Labels With Shortcomings – Century Records

Glenn Miller – The Direct Disc Sound of…

xxxxx

  • An outstanding German pressing of a Century Direct to Disc recording, with solid Double Plus (A++) sound or close to it from start to finish – exceptionally quiet vinyl too
  • Great energy, but the sound is relaxed and Tubey sweet at the same time, never squawky, with plenty of extension on both ends — that’s analog for ya!
  • This is no sleepy over-the-hill Sheffield Direct to Disc (referring to the later Harry James titles, not the excellent first one) – these guys are the real deal and they play their hearts out on this live-in-the-studio recording

One of the all time GREAT Direct to Disc recordings. For sound and music this one is hard to beat. And the vinyl is as quiet as any you will find.

We went a bit overboard years ago when we wrote, “I don’t think you can find a better sounding big band record on the planet.” Well, we’ve heard plenty of amazing big band albums in the course of our Hot Stamper shootouts for the last five or ten years, albums by the likes of Basie, Zoot Sims, Ellington, Shorty Rogers, Ted Heath and others.

Not to mention the fact that the shockingly good Sauter-Finegan track “Song of the Volga Boatman” from the LP “Memories Of Goodman and Miller” is played regularly around these parts for cartridge setup and tuning, as well as general tweaking.

But that should take nothing away from this superb recording, made at the famously good sounding Capitol Records Studio A, with none other than Wally Heider doing the mix and Ken Perry manning the lathe.

We also noted that, “It absolutely murders all the Sheffield big band records, which sound like they were made by old tired men sorely in need of their naps. Way past their prime anyway,” which is mostly true.

The Glenn Miller Orchestra heard here was an actively touring band. They know this material inside and out, they clearly love it, and they’re used to playing the hell out of it practically every night.

If you like the tunes that Glenn Miller made famous — String of Pearls, In The Mood, Tuxedo Junction — you will have a very hard time finding them performed with more gusto, or recorded with anything approaching this kind of fidelity. (more…)

Benny Goodman – The King – Century Direct to Disc

xxxxx

This is a Century Direct-to-Disc LP that is every bit as good sounding as the excellent Glenn Miller disc, and in some ways better.

The problem is that Benny sounds much too old and tired, so this one gets a Not Recommended ranking from us.

Woody Herman – Road Father – Direct to Disc

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This Century Direct-to-Disc LP is a real sleeper. The arrangements are lively, the material is excellent and the sound is equal to the task. One of the better Century DDs. 

[Reviewed in 2005.]

Glenn Miller – The Direct Disc Sound of the Glenn Miller Orchestra

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

One of the all time GREAT Direct to Disc recordings. For sound and music this one is hard to beat. And the vinyl is as quiet as any you will find. 

We went a bit overboard years ago when we wrote, “I don’t think you can find a better sounding big band record on the planet.” Well, we’ve heard plenty of amazing big band albums in the course of our Hot Stamper shootouts for the last five or ten years, albums by the likes of Basie, Zoot Sims, Ellington, Shorty Rogers, Ted Heath and others. (more…)

Mel Torme & Buddy Rich – Together Again For The First Time on Direct to Disc

xxxxx

This is a Century Direct-to-Disc featuring Mel Torme fronting the Buddy Rich Big Band. And it’s a pretty big band with four trumpets, three trombones, five saxes and a tuba! One of the best tracks is “Here’s That Rainy Day”, with guest soloist Phil Woods. The beginning is just Mel and Phil, a duet of sorts, with a lovely sense of melancholy.

However, both these men seem tired and the session doesn’t swing much. Or could it be that they’re playing it safe, afraid to make a mistake and then have to start the live-to-disc session over from the top? Hard to know, but that’s the problem with direct to disc recordings — avoiding mistakes, even engineering ones, can suck the life out of the music. (more…)