- This is probably the last domestically pressed record he made that still has the kind of sound we look for in a Hot Stamper
- “Over the years, Morrison has gathered around him a band that plays, like the best jazz ensembles, with effortless empathy. The group follows him through all his moods and meanderings, from the lilting cadences of “Tore Down à la Rimbaud” and “Ancient of Days” to the stately auguring of “Let the Slave” and the airy, triumphal shimmer of “A New Kind of Man.” A Sense of Wonder is serenely uplifting. With astonishing commitment and profound belief, Van Morrison continues to push forward into the mystic.”
Balance is key to getting all the tracks to sound their best. Many copies we played were too dull or too bright.
One more note: having your VTA set just right is critical to getting the best out of this album. The loudest vocal parts can easily strain otherwise. Once you get your settings dialed in correctly, a copy like this will give you the kind of rich, sweet sound that brings out the best in this music.
Listen to Embrace Me, You Child on side two — on the best copies you can really hear the rosiny texture of the strings as they are bowed.
The cymbals can sound amazing — listen to how extended the crashes are on You’re So Vain.
If you have a Hot Side One for One Man Dog you will know it in a hurry. The guitars and congas will leap out of your speakers at the beginning of One Man Parade.
If they don’t, forget it, move along to the next copy and keep going until you find one in which they do. There are plenty of subtle cues to separate the White Hot copies from the merely Hot, but if the sound doesn’t come to life right from the get go, it never will.
Side Two Has Bells
The first track is a bit dull on even the best copies, so don’t lose hope if your first track sounds rolled off. They almost all do. One Morning in May, the second track and the one featuring Linda Ronstadt on background vocals, is a much better test, as is track three, Instrumental II, the one with the lovely bells.
Wte paid a lot of attention to the bells on Instrumental II to help us get a handle on the top end. Sure enough, those bells are key to the best copies.
Fanfare is one of the few songs here with horns, so it became another key track. The horns need to have bite and texture, with the best copies really bringing out the breath in the sax. Any smearing or dulling of the sound and the horns go south in a hurry, along with the rest of the instruments. (more…)
- This STUNNING copy of Sweet Baby James boasts Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish – exceptionally quiet vinyl too, especially for this album
- All that lovely echo is a dead giveaway that this pressing has resolution far beyond that of the others you may have heard (and of course the Rhino Heavy Vinyl)
- Top 100, inarguably a Masterpiece – Fire and Rain and Suite for 20 G (one of JT’s All Time Best) are killer here
- 5 stars: “Sweet Baby James launched not only Taylor’s career as a pop superstar but also the entire singer/songwriter movement of the early ’70s that included Joni Mitchell, Carole King, Jackson Browne, Cat Stevens, and others…”
Vocal reproduction is key to the best sounding copies of Sweet Baby James, as it is on so many Singer Songwriter albums from the era.
To find a copy where Taylor’s vocals are front and center — which is exactly where they should be — but still rich, sweet, tonally correct and Tubey Magical is no mean feat. Only the best copies manage to pull it off.
Out of the dozen or more Green Label early pressings we play every year, relatively few have the full complement of midrange magic we know the best copies can have. As a rule of thumb, the hotter the stamper, the better the vocal reproduction on that copy.
Hot Stamper sound is rarely about the details of a given recording. In the case of this album, more than anything else a Hot Stamper must succeed at recreating a solid, palpable, real James Taylor singing live in your listening room. The better copies have an uncanny way of doing just that. (more…)
- This outstanding pressing of Browne’s third album boasts solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
- This one was bigger and bolder, with more Tubey Magical richness on Jackson’s voice, than most of what we played
- We love the rich, smooth, natural sound that Asylum was known for, and this copy has a healthy dose of each of those qualities
- It’s getting harder and harder to find these in good condition these days – the man has a lot of fans, and they prefer to hear him on vinyl
- 5 stars from AMG and Rolling Stone calls it the “quintessential Browne album,” saying the “… open-ended poetry achieves power from the nearly religious intensity that accumulates around the central motifs; its fervor is underscored by the sparest and hardest production to be found on any Browne album yet… as well as by his impassioned, oracular singing style.”
- A KILLER copy of Rickie Lee’s self-titled debut, with Shootout Winning Triple Plus (A+++) sound or very close to it throughout
- Exceptionally present, real and resolving, this pressing is guaranteed to murder any remastering undertaken by anyone, past, present and future
- The superbly talented musicians and engineers deserve much of the credit for making this album a Grammy Winning Must Own Audiophile Favorite
- 4 stars: “One of the most impressive debuts for a singer/songwriter ever, this infectious mixture of styles not only features a strong collection of original songs but also a singer with a savvy, distinctive voice that can be streetwise, childlike, and sophisticated, sometimes all in the same song.”
- This outstanding pressing boasts solid Double Plus (A++) sound or BETTER from start to finish
- Ladies of The Canyon is a very strong album for Joni, with some of her most well known, seemingly timeless songs: Morning Morgantown, For Free, Big Yellow Taxi, Woodstock, The Circle Game and more
- We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
- 4 1/2 stars: “Yet another essential listen in Mitchell’s recorded canon.”
- A truly KILLER pressing of Empire Burlesque, with Shootout Winning Triple Plus (A+++) sound from start to finish – exceptionally quiet vinyl too – folks, this one is As Good As It Gets!
- We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
- 4 1/2 stars: “Say what you want about Empire Burlesque — at the very least, it’s the most consistent record Bob Dylan has made since Blood on the Tracks, even if it isn’t quite as interesting as Desire. However, it is a better set of songs, all deriving from the same place and filled with subtle gems… this is as good as Dylan gets in his latter days.”
This is one of the better-sounding Dylan records from the ’80s. It’s not exactly Blood on the Tracks, the only Dylan album we think is qualified to be on our Top 100 Rock and Pop List, but it sounds good for a record from this era. (more…)
- An outstanding original Elektra LP with solid Double Plus (A++) sound or BETTER from start to finish
- Can you believe that the producer and engineer of Carly’s debut is none other than Eddie Kramer!?
- That’s The Way I’ve Always Heard It Should Be is the killer track here and it sounds wonderful on this copy
- This pressing really brought this Big Production to life and allowed so many elements to work in harmony.
- It’s a good example of what a truly Hot Stamper is supposed to do – let the music work as music
The richness and the sweetness of the midrange on the best copies are exactly what you’d be looking for on this heavily-produced pop album, and this copy gives you that sound like no other copy you’ve ever heard.
Credit must go to Eddie Kramer, legendary producer and engineer for the likes of Hendrix and Zeppelin. He knows how to get good sound all right, although Female Singer Songwriter albums in his catalog are fairly light on the ground. (Richard Perry became the go-to guy for those productions as the ’70s wore on.) This may in fact be the only one Eddie ever did. But he knows Big Production Rock, and that’s what most of this album is about. (more…)
- A superb pressing with Shootout Winning Triple Plus (A+++) sound on the fourth side and Nearly Triple Plus (A++ to A+++) sound or very close to it on the other three – just shy of our Shootout Winner
- We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard.
- 4 stars: ” This is a must even for the casual John Denver listener. Only by fully taking in the music can listeners see his vision of good music and passion for protection of the environment.”