enya_water

Enya – Watermark

More Enya

  • Watermark returns to the site after a twenty-one month hiatus, here with STUNNING Shootout Winning Triple Plus (A+++) sound or close to it from first note to last, and pressed on vinyl that’s about as quiet as we can find it
  • The vocals are breathy and full-bodied with staggering immediacy, and the bottom end is weighty and powerful
  • “Orinoco Flow” (aka “Sail Away”) is the big hit here and it is certainly as good as we’ve ever heard on this amazing Triple Plus side two
  • 5 stars: “…the subtlety that characterizes her work at her best dominates Watermark, with the lovely title track, her multi-tracked voice gently swooping among the lead piano, and strings like a softly haunting ghost, as fine an example as any.”

The sound here is airy, open, spacious, and super transparent. This may not be our favorite music in the world, but it’s hard to argue with sonics like this. The instruments all have lovely texture, and it’s easy to pick out and follow them over the course of a song. (more…)

What We Listen For – These Are the Basics

What Makes This Enya Pressing a Hot Stamper?

Specifically, what are the criteria by which a record like this should be judged?

The criteria we discuss in most of our Hot Stamper listings are a good place to start:

Energy, vocal presence, frequency extension (on both ends), transparency, harmonic textures (freedom from smear is key), rhythmic drive, correct tonality, fullness, space, Tubey Magic, and on and on down through the list.

When we can get all, or most all, of the qualities above to come together on any given side, we provisionally award it a grade of “contender.” Once we’ve been through all our copies on one side we then play the best of the best against each other and arrive at a winner for that side.

Repeat the process for the other side and the shootout is officially over. All that’s left is to see how the sides matched up.

For some records, we offer advice on what to listen for track by track. 

It may not be rocket science, but it is a science of a kind, one with strict protocols that we’ve developed over the course of many years to insure that the results we arrive at are as accurate as we can make them.

The result of all our work speaks for itself. We guarantee you have never heard this music sound better than it does on any of our Hot Stamper pressings — or your money back.

Size

One of the qualities that we don’t talk about on the site nearly enough is the SIZE of the record’s presentation. Some copies of the album just sound small — they don’t extend all the way to the outside edges of the speakers, and they don’t seem to take up all the space from the floor to the ceiling. In addition, the sound can often be recessed, with a lack of presence and immediacy in the center.

Other copies — my notes for these copies often read “BIG and BOLD” — create a huge soundfield, with the music positively jumping out of the speakers. They’re not brighter, they’re not more aggressive, they’re not hyped-up in any way, they’re just bigger and clearer.

When you hear a copy that does all that, it’s an entirely different listening experience. (more…)