Muddy Waters – Folk Singer

More Muddy Waters

More Folk Singer

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  • An outstanding copy with solid Double Plus (A++) sound, or close to it, on both sides – quiet vinyl too 
  • Folk Singer is an exceptional live-in-the-studio recording, with some of the best sound Muddy Waters ever managed
  • This ’80s reissue is guaranteed to trounce any heavy vinyl pressing you’ve heard of it or we’ll give you your money back!
  • 4 1/2 Stars: “Muddy’s “unplugged” album was cut in September of 1963 and still sounds fresh and vital today. It was Muddy simply returning to his original style on a plain acoustic guitar in a well-tuned room…”

This 1963 recording pressed on ’80s vinyl has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.

Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.). The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real person singing live in your listening room. The best copies have an uncanny way of doing just that.

If you exclusively play modern repressings of older recordings (this one is now 54 years old), I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of one fifty new records do, if our experience with the hundreds we’ve played can serve as a guide.

What to Listen For (WTLF)

Copies with rich lower mids did the best in our shootout, assuming they weren’t veiled or smeary of course. So many things can go wrong on a record! We know, we’ve heard them all.

Top end extension is critical to the sound of the best copies. Lots of old records (and new ones) have no real top end; consequently the studio or stage will be missing much of its natural ambience and space, and instruments will lack their full complement of harmonic information. 

Tube smear is common to pressings from every era and this is no exception. The copies that tend to do the best in a shootout will have the least (or none), yet are full-bodied, tubey and rich.

The Real Folk Blues

What the best sides of this album have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the Tubey Magic that was on the tapes in 1987
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with the guitars and drums having the correct sound for this kind of recording
  • Transparency, resolution and freedom from smear on the guitar transients

No doubt there’s more but we hope that should do for starters. Playing the record is the only way to hear all of the above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

TRACK LISTING

Side One

My Home Is In The Delta 
Long Distance 
My Captain 
Good Morning School Girl 
You Gonna Need My Help

Side Two

Cold Weather Blues 
Big Leg Woman 
Country Boy 
Feel Like Going Home

AMG 4 1/2 Star Review

Muddy’s “unplugged” album was cut in September of 1963 and still sounds fresh and vital today. It was Muddy simply returning to his original style on a plain acoustic guitar in a well-tuned room with Willie Dixon on string bass, Clifton James on drums, and Buddy Guy on second acoustic guitar.