and a few originals.”

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