Robert Brook has a blog which he calls
A GUIDE FOR THE DEDICATED ANALOG AUDIOPHILE
Robert was on a panel of audiophile record collectors not long ago, and he wrote about it here.
Some comments I made at the time:
Robert and I have many things in common. The most important one, from my point of view, is the fact that we are not much interested in records that sound good, or are musical and enjoyable, or are priced fairly, as seems to be the case with these fellows and their channel.
No, we are looking for the kinds of records that sound amazing, like live music sounds amazing. Records that blow our minds.
Robert spent a fair amount of time trying to explain this concept to his fellow panel members. None of them seemed to understand or appreciate his recent Way Out West experience. He told them how exhilarated he felt after having just played a ‘I can’t believe it’s a record” record, but they apparently were not interested as no one followed up.
Based on what I’ve seen on youtube lately, I’ve come to the conclusion that there are thrill seekers and there are record collectors, and that these two groups do not seem to overlap much.
He and I correspond regularly. Recently I mentioned an idea I had for a blog post that I thought would clarify which camp an audiophile might fall into:
To have a clearer picture of the depth of someone’s audio experience, I would ask this basic question:
What are five records that blew your mind and made you rethink how good music could sound in the home?
I could easily name fifty. I’ve played thousands and thousands of pressings over the last 30+ years, the famous ones as well as the not-so-famous, and quite a number of them managed to blow my mind. The better my stereo and cleaning system got, the more often that would happen. We used to call them outliers and award them grades of Four Pluses, but we stopped doing that years ago.
Are there any records on heavy vinyl that would qualify as mind-blowing?
None that I know of. But if someone thought there were, that would tell me a lot about the standards that person was setting for his playback quality. You need one helluva good system and one helluva good record to have the experience that Robert and I are talking about, and those two things are not easy to come by in the world of audio and records.
Most audiophiles are fine with settling for less, and this is why the Tone Poets records, just to take one example, give these audiophiles what they want, a record they can enjoy, at a price they find affordable enough to collect them by the dozen.
They just don’t give Robert and me and our Hot Stamper customers what we want. Not even close. [1]
Robert discusses his love for thrilling records in his latest post. Please click to read more.