Recently I tried to win a copy of this album on ebay, since I rarely see them locally anymore. Most of them are too noisy and groove damaged to do much with, but that’s the cost of doing business if your business is selling Hot Stamper pressings in audiophile playing condition.
A week or two ago I was outbid at $200+, beyond what I thought I should have to pay. How wrong I was. Yesterday I was outbid at $320.
There is a reason that at least some of our records are getting a lot pricier than they used to be.
And some titles, like this very album, are so rare in clean condition that we go years between shootouts.
Really, nothing is cheap anymore. The record bins in our local stores are badly picked over no matter how often we stop in. Plenty of Heavy Vinyl reissues are there to be found if that’s your thing, but it sure isn’t ours.
AMG 4 1/2 Star Rave Review
Ella and Louis is an inspired collaboration, masterminded by producer Norman Granz. Both artists were riding high at this stage in their careers, and Granz assembled a stellar quartet of Oscar Peterson (piano), Buddy Rich (drums), Herb Ellis (guitar) and Ray Brown (bass). Equally inspired was the choice of material, with the gruffness of Armstrong’s voice blending like magic with Fitzgerald’s stunningly silky delivery. Outstanding are Irving Berlin’s “Cheek to Cheek” and “Isn’t This a Lovely Day,” and everything else works like a dream, with the golden star going to the Gershwin brothers’ “They Can’t Take That Away from Me.” Gentle and sincere, this is deserving of a place in every home.