Rock and Pop

The Moody Blues – On The Threshold Of A Dream

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  • This outstanding pressing boasts solid Double Plus (A++) sound or close to it from first note to last
  • You will not believe how punchy, lively, dynamic, and exciting some of these tracks sound here – this is one of their best albums for both music and sound!
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage UK pressing is the way to go
  • 4 1/2 stars: “… [I]n 1969 this was envelope-ripping, genre-busting music, scaling established boundaries into unknown territory, not only “outside the box” but outside of any musical box that had been conceived at that moment…”

Both sides give you silky highs, surprising clarity, amazing openness and transparency, real weight to the bottom end, lots of air in the flutes, wonderful texture to the strings, and so much more. The acoustic guitars sound impressive, with the proper balance between pluck and body. The vocals are shockingly clean and clear throughout.

Copies like this bring all the psychedelic Moody Blues magic to life in your living room. The richness, sweetness, and warmth on this one give you exactly the sound you want for this wild music. You get lovely Tubey Magic and clarity. The sound is cleaner, clearer, richer, sweeter, and more present that you could have imagined.

It has been my experience that, as good as the British originals of the Moody Blues records are — and I think they are the best sounding pressings of their music that can be found — their one consistent shortcoming is an overly smooth top end. We managed to find a handful of copies that break with that tradition, and the results are wonderful. (more…)

David Bowie – David Live

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  • You’ll find outstanding Double Plus (A++) sound or BETTER on all four sides of this Bowie classic
  • One of our favorite live recordings – a great overview of Bowie’s career through 1974
  • 1984, Rebel Rebel, Sweet Thing and Rock & Roll With Me come ALIVE in performance like you have never heard before
  • A-List players of the day deliver sonic treats, including multiple horn players, multiple percussionists, all-male chorus background vocals, the searing fuzzed-out guitar leads of Earl Slick, piano and Mellotron by Mike Garson, and the amazing Herbie Flowers on bass

*NOTE: On side one, a group of light marks makes about 15 light ticks one-half inch from the end of Track 4, Sweet Thing. On side three, a mark on the edge makes 4 light ticks at the beginning of Track 1, Rock & Roll With Me. On side four, two marks make 8 light ticks during the intro to Track 3, Jean Genie, and 8 moderately light to light ticks during the intro to Track 4, Rock & Roll Suicide.

What can we say? RCA vinyl in 1974 was ticky. Most copies of this album are a helluva lot noisier than this one.

When you listen to an incredible copy of this Bowie classic, you will have no trouble picturing yourself in the audience with a front row center seat. And the great thing about a record like this is that you can be in the front row of this very concert whenever you want!

The other top live album is, of course, Waiting For Columbus, and the two have much in common. Most importantly, the songs played live on both albums are consistently better than their studio versions. (This is especially true on the Little Feat album. Little Feat was not a studio band and their live arrangements — with the Tower of Power horns — just murder the studio ones.)

For us audiophiles, the other reason to own a Hot Copy of David Live or Waiting For Columbus is that the sound is much improved over most of the studio albums in which the material was originally found. Have you ever heard a good sounding Diamond Dogs?

But David Live is full of great sounding material from the album. 1984 is much better here than on the original album. Rebel Rebel, Sweet Thing and Rock & Roll With Me also come alive in performance. They rock! (more…)

Janis Joplin – I Got Dem Ol’ Kozmic Blues Again Mama!

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  • This outstanding 360 Stereo pressing boasts solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
  • This copy has the ideal combination of openness and transparency, coupled with the richness and solidity of vintage analog
  • When Janis starts singing, watch out – her voice positively JUMPS out of the speakers, something we didn’t hear her do on many of the other copies in our shootout
  • Features Try, one of Janis’s All Time Classics — and with these grades you can be sure it sounds positively amazing here

This Columbia 360 Stereo pressing is THE CURE for Dem Ol’ Kozmic Blues!

Drop the needle on the great song Try and just listen to how crisp, punchy, and BIG the drums sound.

The bottom end has real weight and the top end is silky and extended. The overall sound is rich, full, and smooth.

ENERGY is the key element missing from the average copy, but not on this bad boy (or girl if you prefer). The electric guitars are super Tubey Magical and the bass is solid and punchy.

On many copies — too many copies — the vocals are pinched and edgy. Here they’re breathy and full — a much better way for Janis to sound. There’s a slight amount of grit to the vocals at times and the brass as well, but the life force on these sides is so strong that we much preferred it to the smoother, duller, deader copies we heard that didn’t have that issue.

On copy after copy we heard pinched squawky horns and harsh vocals, not a good sound for this album. Janis’ voice needs lots of space up top to get good and loud, and both of these sides have it in spades.

Few other copies had this combination of openness and transparency on the one hand, and full, rich tonality on the other. (more…)

Elton John – Too Low For Zero

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  • You’ll find outstanding Double Plus (A++) grades on both sides of this early British import LP – exceptionally quiet viny too
  • There’s real Tubey Magic on this album, along with breathy vocals and plenty of rock and roll energy
  • I Guess That’s Why They Call It The Blues – the best song Elton’s done in the last 35 years – is the a good reason to own the album
  • One of engineer Bill Price’s best efforts behind the boards in the ’80s, and Chris Thomas’s production is State of the Art as usual
  • 4 1/2 stars: “Happily, this is a reunion that works like gangbusters, capturing everybody at a near-peak of their form.”

Folks, this record is rarely found in audiophile playing condition, so rarely that this may be the only quiet one we’ve ever offered for sale. It will be a very long time – years I suspect – before another one this nice hits the site.

Much of the production – the smooth, sweet harmony vocals, the rich, grungy guitars, the solid, warm piano – reminds me of Goodbye Yellow Brick Road, one of the classics from back in the day when Gus Dudgeon was running the show.

Caribou (1974) and Captain Fantastic and the Brown Dirt Cowboy (1975) have a similarly glossy, perfectionist approach to production as well. It was 1975’s Rock of the Westies that went off in another direction.

The next six albums, from Blue Moves to Jump Up, at least to these ears, don’t sound good enough or have the kind of consistent material that was the hallmark of the six albums recorded from 1970 to 1973. Four of those are in our Top 100 Rock and Pop album list, and all four are Must Owns in my book. Pop music just doesn’t get any better.

So if Too Low For Zero reminds us in any way of those albums, especially in the songwriting department now that Bernie Taupin has rejoined team Elton after a too-long hiatus, that is all to the good. (more…)

Country Joe and The Fish – I-Feel-Like-I’m-Fixin-To-Die

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  • You’ll find Shootout Winning Triple Plus (A+++) sound or very close to it – As Good As It Gets in our experience – on both sides of this copy of the band’s sophomore release
  • The best pressings with this label (you’ll find out when the record arrives!) are the biggest, most open, most clear, and the least compressed, which makes them especially energetic and fun
  • Finding clean copies of Country Joe’s albums is no walk in the park, but here’s one, and it sounds great too
  • 4 1/2 stars: “Country Joe & the Fish’s second album, “I-Feel-Like-I’m-Fixin’-To-Die”, is quite similar to their first in its organ-heavy psychedelia with Eastern-influenced melodic lines…”

Some copies we played had more Tubey Magical sound, but that quality comes at a price. Those pressings tend to be crude, with gritty vocals and a noticeable lack of transparency and space.

In other words, they sound pretty much like an old record.

This pressing, on the other hand, gives you much more of what sounds to me like the Master Tape, with less of the bad mastering equipment and bad vinyl coming between you and the music. (more…)

David Bowie – Station To Station

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  • With two seriously good Double Plus (A++) sides, this is one of the more outstanding copies to come out of our most recent shootout – exceptionally quiet vinyl too
  • This is a dense, difficult recording to find the right sound for, which means you really need Hot Stampers on Station to Station to enjoy it
  • Superb presence and energy – with Nearly White Hot sound on side two, this is a great copy for the classic, radio-friendly TVC 15, Stay and Wild Is the Wind
  • 4 1/2 stars: “Station to Station is an avant-garde art-rock album … its epic structure and clinical sound were an impressive, individualistic achievement, as well as a style that would prove enormously influential on post-punk.”

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.

Full, punchy and present, with a wide open soundstage and powerful dynamics, this is the right sound for this album, and if you know the album at all, you know that good sound on Station to Station is far from easy to find. (more…)

Crosby, Stills, Nash & Young / 4 Way Street

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  • This outstanding pressing boasts solid Double Plus (A++) sound or close to it on all FOUR sides
  • The “naked” sound of the real thing – the real voices and the real guitars and the real everything else, in a way that would never happen again
  • Bill Halverson worked his magic, but only the best pressings let his genius shine the way it does here
  • 4 1/2 stars: “4 Way Street, released in April of 1971: a live double-LP set, chock-full of superb music distilled down from a bunch of nights on that tour that more than fulfilled the promise of the group.”
  • Rolling Stone raves that “Crosby, Stills. Nash, and Young are all performers of unquestionable talent, and mostly because they stay out of each others’ way, 4 Way Street must surely be their best album to date.”

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Dire Straits – Love Over Gold

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  • This outstanding British import boasts solid Double Plus (A++) sound from first note to last
  • The open, spacious soundstage, full-bodied tonality and Tubey Magic here are obvious for all to hear – huge, punchy, lively and rockin’ throughout
  • This Hot Stamper is far more natural than any other pressing you’ve heard – we guarantee it
  • “Certainly a quantum leap from the organic R&B impressionism of the band’s early LPs and the gripping short stories of Making Movies, Love Over Gold is an ambitious, sometimes difficult record that is exhilarating in its successes and, at the very least, fascinating in its indulgences.” – Rolling Stone

This modern album (from 1982, which makes it 38 years old, but that’s modern in our world) can sound surprisingly good on the right pressing. On most copies, the highs are slightly grainy and can be harsh, not exactly the kind of sound that inspires you to turn your system up good and loud and really get involved in the music. I’m happy to report that both sides here have no such problem – they rock and they sound great loud.

We pick up every clean copy we see of this album, domestic or import, because we know from experience just how good the best pressings can sound. What do the best copies have? REAL dynamics for one. And with those dynamics, you need rock solid bass. Otherwise, the loud portions simply become irritating. (more…)

Ray Charles / All Time Great Country and Western Hits – Better Sound than the Originals? Can It Really Be True?

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  • With three nearly Triple Plus (A++ to A+++) sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner – exceptionally quiet vinyl too
  • What was especially shocking about this shootout is that in some ways the best sounding copies of the reissue not just the equal of, but actually best their original album counterparts
  • 22 classic songs on two LPs, including huge hits like I Can’t Stop Loving You, You Don’t Know Me, Oh Lonesome Me, Bye Bye Love, and much more – no wonder AMG gave both discs 5 stars
  • This is some big, bold, absolutely glorious Tubey Magical analog – the tape to disc transfer is Hard To Fault (HTF), making a mockery of the audiophile remasters to come

The music is wonderful. Just listen to that swingin’ horn section behind Ray on Hey, Good Lookin’. They are hot! And Bye Bye Love just plain ROCKS.

Both these LPs have the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)

Rick Wakeman – The Myths and Legends of King Arthur…

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  • Superb sound for this A&M British Import LP with each side rating a solid Double Plus (A++) or BETTER – exceptionally quiet vinyl too
  • Forget the dubby domestic pressings (or whatever crappy new reissue is around) – this the only way to hear the master tapes’ huge, lively and Tubey Magical qualities
  • 4 stars: “Rick Wakeman’s third solo album is among his best, as he employs his vast array of keyboards to their full extent, musically describing the characters pertaining to the days of King Arthur’s reign… The album’s entirety is a sensational execution of Wakeman’s adroitness, and with vocals from Ashley Holt and Gary Pickford Hopkins, it still stands along with Journey to the Center of the Earth and The Six Wives of Henry VIII as one of his most astute pieces.”

This vintage British pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)