A distinguished member of the Better Records Rock and Pop Hall of Fame.
This Let’s Dance may look like an ordinary record, but it sure doesn’t sound like one. The sound is OUT OF THIS WORLD! You’re looking at THE Big Beat Demo Disc of All Time. What the Hot Stamper copy of Back in Black was to Super-Fidelity HARD Rock, this White Hot Stamper of Let’s Dance is to Super-Fidelity FUNKY Rock. In other words, this is the FREAKISHLY HOT STAMPER copy that gives you As Good As It Gets, Demo Disc, Mind Altering Sound.
With Let’s Dance the name of the game is ENERGY, and boy does this copy have it! Both sides have the deep, punchy bass and sweet, extended highs that Bowie’s music needs to come ALIVE. With that big bass and smooth top end this is one record you can turn up GOOD and LOUD without fear of fatique. On a big pair of dynamic speakers you will really get your money’s worth from this bad boy.
Compression? No Thank You!
Most copies we came across during our extensive shootout were painfully compressed and thin. Sure, they could convey some of the enormous energy of this recording, but the highs always ended up being brittle and edgy. Subsequently the vocals would lose presence and the whole operation turned smeary. When this happens, tracks like “Modern Love” turn the joy of the music into boredom and even outright misery.
But the good ones boggle the mind, they practically defy understanding. How did they get that much punchy note-like bass onto a piece of vinyl, not to mention all those silky sweet highs?
This Album Rocks
Hearing a top copy of Let’s Dance is truly a special experience; the damn thing is amazingly well recorded, especially considering it came along well after the Golden Age of Rock Recording (the ’60s and ’70s, don’t you know). The sound is analog at its best; rich, full and super-punchy.
In addition, the musicianship is Top Notch and then some. Omar Hakim’s drumming is powerful, energetic, and performed with military precision. The guy is out of his mind on this album.
The combination of Nile Rodgers and the Legendary Stevie Ray Vaughn on guitar makes for a tasty, intricate mix of subtle rhythm work and searing leads. Or is that soaring leads? Hey, on this album it’s both.
Bowie Is The Man
Bowie is without question one of the all-time great frontmen and producers. This is a Must Own for audiophiles, especially if you have big dynamic speakers. Like we say, with this one you are in for a treat!
Analog Only, What Else Is New?
I have never heard a CD in my life with this kind of tubey magical richness and sweetness. That medium never does justice to the sound of recordings like this one, in my experience anyway. People who exclusively play CDs have forgotten what that sound is; that’s why they can happily live without it. I sure can’t. At present this sound is exclusively the domain of analog and likely to remain so well into the future.