AMAZING SOUND for one of the best soul albums of all time! This is the first Hot Stamper copy of Let’s Get It On to ever hit the site, and it is KILLER on side one, giving you better sound for the classic title track than you probably ever dreamed of! It’s not easy to find clean original copies, and even when you manage to track them down they often don’t sound all that hot. This side one takes the music to a whole new level — the vocals are smooth and sweet, the bottom end is punchy with real weight, and the vocals have the kind of presence that carries them out of the speakers and front and center into your listening room. Let’s get it on indeed!
If you’ve ever sat through a few copies of this album, I’m sure you know how plain the sound can be. We had a big stack of copies (it took us ages to pull so many together) and most of them left us cold. When I’m listening to music this important, I don’t want to miss a thing. I need the sound to fall into place and give me the kind of magic that the artist intended. This side one does EXACTLY that. We heard subtleties in the music that had completely escaped us before. It was a truly special experience to hear this music sound like this, and you’re a fan of this kind of stuff you will be BLOWN AWAY.
Side two is excellent as well, but not quite in a league with the first side. The sound is rich and full with good presence and energy. The transparency and clarity are both wonderful and the vocals sound great. The first side just performs a bit better in the extremes — punchier down low and silkier up top — but it won’t be easy to find a side two much better than this one.
It’s surprising how great some of the classic soul albums from the early ’70s can sound. This is up there with Stevie Wonder’s InnerVisions as an album that offers sound that’s every bit as good as the music — but only on the very best pressings like this one!
Let’s Get It On
Please Don’t Stay (Once You Go Away)
If I should Die Tonight
Keep Gettin’ it On
Come Get To This
You Sure Love To Ball
Just to Keep You Satisfied
AMG 5 Star Rave Review
After brilliantly surveying the social, political, and spiritual landscape with What’s Going On, Marvin Gaye turned to more intimate matters with Let’s Get It On, a record unparalleled in its sheer sensuality and carnal energy. Always a sexually charged performer, Gaye’s passions reach their boiling point on tracks like the magnificent title hit (a number one smash) and “You Sure Love to Ball”; silky and shimmering, the music is seductive in the most literal sense, its fluid grooves so perfectly designed for romance as to border on parody. With each performance laced with innuendo, each lyric a come-on, and each rhythm throbbing with lust, perhaps no other record has ever achieved the kind of sheer erotic force of Let’s Get It On, and it remains the blueprint for all of the slow jams to follow decades later — much copied, but never imitated.