- Amazing Triple Plus (A+++) sound on the first side and Double Plus (A++) on the second for this groundbreaking live jazz album
- The sound of this wonderful reissue pressing is big and full-bodied with good live club space and plenty of Tubey Magic
- Cannonball joins forces here with his brother, cornetist Nat Adderley, at The Jazz Workshop in San Francisco to create an album Orrin Keepnews lauded as, “the birth of contemporary live recording”
- 4 1/2 stars: “Both Cannonball and Nat Adderley play with stunning, bluesy brilliance here… Outside of Somethin’ Else, Adderley’s 1958 masterpiece, In San Francisco may be the saxophonist’s defining moment.”
Classic Jazz – How Can You Go Wrong?
What the best sides of this Classic Jazz Album have to offer is clear for all to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1959
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments of this stellar jazz quintet having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional space of the club
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we describe above, and for that, you will need to take this copy of the record home and throw it on your table.
Bass – Sam Jones
Cornet – Nat Adderley
Drums – Louis Hayes
Piano – Bobby Timmons
Saxophone – Cannonball Adderley
A Few Words By Cannonball …. And This Here
You Got It!
Bohemia After Dark
AMG 4 1/2 Star Review
Hot on the heels of session work with Miles Davis and his Kind of Blue-era group, alto saxophonist Cannonball Adderley recorded this excellent live date with his brother, cornetist Nat Adderley, along with pianist Bobby Timmons, bassist Sam Jones, and drummer Louis Hayes.
The Cannonball Adderley Quintet in San Francisco defined the accessible, yet technically challenging, soul-jazz that Adderley would be associated with for the rest of his career.
The warm, exuberant feel of the quintet is especially evident on the set’s two finest tracks — a spirited take on Randy Weston’s “Hi-Fly,” and on Timmons’ swinging “This Here.” Two of Adderley’s own compositions, “Spontaneous Combustion” and “You Got It!,” blend blazing post-bop dexterity with pulsing, infectious blues structures. Both Cannonball and Nat Adderley play with stunning, bluesy brilliance here, while the rhythm section ably anchors the proceedings. Outside of Somethin’ Else, Adderley’s 1958 masterpiece, In San Francisco may be the saxophonist’s defining moment.