- Captain Fingers finally makes its Hot Stamper debut here with outstanding Double Plus (A++) sound or BETTER throughout
- The sound is huge, spacious, lively, transparent and punchy – this is jazz fusion that really rocks
- Full-bodied and warm, exactly the way you want your vintage analog to sound – the guitar is surprisingly real here
- This superb bossa-nova classic finally makes its Hot Stamper debut with Shootout Winning Triple Plus (A+++) sound from first note to last on this original Capitol stereo pressing
- Here is the Tubey Magical richness, size and space that only the best vintage pressings are capable of conveying to the critical listener
- The brilliance of this All Tube Chain recording from Capitol in their heyday makes all the hard work you’ve put into your system pay off
- Mr. Guitar makes its Hot Stamper debut here with KILLER Shootout Winning Triple Plus (A+++) sound on both sides
- Big, rich and lively, this trio is having a blast and we think you will too
- Features Keter Betts joining Byrd on bass and Bertell Knox’s “deft touch” on drums
- 4 1/2 stars: “A delightful trio outing with an adroit and light feel… Byrd’s playing combines jazz swing with influences from both Spanish guitar and classical music on a session comprised of both Byrd originals and covers, usually of Gershwin and Ellington
- Both sides of this wonderful Basie/Peterson record boast outstanding Double Plus (A++) sound or BETTER – exceptionally quiet vinyl too
- Jazz records don’t get a whole lot bigger, clearer or more full-bodied – man, this is the glorious sound of ANALOG
- “The two pianists (backed by bassist John Heard and drummer Louis Bellson) play five standards and three blues with predictable swing, finding much more in common with each other than one might have originally suspected.”
Another in the series of collaborations between Basie and Peterson, this time along with Louis Bellson & John Heard. There were four as I recall, some involving electric as well as acoustic pianos as this one does.
There was not a trace of smear on the piano, which is unusual in our experience, although no one ever seems to talk about smeary pianos in the audiophile world (except for us of course). (more…)
INCREDIBLY POWERFUL AND DYNAMIC DEMO QUALITY SOUND THROUGHOUT! If you’re looking for a jazz-fusion guitar album that will wake your system up (and show off its best qualities to boot), this is the hot ticket right here. We had been slowly compiling various pressings for a big shootout for ages, and we finally let it rip recently. This was one of the most impressive pressings, earning an A++ on side one and an A+++ on side two. If you’re a fan of ’70s Miles Davis or the Birds Of Fire album, you probably already know that you need this in your collection! (more…)
- You’ll find very good Hot Stamper sound on both sides of this wonderful pressing – exceptionally quiet vinyl too
- Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear this wonderful album sound the way it is supposed to, a Hot Stamper pressing like this one is the way to go
- Widely considered Art Pepper’s masterpiece and we couldn’t agree more
- 5 stars: “… this recording convinced [Pepper] that emotion was the paramount impulse of jazz performance… a diamond of recorded jazz history.”
Many consider this to be the best record Art Pepper ever made, along with Art Pepper + Eleven, and I agree completely. Recorded in 1957 (the same year Way Out West was recorded) by the legendary Roy DuNann, the sound is absolutely wonderful.
The best pressings have all the Tubey Magic of the best black label originals, without their even worse vinyl and bloated bass. We get black label original Contemporary pressings in from time to time, but few of them are mastered right and most never make it to the site.
Some are pure muck. Some have bloated bass that is hard to believe. Don’t buy into that record collecting slash audiophile canard that Original Equals Better. That’s pure BS. It just doesn’t work that way, and anyone with two good ears, two good speakers and a decent-sized record collection should know better. (more…)
- An insanely good copy with Shootout Winning Triple Plus (A+++) sound on side one married with an outstanding Double Plus (A++) side two
- Basie Big Band is a Top Basie Big Band title in every way — musically, sonically, you name it, this album has got it going on
- Guaranteed to be dramatically livelier and more dynamic than any Basie title you’ve heard – if you like your brass big, rich and powerful, you came to the right place
- Lots of tight, deep, note-like bass and unerringly correct timbre for the brass throughout
*NOTE: On side one, a mark on the edge makes 10 light to very light ticks during the intro to Track 1, Front Burner. On side two, a mark makes 9 light to moderate pops in the middle of Track 2, Give ‘M Time.
More Basie Big Band ANALOG Magic, this time from his 1975 debut for Pablo.
With 18 pieces in the studio (five trumpets!, four trombones!, five saxes!) this album can be a real powerhouse — if you have the right copy, and both sides here show you just how lively and dynamic this music can be. It’s got real Demo Disc qualities, no doubt about it.
When you get this record home, pay special attention to how natural and correct the timbre of the brass is. This is the hallmark of a well recorded album — it sounds right. (more…)
- Mulligan and Getz’s 1957 collaboration arrives on the site with this superb 2-pack offering Nearly Triple Plus (A++ to A+++) sound on both sides – just shy of our Shootout Winner
- Full, rich, and spacious with tons of Tubey Magic and, better yet, not the least bit dry, hard or transistory
- Practically impossible to find in stereo with audiophile playing surfaces – it took two different pressings to get two good sides, and they are very good indeed
- “Produced by [Norman] Granz, Getz And Mulligan In Hi-Fi captures the two saxophone giants as they showcase a world class duet which provided them with a superb rhythm section featuring Lou Levy, proud member of The Stan Getz Quartet at the piano who play with impeccable style and well-conceived ideas that swing with unique vitality, while Ray Brown’s bass solidify the combo’s edge.”
Listen to the trumpet on the second track on side one — it’s so immediate, it’s practically JUMPING out of the soundfield, just bursting with energy. Rudy can really pull off these big productions on occasion, and this session was clearly one of them. If you have the kind of stereo that’s right for this music (the bigger the better) you could easily find yourself using this record as a demonstration disc. It’s very unlikely your audiophile friends have ever heard anything like it.
Both sides are especially full and rich. The congas are present in the mix and very full-bodied — this allow them to really drive the rhythmic energy of the music. We know this because the copies with congas that were veiled or thin never seemed to get up go. The bass on these two sides was some of the best we heard as well.
The top is most often the problem with these CTI pressings. Both sides here seem to give you all the top end that was on the tape.
There is wonderful transparency and openness to the soundstage, as well as less congestion in the loudest parts. Also Sprach (2001) is on side one of the album and it is KILLER here.
Both sides are also surprisingly sweet and Tubey Magical, nice qualities for a CTI record to have since so many of them are aggressive and edgy to the point of distraction. (more…)
- A great sounding copy with Nearly Triple Plus (A++ to A+++) sound from start to finish – this one was nearly as good as our Shootout Winner, hence the Nearly Triple Plus grades
- These sides are rich, spacious, big and Tubey Magical, with virtually none of the smear on the piano that holds so many other copies back
- Here’s proof that the sound found on these early Columbia 360 Label Stereo pressings is absolutely the right one for Monk’s music
- 5 stars: “Although he would perform and record supported by various other musicians, the tight — almost telepathic — dimensions that these four shared has rarely been equalled in any genre… Monk’s Dream is recommended, with something for every degree of Monk enthusiast.”