Top Artists – Phil Manzanera

Siren on Import Vinyl? Not So Fast

Hot Stamper Pressings of the Music of Roxy Music Available Now

Siren is one of our favorite Roxy albums, right up there with the first album and well ahead of the commercially appealing Avalon.

After reading a rave review in Rolling Stone of the album back in 1975, I took the plunge, bought a copy at my local Tower Records and instantly fell in love with it.

As is my wont, I then proceeded to work my way through their earlier catalog, which was quite an adventure. It takes scores of plays to understand where the band is coming from on the early albums and what it is they’re trying to do. Now I listen to each of the first five releases on a regular basis.

Somehow they never seem to get old, even after more than forty years.

Of all the Roxy albums (with the exception of Avalon) this is probably the best way “in” to the band’s music. The earlier albums are more raucous, the later ones more rhythmically driven — Siren catches them at their peak, with, as other reviewers have noted, all good songs and no bad ones.

Imports? Not So Fast

The British and German copies of Siren are clearly made from dub tapes and sound smeary, small and lifeless.

To be fair, Siren has never impressed us as an exceptionally good sounding recording. Like other middle period Roxy, records such as Country Life and Manifesto (the albums just before and after), it simply does not have Demo Disc analog sound the way Avalon, Stranded or the Self-Titled albums do (the latter two clearly being the best sounding in their catalog).

One would be tempted to assume that the import pressings of Siren would be better sounding, the way the imports of the first four Roxy albums are clearly better sounding. (There has never been a domestic Hot Stamper pressing of any of those titles and, since we never buy them or play them, there probably never will be.)

But in the case of Siren it’s the imports that are made from dubs. It may be a British band, recorded in British studios with a British producer, but the British pressed LPs are clearly made from sub-generation tapes, whereas the domestic copies sound like they’re made from the real masters.

Go Figure. And another thing: when it comes to records, never assume anything.

The typical domestic pressing is flat, bass-shy and opaque, sounding more like compressed cardboard than analog vinyl.

Unsurprisingly, the CD, whether imported or produced domestically, is clean and clear and tonally correct but lacks the warmth and richness of the better vinyl pressings.

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Taking Tiger Mountain – Peak Art Rock

Hot Stamper Pressings of the Music of Brian Eno Available Now

This is Brian Eno’s Masterpiece as well as a personal favorite of yours truly.

On the right pressing, Taking Tiger Mountain is a twisted pop Big Speaker Demo Disc like nothing you have ever heard.

If you have a big speaker and the kind of high quality playback that is capable of unraveling the most complicated studio creations, with all the weight and power of live music at practically live levels, this is the record that will make all your audio effort and expense worthwhile.

That’s the kind of stereo I’ve been working on for forty fifty years and this album just plain KILLS over here.

Art Rock

That being said, it may not be the kind of thing most music loving audiophiles will be able to make sense of if they have no history with this kind of arty rock from the 70s. I grew up on Roxy Music, 10cc, Eno, The Talking Heads, Peter Gabriel, Ambrosia, Supertramp, Yes and the like, bands that wanted to play rock music but felt shackled by the chains of the conventional pop song.

This was and still is my favorite kind of music. Experts who study these things say that the music you discover between the ages of 17 and 23 stays with you for your entire life. For me that’s the music I fell in love from 1971 to 1977. I was 20 when this album came out.

When it comes to the genre, I put this album right at the top of the heap, along with several other landmark albums from the period: More Songs About Buildings and Food, Siren, The Original Soundtrack, Crisis? What Crisis?, Ambrosia’s first two releases, The Yes Album, 801 Live, A New World Order and plenty of others, many more than I have room to describe here.

It should be noted that most of these album don’t sell all that well. We do shootouts for them anyway, partly in the hopes that at least some of our more adventurous customers will get turned on to this music and have their lives changed in the same way mine was.

One difference I could be forgiven for pointing to in this regard is that I had available to me random copies of unknown quality, unlike our customers who get offered nothing but great sounding pressings.

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Phil Manzanera / Diamond Head (Polydor Pressing)

More of the Music of Roxy Music

  • With two outstanding Double Plus (A++) sides, this UK Polydor reissue is guaranteed to blow the doors off any other Diamond Head you’ve heard, assuming you do not have one of our Hot Stamper Island pressings – exceptionally quiet vinyl too
  • Demo Disc quality sound barely begins to describe the size and power of this recording
  • This album is an amazing sonic blockbuster, with sound that will leap right out of your speakers like practically nothing you have every heard
  • A shockingly well-recorded album from the ultra-talented Rhett Davies – this is his engineering masterpiece
  • Our long-standing advice for Diamond Head had been to avoid UK Polydor reissues, so imagine our surprise when we found this one holding its own against some of the Island LPs that we thought were in a league of their own
  • The domestics still suck, by the way, and take comfort in the fact that will never change
  • 4 1/2 stars: “Phil Manzanera’s first post-Roxy foray into solo albums is a terrific all-star affair that still holds up enormously well. Calling on favors from Roxy members present and past, and those from the Cambridge/British art rock scene, Manzanera assembled a supergroup for every song.”

The wind is at your back here because this is one seriously well-recorded album. If this copy doesn’t wake up your stereo nothing will.

Like its brother, 801 Live, this album is an amazing sonic blockbuster, with sound that positively leaps out of the speakers. Why shouldn’t it? It was engineered by the superbly talented Rhett Davies at Island, the genius behind Taking Tiger Mountain, the aforementioned 801 Live, Avalon, Dire Straits’ first album, and many many more.

If we could regularly find copies of this audiophile blockbuster (and frankly, if more people appreciated the album) it would definitely go on our Top 100 Rock and Pop List. In fact, it would easily make the Top Twenty from that list, it’s that good.

Looking for Tubey Magic? Rhett Davies is your man. Just think about the sound of the first Dire Straits album or Avalon. The better pressings of those albums — those with truly Hot Stampers — are swimming in it.

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Roxy Music / Siren

More Roxy Music

  • Roxy’s Art Rock classic from 1975, here with INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them from top to bottom
  • These are just a few of the things we had to say about this killer copy in our notes: “huge and rich and open”…”tight bass”…”big, open chorus”…”tubey and 3D”…”great size and energy”…”lots of weight”…”jumping out of the speakers”
  • If you know the quality of Atlantic/Atco vinyl in the mid-70s, you know this is about as quiet as we can ever hope to find to them
  • The sound here is richer, with much less transistory grain, and more of the all important Tubey Magic than practically all other copies we played
  • Some of Bryan Ferry‘s strongest and most consistent songwriting – “Love Is The Drug,” “End of the Line,” “Sentimental Fool” and more
  • 5 stars: “Abandoning the intoxicating blend of art rock and glam-pop that distinguished Stranded and Country Life, Roxy Music concentrates on Bryan Ferry’s suave, charming crooner persona for the elegantly modern Siren.”

Siren is one of our favorite Roxy albums, right up there with the first album and well ahead of the commercially appealing Avalon. After reading a rave review in Rolling Stone of the album back in 1975 I took the plunge, bought a copy at my local Tower Records and instantly fell in love with it.

As is my wont, I then proceeded to work my way through their earlier catalog, which was quite an adventure. It takes scores of plays to understand where the band is coming from on the early albums and what it is they’re trying to do.

Now I listen to each of the first five releases on a regular basis. Even after more than forty years, the band’s music never seems to get old.

That seems to be true of a lot of the records from the era that we offer on our site. Otherwise, how on earth could we possibly charge so much money for them?

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Listening in Depth to Country Life

Hot Stamper Pressings of the Music of Roxy Music Available Now

The domestic, German, Japanese and Dutch pressings are not remotely competitive with the Brits on this album (which is not true for all Roxy’s albums but clearly true for this one, Siren being the obvious exception to the rule).

Now for those of you who are not big Roxy Music fans and don’t know this music, this album may take a bit of getting used to. We assure you it will be well worth your while. We think it’s brilliant.

And if you do consider yourself a fan of Art Rock, every Roxy album should be on your shelf, right up there with your Bowie, Pink Floyd, Supertramp, Eno, Peter Gabriel, 10cc and too many others to list. (Most are personal favorites of mine, albums I have played hundreds of times over the last 40 years and plan to keep playing until my ears give out.)

Side One

The Thrill of It All
Three and Nine

On the best copies this track is the very definition of Tubey Magical richness and smoothness.

All I Want Is You

A little thinner and brighter than the other tracks on this side as a rule.

Out of the Blue

The best guitar solo ever played on the violin. Go Eddie!

If It Takes All Night

Side Two

Bitter Sweet

The best copies have monstrous bass on this track, along with huge amounts of space. Again, the Tubey Magic can be off the charts here.

Triptych
Casanova

The vocals on this track will always spit to some degree. The cleanest, most tonally correct sibilance is what you are looking for on this track. That, and amazing rock energy!

A Really Good Time
Prairie Rose


Want to find your own top quality copy?

Consider taking our moderately helpful advice concerning the pressings that tend to win our shootouts.

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Roxy Music / Self-Titled

  • This vintage UK pressing of Roxy’s amazing debut LP (one of only a handful of copies to hit the site in twenty-two months) boasts KILLER Shootout Winning Triple Plus (A+++) grades or close to them throughout – this is some of the most dynamic sound the band achieved
  • Andy Hendriksen’s engineering (over the course of a week!) is superb in all respects – we think the best pressings of this first album reveal a recording that is superior to any other by the band
  • A Top 100 album, Roxy’s masterpiece, and a Must Own desert island disc of glamorous Arty Rock
  • 4 1/2 stars: “Falling halfway between musical primitivism and art rock ambition, Roxy Music’s eponymous debut remains a startling redefinition of rock’s boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures.”
  • When it comes to rock and pop music in 1972, our picks for the best of the best, numbering at the moment a mere 21 titles, can be found here
  • This link will take you to the Hot Stamper pressings of our hardest rockin’ albums currently available
  • Here are the titles that have earned a place on our none rocks harder list

Folks, this is a true Demo Disc in the world of Art Rock. It’s rare to find a recording of popular music with dynamics like these. The guitar solo at the end of “Ladytron” rocks like you will not believe.

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Roxy Music / Country Life – A Killer Arty Rock Album from 1974

  • Roxy’s fourth studio LP, here with INSANELY GOOD Shootout Winning Triple Plus (A+++) grades on both sides of this original UK Island pressing
  • Here are just a few of the things we had to say about this amazing copy in our notes: “great size and energy”…”sweet and tubey”…”big, note-like bass”…”huge and solid and jumping out of the speakers”…”lots of weight and body”
  • This one is simply bigger, richer, more clear and more Tubey Magical than all other copies we heard in our recent shootout
  • Marks and problems in the vinyl are sometimes the nature of the beast with these vintage LPs, but once you hear just how killer sounding this copy is, you might be inclined, as we were, to stop counting ticks and pops and just be swept away by the music
  • 5 stars: “…Country Life finds Roxy Music at the peak of their powers, alternating between majestic, unsettling art rock and glamorous, elegant pop/rock. Roxy Music rarely sounded as invigorating as they do here.”

Many of the best songs Bryan Ferry ever wrote and Roxy Music ever played are on this album. Musically, it’s right up there with the first album and Siren. All three represent the high watermark of early- to mid-70s Arty Rock.

These British pressings give you the richest, fullest, biggest sound with the least amount of sibilance, grain and grunge. It’s the rich, full-bodied analog sound — with some problems, to be sure — that we adore here at Better Records.

We thank John Punter for his engineering and production at George Martin’s legendary AIR Studios.

Roxy’s Art Rock

Now for those of you who are not big Roxy Music fans and don’t know this music, this album may take a bit of getting used to. We assure you it will be well worth your while. We think it’s brilliant.

And if you do consider yourself a fan of Art Rock, every Roxy album should be on your shelf, right up there with your Bowie, Pink Floyd, Supertramp, Eno, Peter Gabriel, 10cc and too many others to list. (Most are personal favorites of mine, albums I have played hundreds of times over the last 40 years and plan to keep playing until my ears give out.)

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The First Two Roxy Music Albums Are the Band’s Best Sounding

Hot Stamper Pressings of the Music of Roxy Music Available Now

For Your Pleasure is a Masterpiece of Art Rock, Glam Rock and Bent Rock all rolled into one. AMG calls Roxy Music the “most adventurous rock band of the early ’70s” and I’m inclined to agree with them.

Spacious, dynamic, present, with HUGE MEATY BASS and tons of energy, the sound is every bit as good as the music. (At least on the best copies it is. That’s precisely what Hot Stampers are all about.)

Strictly in terms of recording quality, For Your Pleasure is on the same plane as the other best sounding record the band ever made, their first.

Siren, Avalon and Country Life are all musically sublime, but the first album and Pleasure are the only two with the kind of dynamic, energetic, POWERFUL sound that Roxy’s other records simply cannot show us (with the exception of Country Life, was is powerful but a bit too aggressive).

The super-tubey keyboards that anchor practically every song on the first two albums are only found there. If you want to know what Tubey Magic sounds like in 1972-73, play one of our better Hot Stamper Roxy albums. Roxy and their engineers and producers manage to capture a keyboard sound on their first two albums that few bands in the history of the world can lay claim to.

I love the band’s later albums, but none of them sound like these two. The closest one can get is Stranded, their third, but it’s still a bit of a step down.

Chris Thomas and John Punter

With all the latest technological advances in playback, I can tell you that these records sound a whole lot better than I ever thought they could.

For Your Pleasure is an amazing recording. Chris Thomas produced side one; he produced the rest of their albums (and engineered The Beatles and Badfinger and mixed Dark Side of the Moon and on and on).

The album has many of his trademark qualities: an enormous, 3-dimensional soundstage; tons of bass; tremendous dynamics; and energy to rival anything around.

John Punter‘s engineering is superb in all respects — virtually faultless.

Big Rock Records with Big Rock Sound

Both of these albums are the very definition of big speaker albums. The better pressings have the kind of ENERGY in their grooves that are sure to have most audiophile systems begging for mercy.

This is The Audio Challenge that awaits you. If you don’t have a system designed to play records with this kind of SONIC POWER, don’t expect to hear them the way the band and those involved in their productions wanted you to.

This album wants to rock your world, and that’s exactly what our Hot Stamper pressings are especially good at doing.

Roxy Music is one of the most influential and important artists/bands in my growth as a music lover and audiophile, joining the ranks of Steely Dan, 10cc, Ambrosia, Yes, Bowie, Supertramp, Eno, Talking Heads, Jethro Tull, Elton John, The Beatles, Crosby, Stills and Nash, The Cars, Led Zeppelin, Cat Stevens and countless others, musicians and bands who dedicated themselves to making the highest quality recordings they could, recordings that could only come alive in the homes of those with the most advanced audio equipment.

My system was forced to evolve in order to reproduce the scores of challenging recordings issued by these groups in the 70s.

It’s clear that these albums informed not only my taste in music, but the actual stereo I play that music on. It’s what progress in audio is all about. I created the system I have in order to play demanding recordings such as these, the music I fell in love with all those years ago.


Want to find your own killer copies?

Consider taking our moderately helpful advice concerning the pressings that have been winning our Hot Stamper shootouts for years. For Your Pleasure and the first album only really come alive:

Of course it needs to be played loud. What Roxy Music album doesn’t?

Furthermore, the better copies sound their best:

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Roxy Music – For Your Pleasure

More Roxy Music 

More Brian Eno

  • With two INCREDIBLE Shootout Winning Triple Plus (A+++) sides, we guarantee you’ve never heard For Your Pleasure sound this good
  • Roxy and their engineers and producers manage to capture a deliciously Tubey Magical keyboard sound on their first two albums that few bands in the history of the world can lay claim to
  • It took us a long time to figure what pressings had the sound we were looking for, more than a decade, bit it was worth the wait because For Your Pleasure now sounds the way you want it to sound – big and bold
  • There are some bad marks (as is sometimes the nature of the beast with these Classic Rock records) on “Grey Lagoons,” but once you hear just how amazing sounding this copy is, you might be inclined, as we were, to stop counting ticks and pops and just be swept away by the music
  • 5 stars: “… another extraordinary record from Roxy Music, one that demonstrates even more clearly than the debut how avant-garde ideas can flourish in a pop setting.”
  • If you’re a Roxy fan, For Your Pleasure has to be considered a Must Own Title of theirs from 1973

Spacious, dynamic, present, with HUGE MEATY BASS and tons of energy, the sound is every bit as good as the music. (At least on this copy it is. That’s precisely what Hot Stampers are all about.)

Strictly in terms of recording quality, For Your Pleasure is on the same plane as the other best sounding record the band ever made, their self-titled debut.

Siren, Avalon and Country Life are all musically sublime, but the first album and this one are the only two with the kind of dynamic, energetic, powerful sound that Roxy’s other records simply cannot show us (with the exception of Country Life, was is powerful but a bit too aggressive).

The super-tubey keyboards that anchor practically every song on the first two albums are only found there. If you want to know what Tubey Magic sounds like in 1972-73, play one of our better Hot Stamper Roxy albums.

Roxy and their engineers and producers manage to capture a keyboard sound on their first two albums that few bands in the history of the world can lay claim to. I love the band’s later albums, but none of them sound like these two. The closest one can get is Stranded, their third, but it’s still a bit of a step down. (more…)

Roxy Music’s Debut Is a Masterpiece

Folks, this is a true Demo Disc in the world of art rock.

It’s rare to find a recording of popular music with dynamics such as these.

In both music and sound, this is arguably the best record the band ever made. Siren, Avalon and Country Life are all musically sublime, but the first album has the kind of dynamic, energetic, POWERFUL sound that their other records simply never show us. And we’ve played them by the dozens, so there’s a pretty good chance we will never find copies with the abundant richness and power we find here.

We hope you will agree with us that it was entirely worth the wait, as this album is a MASTERPIECE of Art Rock, Glam Rock and Bent Rock all rolled into one.

AMG calls Roxy Music the “most adventurous rock band of the early ’70s” and I’m inclined to agree with them. Roxy are certainly one of the most influential and important bands in my growth as a listener and audiophile, along with Supertramp, Ambrosia, 10cc, Steely Dan, Yes, Bowie and others, groups of musicians dedicated to exploring and exploding the conventions of popular music.


Want to find your own killer copy?

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