- This wonderful Living Stereo pressing makes its Hot Stamper debut with outstanding Double Plus (A++) sound from start to finish
- A truly superb recording with huge, spacious, dynamic, lively sound – Tubey Magical richness is a big plus too
- These performances by Heifetz and the Boston Symphony under the baton of Charles Munch are some of the best we’ve ever heard – Heifetz is on fire with passion for these exciting pieces
No violin concerto recording can be considered to have the real Living Stereo sound if the violin isn’t right, and fortunately this violin is very very right, with the kind of rosiny texture and immediacy that brings the music to life right in your very own listening room.
The Prokofiev concerto is a longtime member of the TAS Super Disc List.
This vintage RCA pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What the best sides of this pressing have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1959
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
It’s practically impossible to hear that kind of string sound on any recording made in the last thirty years (and this of course includes practically everything pressed on Heavy Vinyl). It may be a lost art but as long as we have these wonderful vintage pressings to play, it’s an art that is not being lost on us.
It’s also as wide, deep and three-dimensional as any, which is, of course, all to the good, but what makes the sound of these recordings so special is the timbral accuracy of the instruments in every section.
I don’t think the engineers could have cut this record any better — it has all the orchestral magic one could ask for, as well as the resolving power, clarity and presence that are missing from so many Golden Age records.
This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. They cannot begin to sound the way this record sounds. (Before you put them in storage or on Ebay, please play them against this pressing so that you can be confident in your decision to rid yourself of their insufferable mediocrity.)
What We’re Listening For on Mendelssohn and Prokofiev’s Concertos
- Energy for starters. What could be more important than the life of the music?
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
- Felix Mendelssohn – composer
- Sergei Prokofiev – composer
- Charles Munch – conductor
- Jascha Heifetz – violin
- Accompanied by The Boston Symphony
Classic Records — Let’s Try and Forget The Sound
Classic Records ruined this album, as was to be expected. Their version is dramatically more aggressive, edgy and smeared than this pressing. In fact it’s just plain awful, like most of the classical recordings they remastered.
A Must Own Classical Record
This Demo Disc Quality recording should be part of any serious Classical Collection. Others that belong in that category can be found here.
Mendelssohn – Violin Concerto In E Minor, Opus 64
Prokofieff – Violin Concerto In G Minor, Opus 63