- Boasting killer Nearly Triple Plus (A++ to A+++) grades on both sides, this vintage pressing of Bowie’s rock Masterpiece is practically as good a copy as we have ever heard, right up there with our Shootout Winner – exceptionally quiet vinyl too
- Huge amounts of studio space can be heard on this copy, along with the Tubey Magical richness only the better UK pressings can offer
- We shot out a number of other imports and this one had better midrange presence, bass, and dynamics than practically any other copy we played
- 5 stars: “Though a handful of the vocal pieces on Low are accessible – ‘Sound and Vision’ has a shimmering guitar hook, and ‘Be My Wife’ subverts soul structure in a surprisingly catchy fashion – the record is defiantly experimental and dense with detail, providing a new direction for the avant-garde in rock & roll.”
- If you’re a fan of the man, this is a Top Title from 1977 that belongs in your collection
As I’ve mentioned on the site numerous times, I spent a good portion of the 70s playing art rock records like Taking Tiger Mountain, Siren, Crime Of The Century, Deceptive Bends and scores of others. I remember being blown away when Low came out, and with this shootout we had a blast hearing just how good a killer Hot Stamper UK pressing can sound on the much more highly-evolved stereo system (equipment, room, set-up, tweaks, electricity, etc.) we have today.
It’s difficult to find a pressing that gets both sides of this album right, perhaps in part because the two sides are so different. Side one of this album features the more traditional (not really the right word, but it will have to do) Bowie rockers like “Sound and Vision” and “Be My Wife,” while side two sounds more like the instrumental synth music of Kraftwerk and Eno.
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