More Gil Evans
- Insanely good Triple Plus (A+++) sound or very close to it throughout
- 4 stars on Allmusic: “The music here is of a wondrous variety, bookended by two stellar Evans compositions in “La Nevada,” and “Sunken Treasure”… This set is not only brilliant, it’s fun.”
This is an incredibly well-recorded big band jazz album from 1961 with excellent music, and copy like this one gives you WONDERFUL SOUND. We’ve been collecting these for ages trying to get this shootout going, but it’s difficult to find reasonably quiet copies that sound like this!
Both sides have big punchy bass, loads of tubey magic, amazing transparency and lots of space and openness. There’s real depth to the instruments and space around the players, so it’s easy to make sense of everything that happens. The clarity is wonderful as well, and you can clearly hear the transients to the horns.
Big band jazz records are almost always difficult to record and master properly. We’ve struggled through a number of shootouts for large jazz groups and found that most of the time it’s just not worth the trouble. This album is an entirely different story, however. These guys did a great job of capturing all the various instruments and giving them their own sense of space. Peek inside the gatefold cover and you’ll find a key to where each player and microphone was located. On a copy as transparent and open-sounding as this one, you can really get a sense of how everything unfolds, and it’s easy to picture the studio setup as the music plays.
Where Flamingos Fly
The music here is of a wondrous variety, bookended by two stellar Evans compositions in “La Nevada,” and “Sunken Treasure.” The middle of the record is filled out by the lovely standard “Where Flamingos Fly,” Kurt Weill-Bertolt Brecht’s “Bilbao Song,” and George Russell’s classic “Stratusphunk”… This set is not only brilliant, it’s fun.