A distinguished member of the Better Records Jazz Hall of Fame.
This Super Hot Stamper Black Label Original Contemporary pressing has SUPERB sound on BOTH sides. All that stuff we tend to say about the original tube-mastered Contemporary pressings being fat and dull does not apply here whatsoever. This record is mastered beautifully, we real transient attacks to all the percussion. When Shelly bangs on the bass drum it goes Ka-Boom and really rattles the walls. As a Demo Disc this one is pretty hard to beat!
Remember the old Acoustic Sounds Analog Revival series mastered by Stan Ricker? This was one of the titles they did, and completely ruined of course. Ricker boosted the hell out of the top end, as is his wont, so all the percussion had the phony MoFi exaggerated spit and tizziness that we dislike so much around here at Better Records but that many if not most audiophiles never seem to notice.
The whole series was an audio disaster, but funnily enough, I cannot remember reading a single word of criticism anywhere discussing the shortcomings of that series of pressings. Outside of my own reviews of course. Has anything in audio really changed?
Standard Bass Drum
Jawbone of Ass
High hat cymbal stand
American Indian Tom-Toms
Elephant and goat bells
Standard snare drum
Concert bass drum
Hawaiian slit bamboo sticks
Assorted cymbals (sizzle cymbal on left)
African thumb piano
Accessory case w/sand shaker, tambourine jingle stick and mallets shown on top
Rubber mallets made from knitting needle and ball used in game of ‘jacks’
My Funny Valentine
Begin the Beguine
Night and Day
I’ll Remember April
The Boy Next Door