_Conductors – Boskovsky

A Lively Hall Creates the Right Sound for Dances of Old Vienna

Hot Stamper Pressings on Two of Our Favorite Labels, Decca & London

Wow, what a find! Dances of Old Vienna is a WONDERFUL sounding record with vintage Decca / London sound. Even as late as 1968 Decca was still able to produce recordings that are tonally correct from top to bottom and full of Tubey Magic.

There is not a trace of hyped-up sound to be found on this record. It’s unbelievably spacious and three-dimensional, with depth to rival any recording you may own.

One reason the recording is as spacious as it is is that this is a fairly small ensemble, not a huge orchestra, playing in a lively hall, exactly the kind of hall in which this music was meant to be heard.

The reason everything on this disc sounds right is that both the sound and the music are authentic to these works in practically every detail.

And the performances are vivid and lively as well, with Boskovsky himself playing the violin as well as directing the other players.

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Schubert / Octet / Vienna Octet

More of the music of Franz Schubert (1797-1828)

More Classical Recordings Featuring the Violin

  • Amazing sound throughout this original London pressing of the Vienna Octet’s performance of Schubert’s sublime chamber work, with both sides earning INCREDIBLE Shootout Winning Triple Plus (A+++) grades
  • It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
  • The rich, textured sheen of the strings was far more natural and more real than on all other copies we played, with a clarity and sweetness we were looking for in the violin and cello
  • Both of these sides are super spacious and positively dripping with ambience — talk about Tubey Magic, the liquidity of the sound here is positively uncanny

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Strauss / Schubert – Dances of Old Vienna / Boskovsky

More of the music of Johann Strauss (1804-1849)

More Classical and Orchestral Recordings

  • An original UK Decca pressing of this wonderful sounding record boasting STUNNING Shootout Winning Triple Plus (A+++) grades from first note to last
  • Tonally correct from top to bottom and full of Tubey Magic, it’s unbelievably spacious and three-dimensional, with depth to rival any recording you may own
  • The violin (played by Boskovsky himself) is immediate, real and lively here – there is a transparency and ease to the sound that is not often heard in recordings from any era, making this a very special record indeed
  • Gordon Parry and James Lock handled the engineering duties for Decca and their work here is hard to fault

Wow, what a find! This is a WONDERFUL sounding record with vintage Decca/London sound. There is not a trace of hyped-up sound to be found on this record.

So spacious! This is a fairly small ensemble, not a huge orchestra, playing in a lively hall, exactly the kind of hall in which this music was meant to be heard. The reason everything on this disc sounds right is that the venue, the sound and the music are authentic to these works in practically every detail.

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Strauss / New Year’s Concert / Boskovsky

More of the music of Johann Strauss II (1825-1899)

More Classical and Orchestral Recordings

  • New Year’s Concert makes its Hot Stamper debut with INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it throughout this original unboxed Decca pressing
  • Tons of musical energy, loads of rich detail and texture, superb transparency and excellent clarity – the very definition of DEMO DISC sound
  • The orchestra is wide, tall, spacious, rich and tubey, yet the dynamics and transparency are first rate

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Strauss / Tales of Old Vienna / Boskovsky

Decca and London Hot Stamper Pressings Available Now

This BETTER than Super Hot Side one has shockingly good sound, some of the best we have ever heard for lovely marches, polkas and waltzes such as these (the Radetsky March being the most famous).

The hall is HUGE, the strings so rich, with the kind of wall to wall sound that makes the stereo and speakers utterly disappear. The sound of this London Whiteback pressing is just right for this music — so natural and real. Boskovsky of course was a master of these forms and displays consummate skill with each of the famous works here, bringing them to life as only he and the Vienna Phil. can.

If only side two were as good! But of course, when one side is killer, the chances that the second side will be as good or better are well below average.

Side One

Slight smear and slight edge keep this side from three pluses, but it’s close!

Side Two

Listen for the uncannily realistic whistle at the start of the first piece — it’s DEMO DISC material.

A step down to be sure but still big and rich, just the way we like our Londons.