Click HERE to see the records we have on the site that were (mostly) recorded in 1958.
- This early pressing on the rainbow label earned excellent Double Plus (A++) grades for its wonderful sound
- Both sides here are BIG, rich and Tubey Magical, yet clear and not the least bit thick or opaque
- Turn down the lights and drop the needle to hear a living breathing Nat King Cole singing right in your very own listening room
- “Highlights include “The Very Thought of You,” “But Beautiful,” “This Is All I Ask,” “For All We Know,” and “The More I See You”.
We are HUGE fans of the album at Better Records, but it’s taken us a long time to pull together enough clean copies to make the shootout happen. Boy, was it worth all the trouble.
The presence and immediacy here of Nat King Cole’s vocals are ’50s Capitol Recording Magic at its best. Set the volume right and Nat is right between your speakers, putting on the performance of a lifetime. The selection of material and the contributions of all involved are hard to fault.
The sound is big, open, rich and full, with loads of Tubey Magic. The highs are extended and silky sweet. The bass is tight and punchy.
Midrange Magic to Die For
This Rainbow Label Capitol LP also has the MIDRANGE MAGIC that’s missing from the DCC reissue (and no doubt any others that will be coming down the pike). As good as some think that pressing is, this one is dramatically more REAL sounding.
Nat’s voice is sounds so right — not necessarily natural, but correct for the vocal style of the era — you immediately find yourself lost in the music, because there’s really nothing in the soundfield that sounds out of place.
If you’re like me, this copy sounds the way you want it to sound. Click on the Other Pressings tab above to read more on the subject.
We want to give a special shoutout here to conductor/arranger Gordon Jenkins, who also handled the same duties on Nilsson’s classic Must Own A Little Touch Of Schmillson in The Night. It’s yet another wonderfully well-produced album of standards that deserves a place in any serious record collection.
Jenkins worked with Nat King Cole on four albums for Capitol: Love Is the Thing (1957), The Very Thought of You (1958), Every Time I Feel the Spirit (1960) and Where Did Everyone Go? (1963).
He did three albums with Sinatra for Capitol: A Jolly Christmas From Frank Sinatra (1957), Where Are You? (1957) and No One Cares (1959), and five more after Sinatra moved to Reprise: All Alone (1962), September of My Years (1965), Ol’ Blue Eyes Is Back (1973), “Future” suite – Trilogy: Past Present Future (1980) and She Shot Me Down (1981).