Shelly Yakus, Engineer – Reviews and Commentaries

Shelly Yakus Is One of Our Favorite Engineers

More Recordings Engineered by Shelly Yakus

SHELLY YAKUS is one of our favorite recording and mixing engineers.

Check out the Shelly Yakus engineered or produced albums we have in stock, along with plenty of commentaries about the sound of the records he’s engineered, from Moondance (his first official lead engineering gig) to Twelve Dreams of Dr. Sardonicus and more.

One or two can be found in our Rock and Pop Top 100 List of Best Sounding Albums with the Best Music, limited to titles that we can actually find enough copies of in order to carry out our patent pending (not really) Hot Stamper shootouts.

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Is Damn The Torpedoes on MCA Audiophile LP Bright Enough For You?

On this pressing it sure is. If your stereo is dull, dull, deadly dull, this company’s remastering approach, like many of the CBS Half-Speeds, will fix your lack of high end.

A perfect example of Stone Age Audio Thinking – a bright record to fix a dark system.

The only problem is, what happens when you put together a better system, one that’s tonally correct?

Then you will have to get rid of your old record collection and start over, right?

So get your stereo right before you go wasting lots of money on phony sounding records.

And most of the Heavy Vinyl pressings being made today are every bit as bad, but the tonality mistakes are simply reversed. The bass is boosted and the top is too smooth.

Why can’t these ridiculous audiophile labels make up their minds? Should records be bright or dull? Pick a lane!

Tune your system to that crap and you will find yourself in the real predicament down the road, assuming you ever get your stereo working right. Having a collection full of modern remasterings will make any progress in audio that much more difficult to achieve.

Or you could just buy one of these to play your bright records. Problem solved.

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Which Epic Labels for 12 Dreams Have the Best Sound?

More of the Music of Spirit

Here is some moderately helpful advice concerning the pressings that tend to win shootouts.

Don’t bother with the black label Epic reissues. In our experience they are consistently awful.

Yellow is the original label and orange the first reissue; both can be good.

The reviews reproduced below tell the story of the album far better than I can. If you like Pink Floyd, The Beatles (circa Revolver and Pepper), and the myriad other bands who took off in the direction of Psych Rock and Art Rock, you should find much to like here.

And if you don’t we give you your money back.

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