How to Make All Your Records Sound Like Mobile Fidelity Pressings – For Free!

More of the Music of The Doors

Reviews and Commentaries for The Doors’ Debut

More Records that Are Good for Testing Midrange Presence

The Doors first album is yet another obvious example of MoFi’s predilection for a sucked-out midrange.

Scooping out the middle of the midrange has the effect of creating an artificial sense of depth where none belongs. Play any original Bruce Botnick engineered album by Love or The Doors and you will notice immediately that the vocals are front and center.

When the DCC Doors first album was released on vinyl, we noted that the vocals were finally back where they belonged. After having lived with the MoFi for so many years, we’d almost forgotten.

And now of course we can’t tolerate the smear and opacity of the DCC. We like to think we’re simply setting higher standards these days.

The midrange suckout effect is easily reproducible in your very own listening room. Pull your speakers farther out into the room, and also farther apart, and you can get that MoFi sound on every record you play. I’ve been hearing it in the various audiophile systems I’ve been exposed to for years.

Nowadays I would place it under the general heading of My-Fi, not Hi-Fi. Our one goal for every tweak and upgrade we make is to increase the latter and reduce the former.

And note also that when you play your records too softly it results in an exaggerated, artificial sense of depth.

That’s one of the main reasons we play them loud; we want to hear which pressings have real presence and immediacy. They’re the ones that are most likely to win our shootouts. If you have any of our killer Hot stampers you surely know what I’m talking about.


Some Relevant Commentaries

Reviews and Commentaries for the Music of The Doors

A Technological Fix for a Non-Existent Problem

How to Make All Your Records Sound Like Mobile Fidelity Pressings – For Free!

A Half-Speed that Actually Beats Most Originals

Adding 10k Was a Dumb Idea, But They Did It Anyway

Half-Speed Stamper Variations Are Real

Another Classic Album Ruined

Where Did the Musical Information Go?

Why Is This Album So Compressed?

Why Is This Album So Spitty?

This Beatles’ Albums Are Consistently Spittier on Mobile Fidelity – Why Is That?

Head to Head It’s No Contest

Visit our Hall of Shame (300+ strong) to see what, in our opinion, are some of the worst sounding records ever made.

Note that most of the entries are audiophile remasterings of one kind or another.

The reason for this is simple: we’ve gone through the all-too-often unpleasant experience of comparing them head to head with our best Hot Stamper pressings.

When you can hear them that way, up against an exceptionally good record, their flaws become that much more obvious and, frankly, that much more intolerable.

FURTHER READING

Half-Speed Mastered Disasters

Half-Speed Mastered Mediocrities

Half-Speed Mastered Winners

Half-Speed Masters – The Complete List

To learn more about records that sound dramatically better than any Half-Speed ever made (with one rare exception, John Klemmer’s Touch), please consult our FAQs, found here:

Frequently Asked Questions (FAQ)