More Crosby / More Stills / More Nash / More Young
There are two areas in which we would like to amend some of the previous comments we’ve made about Deja Vu.
The first has to do with early pressings. Many years ago we wrote the following:
As we noted in previous commentary, the originals are uniformly awful.
Although that’s mostly still true — Deja Vu is a very difficult album to find with good sound no matter what stampers you have. However, we now know that there are very good sounding copies — Shootout Winning copies in fact — with early stampers.
Deja Vu is in fact a title in which one stamper always wins, and that stamper can only be found on the early pressings.
Amazingly enough, there are more than 90 others (as of 2025) that we’ve discovered with one killer set of stampers that beat all comers as well. (There are surely many more hundreds that do, we just haven’t found them all yet. Please be patient; we are working on it.)
That’s area number one. Area number two is part of this old piece of advice:
If you bought the Classic Records pressing and you can’t tell what’s wrong with it, this may not be the right hobby for you. I highly recommend you buy the Joe Gastwirt mastered CD and either play it on your system or take it to a hi-fi store in your area. It’s tonally correct and undistorted. The Classic version is neither. Now when a stupid $15 CD is correct in a way that a $40 LP is not, something is very very wrong.
The part where we said this may not be the right hobby for you if you like Classic’s godawful remastering of Deja Vu is still true, depending on what exactly you’re trying to accomplish in the hobby.
If you’re not too picky about sound quality and just want to play new records, perhaps because old records are hard to find and often noisy, then fine, the Classic should get that job done for you.
We of course want nothing to do with it because we want exceptionally good sounding vinyl, and the Classic is definitely not very good sounding no matter how many nice things audiophile reviewers may have said about it.
No, the problem we see above is that we were recommending the currently available CD.
Yes, it’s mostly tonally correct and not distorted, but it has a bad a case of dead-as-a-doornail sound.
It’s as awful sounding as any remastered CD I have ever heard.
There is no top, there is no space, there is no life, there is no immediacy, there is no Tubey Magic — in short there is almost nothing left of what makes the best copies of Deja Vu so good.
We’ve known this for about five ten years, apologies for not getting around to correcting the record.