Philippe Entremont’s delightful 1967 release returns with superb sound on both sides
It’s solid and weighty like no other, with less smear, situated in the biggest space, with the most energetic performances
These sides are big, full-bodied, clean and clear, with a wonderfully present piano and plenty of 3-D space around it
Some old record collectors (like me) say classical recording quality ain’t what it used to be – here’s all the proof anyone with two working ears and top quality audiophile equipment needs to make the case
Dynamic, huge, lively, transparent and natural – with a record this good, your ability to suspend disbelief requires practically no effort at all
