More of the Music of Linda Ronstadt
[This review was written many years ago, around 2004 I think. This was one of the first DCC records I did a shootout with up against run-of-the-mill Mastering Lab domestic pressings, only to find, somewhat surprisingly, at least at that time, that the DCC came up short, as you will see in the review below.]
Sonic Grade: C
As much as I admire Steve Hoffman’s work for DCC, on this title the DCC is not as good as the best domestic copies. The best domestic pressings are just plain more fun.
The DCC sounds thick in the midrange and fat in the bass, although some of that boost in the bass could have been used to the advantage of some of the domestic pressings we played. 1 DB or so at 50-60 cycles would help, but the DCC has a boost in the middle and upper bass that causes the bass to sound bloated next to a properly mastered, properly pressed LP.
I like rich sounding records just like Steve does, but his version of this title is too rich for my blood. If your system is lean sounding you may prefer the DCC, but we found it less than agreeable over here.
Not sure why so few reviewers and audiophiles notice these rather obvious shortcomings, but we sure do, and we don’t like it when records sound that way. These are records for those who are not sufficiently advanced in the hobby to know just how compromised and wrong they are.
Here are some of our reviews and commentaries concerning the many Heavy Vinyl pressings we’ve played over the years, well over 200 at this stage of the game. Feel free to pick your poison.
Heavy Vinyl Commentaries
Heavy Vinyl Disasters
Heavy Vinyl Winners
And finally,
A Confession
One final note of honesty. Even as recently as the early 2000s we were still somewhat impressed with many of the better Heavy Vinyl pressings. If we had never made the progress we’ve worked so hard to make over the course of the last twenty plus years, perhaps we would find more merit in the Heavy Vinyl reissues so many audiophiles seem to prefer.
We’ll never know of course; that’s a bell that can be unrung. We did the work, we can’t undo it, and the system that resulted from it is merciless in revealing the truth — that these newer pressings are second-rate at best and much more often than not third-rate or worse.
Setting higher standards — no, being able to set higher standards — in our minds is a clear mark of progress. We know that many of our customers see things the same way.