There’s a reason Willie Nelson’s Stardust is on HP’s TAS List of Super Discs, but you’d never know it by playing the average Columbia pressing. Most copies of this record just sound like an old Willie Nelson record. You wouldn’t have a clue how magical this recording can be if you dropped the needle on the average copy, a copy that for all intents and purposes appears to be exactly the pressing that Harry Pearson recommends on his Super Disc list. The catalog number may be the same, but the sound won’t even hint at Super disc status. (Which, sad to say, most audiophiles don’t seem to notice.)
Get real. Unless you have at least a dozen copies of this record (and we had more than double that) you have very little chance of finding even one side with exceptional sound.
This has always been the problem with the TAS list. The pressing variations on a record like this are HUGE and DRAMATIC. There is a world of difference between this copy and what the typical audiophile owns based on HP’s list. I’ve been complaining for years that the catalog number that Harry supplies has very little benefit to the typical audiophile record lover.
Without at least the right stampers, the amount of work required to find a copy that deserves a Super Disc ranking is daunting, requiring the kind of time and effort that few audiophiles are in a position to devote to such a difficult and frustrating project. The average copy of Stardust just plain sounds wrong, and finding one that sounds right is no mean feat.