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• Here is a seriously good copy of Luxury Liner (one of only a handful to hit the site in two and a half years) with Double Plus (A++) grades or BETTER from start to finish
• Side two was sonically very close to our Shootout Winner – you will be amazed at how big and rich the sound is
• Here is the full-bodied and natural sound we look for, with a nicely extended top end, plenty of space around the instruments and vocals, and far fewer of the problems that plague so many of the pressings we play
• 4 1/2 stars: “Luxury Liner ranks as Emmylou Harris’ best-selling solo record to date, and it’s one of her most engaging efforts as well; her Hot Band is in peak form, and the songs are even more far afield than usual, including Chuck Berry’s “(You Never Can Tell) C’est la Vie” and Townes Van Zandt’s painterly tale of aging outlaws, “Pancho & Lefty.” – All Music

The sound that Emmylou and her producers were going for here is clean, detailed and low distortion, which is exactly what the best pressings like this one deliver. What really sets the good copies apart, though, is a natural, relaxed quality in the midrange. Emmylou sounds like a real person, with none of the too-clean, too-modern, tube-free sound that ruins many of the pressings of her records. 

This vintage Warner Brothers pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.

What The Best Sides Of Luxury Liner Have To Offer Is Not Hard To Hear

• The biggest, most immediate staging in the largest acoustic space
• The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1976
• Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
• Natural tonality in the midrange — with all the instruments having the correct timbre
• Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

Learning the Record

For our shootout for Luxury Liner, we had at our disposal a variety of pressings that had the potential for Hot Stamper sound. We cleaned them carefully, then unplugged everything in the house we could, warmed up the system, Talisman’d it, found the right VTA for our Triplanar arm (by ear of course) and proceeded to spend the next hour or so playing copy after copy on side one, after which we repeated the process for side two.

If you have five or more copies of a record and play them over and over against each other, the process itself teaches you what’s right and what’s wrong with the sound of the album. Once your ears are completely tuned to what the best pressings do well that the other pressings do not do as well, using a few carefully chosen passages of music, it quickly becomes obvious how well a given copy can reproduce those passages. You’ll hear what’s better and worse — right and wrong would be another way of putting it — about the sound.

This approach is simplicity itself. First, you go deep into the sound. There you find a critically important passage in the music, one which most copies struggle — or fail — to reproduce as well as the best. Now, with the hard-won knowledge of precisely what to listen for, you are perfectly positioned to critique any and all pressings that come your way.

It may be a lot of work but it sure ain’t rocket science, and we’ve never pretended otherwise. Just the opposite: from day one we’ve explained step by step precisely how to go about finding the Hot Stampers in your own collection. Not the good sounding pressings you happen to own — those may or may not have Hot Stampers — but the records you actually cleaned, shot out, and declared victorious.

What We’re Listening For on Luxury Liner

• Energy for starters. What could be more important than the life of the music?
• Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
• The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
• Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
• Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
• Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
• Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.

Side One

Luxury Liner
Pancho & Lefty
Making Believe
You’re Supposed to Be Feeling Good
I’ll Be Your San Antonio Rose

Side Two

(You Never Can Tell) C’est La Vie
When I Stop Dreaming
Hello Stranger
She
Tulsa Queen

AMG 4 1/2 Star Rave Review

Luxury Liner ranks as Emmylou Harris’ best-selling solo record to date, and it’s one of her most engaging efforts…… as well; her Hot Band is in peak form, and the songs are even more far afield than usual, including Chuck Berry’s “(You Never Can Tell) C’est la Vie” and Townes Van Zandt’s painterly tale of aging outlaws, “Pancho & Lefty.