Labels We Love – Rolling Stones Records

The Rolling Stones – Black and Blue

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Black and Blue

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  • Incredible sound throughout with each side earning Shootout Winning Triple Plus (A+++) grades or very close to it
  • Hand Of Fate on side one sounds particularly good – it has the meaty Glyn Johns sound we love
  • A full-bodied, solid copy like this lets you appreciate Billy Preston’s contributions on the keys – he’s all over the album, a very good thing indeed
  • “Melody ought to be a tentative experiment with Billy Preston’s jazzy keyboard sound. Instead, it’s a triumph, Jagger’s voice swooping and snaking around Preston’s piano and harmonies.”

This is in fact one of the better sounding “later period” (1976) Stones records we’ve played, that’s if we’re talking about the better copies of course, like this one. The best pressings are big, open, dynamic and full-bodied, with exceptionally lively percussion. As always, credit goes to the recording engineers, Glyn Johns et al., as well as Lee Hulko at Sterling, the original mastering engineer (who’s cut about as many good sounding records as anyone we can think of). (more…)