- Campbell’s wonderful 1967 release finally makes its Hot Stamper debut here with outstanding Double Plus (A++) sound on both sides
- This vintage Capitol pressing is spacious, sweet and positively dripping with ambience – here is the Tubey Magical Stereoscopic presentation these kinds of recordings are known for
- 4 1/2 stars: “The best of Campbell’s early albums, and also his first real commercial success. . . Campbell’s cover of ‘Catch the Wind’ is one of the finest covers of a Donovan song ever done, stripping away any hint of the composer’s sub-Dylan pretensions and bringing out the song’s genuine beauty — it’s folk-pop, in the same manner that Peter, Paul and Mary’s cover of Dylan’s ‘Blowin’ in the Wind’ was, but excellent folk-pop.”
- You’ll find excellent Double Plus (A++) grades on both sides of this early British import LP – quiet vinyl too
- There’s some real Tubey Magic on this album, along with breathy vocals and plenty of rock and roll energy
- I Guess That’s Why They Call It The Blues – the best song Elton’s done in the last 35 years – is killer here
- One of engineer Bill Price’s best efforts behind the boards in the ’80s, and Chris Thomas’s production is State of the Art as usual
- Allmusic 4 1/2 Stars: “Happily, this is a reunion that works like gangbusters, capturing everybody at a near-peak of their form.”
Much of the production — the smooth, sweet harmony vocals, the rich, grungy guitars, the solid, warm piano — reminds me of Goodbye Yellow Brick Road, one of the classics from back in the day when Gus Dudgeon was running the show.
Caribou (1974) and Captain Fantastic and the Brown Dirt Cowboy (1975) have a similarly glossy, perfectionist approach to production as well of course. It was 1975’s Rock of the Westies that went off in another direction. (more…)
- A superb vintage UK copy of the band’s masterpiece, boasting Nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
- We guarantee the sound is dramatically bigger, richer, fuller, and livelier than any pressing you have ever heard, and on this record that is saying a LOT
- A tough record to find in audiophile playing condition – copies without audible marks were not easy to come by
- The band’s Magnum Opus, a Colossal Production to rival the greatest Prog, Psych and Art Rock recordings of all time (Whew!)
- 4 stars: “Thanks to the duo’s uncompromising stubbornness, expansive creative vision, and Dave Bascombe’s final production, The Seeds of Love has dated better than either of its predecessors and is inarguably Tears for Fears’ masterpiece.”
- A KILLER copy of Sunflower with Shootout Winning Triple Plus (A+++) sound from first note to last
- This pressing is surprisingly rich and smooth, with excellent bass and the kind of breathy immediacy to the vocals that only vintage vinyl can offer
- 4 1/2 stars: “[Sunflower] signaled a creative rebirth for the band, a return to the beautiful harmonies and orchestral productions of their classic mid-’60s material.”
This album — like Surf’s Up, which was released just after it — can really sound wonderful on a good pressing. If you love Pet Sounds, you’ll find plenty of the Beach Boys’ signature harmonies here, all recorded with real richness and warmth. (more…)
- Harvest Moon finally makes its Hot Stamper debut here with Nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
- Full-bodied, big, rich and solid, this album has the kind of analog sound we did not expect to find, but were pleasantly surprised, thank goodness
- Turn this one up good and loud (which you can do when the sound is THIS good) and you’ll have a living, breathing Neil Young standing right between your speakers
- “Harvest Moon manages to be sentimental without being sappy, wistful without being nostalgic… a beautiful album that proudly displays scars, heartaches, and love.”
- A stunning copy of this Hall and Oates classic from 1982 with a Shootout Winning Triple Plus (A+++) side two, mated with solid Double Plus (A++) sound on side one – mostly quiet vinyl too
- It’s lively, open, and natural – the voices of the two leads sound especially full-bodied, real and tonally correct from top to bottom, which is pretty much all you need to earn top grades in a shootout
- Much more consistent than most of their releases, this one boasts three killer hits including Maneater, Family Man and my All Time Favorite by the band, One on One
- 4 stars: “Private Eyes solidified Hall & Oates’ status as one of the most popular acts in America in the early ’80s, and…… with 1982’s H2O, they capitalized on its success, delivering an album that turned out to bigger than its predecessor, as it climbed higher on the charts and launched three Top Ten singles…”
Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.
There’s one test on side two that few copies do well on. The mostly instrumental section in the middle of Ride Like the Wind has a huge chorus singing in a wonderfully reverberant studio. Only the most transparent, most distortion-free copies let you clearly hear all their voices bouncing off the walls.
Take any two copies and listen for just this one effect and you will soon see that no two copies reproduce the reverberations identically, and many barely reproduce them at all.
The sound is full, rich, lively and even Tubey Magical in the best tradition of the glossy Pop Productions that were all the rage in the late-’70s. If you like Michael McDonald, Toto, The Doobies, Hall and Oates, The Bee Gees and countless other bands we have lovingly found a home for in our Hot Stamper sections you will no doubt find much to like here.
A guilty pleasure you say? When a record sounds this good there is nothing to feel guilty about!
- Supertramp’s self-titled debut finally arrives on the site with Shootout Winning Triple Plus (A+++) sound or close to it throughout
- It’s even more Tubey Magical than an album like ’Crime Of The Century,’ which is more about slam and presence than a record like this, which has amazingly sweet, natural sounding acoustic guitars
- Condition was the problem with these original British pressings – none of the best sounding copies did not have issues, hence the exceptionally low price for our Shootout Winner here
- “Harmonious in themes but varied in tones, alternating short and lengthy pieces with a sophisticated sound and classy arrangement, it features all the distinctive elements of prog rock. And as with any prog album, it only makes full sense when listened to in its entirety.”
- You’ll find STUNNING sound on this true classic from Cheap Trick, with Shootout Winning Triple Plus (A+++) sonic grades or close to them – exceptionally quiet vinyl too
- This one is doing everything right, with deeper bass, less distortion, grungier guitars, and the kind of LIVE ROCK and ROLL ENERGY that Cheap Trick is known for
- One of only two Cheap Trick albums that cuts it for us sonically and musically (the other being Dream Police)
- 5 stars: “With their ear-shatteringly loud guitars and sweet melodies, Cheap Trick unwittingly paved the way for much of the hard rock of the next decade, as well as a surprising amount of alternative rock of the 1990s, and it was At Budokan that captured the band in all of its power.”
The first pressings of this record come with an OBI strip and a Japanese style lyric and photo booklet, giving the impression that this is a Japanese pressing. But it’s clearly domestic, so kudos have to go to Epic Records for doing a wonderful imitation that would practically fool any record collector.
Most of the copies we have to offer will come with the booklet, while the OBI strips are long gone.
This is probably the only Cheap Trick record most casual fans will ever need. The live versions of ‘Ain’t That A Shame’ and ‘I Want You To Want Me’ are AS GOOD AS IT GETS. Where would Classic Rock Radio be without catchy pop like this? Nowhere man! (more…)
- You’ll find superb Nearly Triple Plus (A++ to A+++) sound on both sides of this copy of the Thompsons’ final album – just shy of our Shootout Winner
- Without a doubt this is the best record Richard and Linda Thompson ever made – for sound and music
- DYNAMIC, huge, lively, powerful and musical – a real Demo Disk – both sides here are guaranteed to rock your world
- A Top 100 album, and clearly Thompson’s Masterpiece of Grungy Guitar Rock
- 5 stars: “Shoot Out The Lights found them rallying their strengths to the bitter end; it’s often been cited as Richard Thompson’s greatest work, and it’s difficult for anyone who has heard his body of work to argue the point.”