Hot Stamper Pressings of the Music of The Who Available Now
Sonic Grade: C
The Classic Tommy is bass shy. It could have had amazing bass, like Classic’s Who’s Next, but it doesn’t. Why, I have no idea.
The overall sound is thin, so thin that we immediately knew there was no point in carrying it (back in the old days when we carried Heavy Vinyl, pre-2008).
The only Classic Who record we ever carried was Who’s Next; the rest of them vary from mediocre to dreadful.
Remastering Out The Good Stuff
What is lost in the newly remastered recordings so popular with the record buying public these days?
Lots of things, but the most obvious and irritating is the loss of transparency.
Modern records tend to be small, veiled and recessed, and they rarely image well. But the most important quality they lack is transparency. Almost without exception they are opaque.
They resist our efforts to hear into the music and get lost in it.
We don’t like that sound, and we like it less with each passing day, although we certainly used to put up with it back when we were selling what we considered to be the better Heavy Vinyl pressings from the likes of DCC, Speakers Corner, Cisco and Classic Records.
Now when we play the vinyl those companies produced, they either bore us to tears or frustrate us with their veiled, vague, lifeless, ambience-challenged presentation.
It was sometime in 2007 when we turned a corner.
The remastered Blue on Rhino Heavy Vinyl came out and was such a mediocrity that we asked ourselves “why are we bothering?” That was all she wrote.
We stopped selling those third-rate remasters and dedicated ourselves to finding, cleaning, playing and critically evaluating vintage pressings, regardless of era or genre of music.
The result is a website full of great sounding records that should appeal to audiophiles who set high standards, who good equipment set up in a good room and who have well-developed critical listening skills.
Further Reading