The problem with this album is that, for whatever reason, practically every copy you find is, to some degree, grainy, harsh and shrill in the loudest passages of the music. When the music gets loud, the sound often becomes strained and unpleasant. A copy like this one that doesn’t do that is the exception, not the rule.
Listen to the song ‘Disney Girls’ on side one. If you own the average pressing – odds are your copy is in fact quite average unless you went through a pile of copies and played them in order to find a good one – parts of that song will sound painfully hard and shrill, assuming your playing the record at the kinds of levels we do.
Which is the main reason I’ve never understand what qualified this record to be on the TAS Super Disc list. Now, having heard the best of the best copies sounding so big, rich and tubey, I can certainly say I hear what impressed HP (he likes that sound, as do we). It may indeed be a very well recorded album, but we feel it falls a bit short for our own Rock and Pop Top 100 List. (To be fair, as you know we play a lot of amazing albums around here.)
The Best Songs
The late Harry Pearson knew little about popular music and may have been more impressed by this album than those of us who play pop and rock albums by the boatload.
Most of the pop albums on his Super Disc TAS list are a joke. Only the people who listen almost exclusively to classical or jazz seem to take them seriously, in my experience anyway. (Check out the 12″ pop singles for a good laugh.)
That said, there are some wonderful songs on this album. Check out Break Away or 99 Miles From L.A. for some very good sounding, very well produced adult pop music. The version of Jobim’s Waters of March here is another high point.
WHAT TO LISTEN FOR