More of the Music of Led Zeppelin
An Audiophile Hall of Shame pressing and another Classic Records Rock LP badly mastered for the benefit of audiophiles looking for easy answers and quick fixes.
Tonally correct, which is one thing you can’t say for most of the Zeps in this series, that’s for sure. Those of you with crappy domestic copies, crappy imported reissues and crappy CDs, which make up the bulk of offerings available for this recording, probably do not know what you’re missing.
What’s Lost
What is lost in these newly remastered recordings? Lots of things, but the most obvious and bothersome is transparency.
Modern records are just so damn opaque.
We can’t stand that sound. It drives us crazy. Important musical information — the kind we hear on even second-rate regular pressings — is simply nowhere to be found. That audiophiles as a group — including those that pass themselves off as champions of analog in the audio press — do not notice these failings does not speak well for either their equipment or their critical listening skills.
It is our contention that almost no one alive today is capable of making records that sound as good as the vintage ones we sell.
Once you hear a Hot Stamper pressing, those 180 gram records you own may never sound right to you again. They sure don’t sound right to us, but we are in the enviable position of being able to play the best properly-cleaned older pressings (reissues included) side by side with the newer ones.