Top Artists – Phil Manzanera

Roxy Music – Manifesto

More of the Music of Roxy Music

  • This early UK import pressing boasts KILLER Shootout Winning Triple Plus (A+++) sound throughout – exceptionally quiet vinyl too
  • It’s simply bigger and richer than any other copy we played, with rock solid energy to beat them all
  • Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the Tubey Magic on this pressing and the others in our shootout prove again and again that the UK LPs are the only way to fly on Manifesto
  • “The songs ending each side fade out with real grace and leave you hanging, wanting more — drenched in a romance out of reach.”
  • If you’re a Roxy fan, this title from 1979 surely deserves a place in your collection

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Brian Eno / Before And After Science – The Last of the Must Own Eno Records (We Regret to Say)

More Arty Rock Records

  • This vintage Island pressing boasts solid Double Plus (A++) sound from the first note to last
  • Even with so many quiet passages, this copy held up very well all the way to the end
  • Here you will find that rare combination of silky highs and deep low end, with huge amounts of space in the middle, three qualities among many that make this album an especially magical listening experience
  • I know whereof I speak – I must have played this album at least two hundred times in the 48 years that have passed since I first bought my copy
  • If you’re a fan of Art Rock or Prog Rock or just like something a little different, this is an album that belongs in your collection
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “Despite the album’s pop format, the sound is unique and strays far from the mainstream. The music on Before and After Science at times resembles Another Green World (“No One Receiving”) and Here Come the Warm Jets (“King’s Lead Hat”) and ranks alongside both as the most essential Eno material.”

Side one, the rock side, strongly relies on its deep punchy bass to make its material come to life and rock (or should we say art rock?). Eno’s vocals are clear and present with virtually no strain. Phil Collins’ drumming is energetic and transparent and perfectly complemented by Percy Jones’ simultaneously acrobatic and hard-driving bass work. (more…)

Bryan Ferry – These Foolish Things

More of the Music of Bryan Ferry

  • These Foolish Things returns to the site for only the second time in close to four years, here with INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
  • This UK Island pressing is bigger, richer, more Tubey Magical, clearer, and with better bass – it knocked us out
  • Outside of the first three Roxy albums, there is simply no recording by the band that’s as good as the first three Bryan Ferry solo projects
  • 4 stars: “Ferry for the most part looked to America, touching on everything from Motown to the early jazz standard that gave the collection its name… Wrapping up with a grand take on ‘These Foolish Things’ itself, this album is one of the best of its kind by any artist.”

We had a nice stack of British copies to play and are happy to report that this one had an unbeatable Triple Plus (A+++) side two backed with a killer Double to Triple Plus (A++ to A+++) side one, both on very quiet vinyl. Anyone who digs Roxy Music or Bowie’s Pin-Ups is going to find a lot to like here. Check out the cool cover of A Hard Rain’s A-Gonna Fall that kicks off side one!

The sound positively JUMPS out of the speakers and fills the room. There’s loads of Tubey Magic, big punchy drums, and depth to the soundfield.

We continued to find copies with no real extension up top, but this one has nice, sweet highs on both sides. It’s also clean, clear and transparent with real weight down low. (more…)

Roxy Music – Stranded

More of the Music of Roxy Music

  • Both sides of this original UK Island pressing (the only way we offer it, the Polydor pressings are a shadow of the real thing) were doing practically everything right, earning STUNNING Shootout Winning Triple Plus (A+++) grades or close to them from top to bottom
  • Here are just a few of the things we had to say about this incredible copy in our notes: “silky and spacious”…”really big and rich”…”vox jumping out of the speakers”…”big, weighty bass”…”fully extended from top to bottom”
  • Rich, smooth and oh-so-analog, the Tubey Magic on their early albums is off the scale, especially here
  • Hands down one of the two best-sounding Roxy albums ever
  • 4 1/2 stars: “Without Brian Eno, Roxy Music immediately became less experimental, yet they remained adventurous, as Stranded illustrates…emphasiz[ing] both [Bryan] Ferry’s tortured glamour and Roxy’s increasingly impressive grasp of sonic detail.”

Stranded is one of the better recordings by the band, coming in second for sonics only to the first album, which is really saying something considering that the first album is a Better Records Top 100 title. The Tubey Magic on the early albums has to be heard to be believed!

These British pressings give you the richest, fullest, biggest sound with the least amount of sibilance on the vocals, grain or grunge. It’s the rich, full-bodied analog sound we adore here at Better Records, although it’s worth noting that the sound on some tracks is noticeably better than on others.

We thank Chris Thomas for his production and John Punter for his engineering work at AIR Studio. This album and the first one are without question the two best sounding Roxy albums, and that’s true for any incarnation of the band.

Both belong in any serious rock and pop collection, and if you are a fan of Art Rock, every Roxy album should be on your shelf, along with your Bowie, Pink Floyd, Supertramp, Eno, Peter Gabriel, 10cc and so many others (most of which are personal favorites of mine, albums I have played hundreds of times over the last 50 years and plan to play hundreds of times in the years ahead).

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How Good Is the Bilbo (Dennis Blackham) Cutting of Avalon?

Hot Stamper Pressings of the Music of Roxy Music Available Now

An erstwhile customer wrote this on Reddit (I think that’s where I found it) a few years ago:

…the 7 Hot Stampers records i have bought from Better Records in the past, (albums I know well all my life, and that I have already had many versions, incl. OG’s 1st, and “audiophile” versions) are some of the best sounding records in my collection.

They have helped improve my listening skills enormously; not just “listening”, but 100% enjoy and appreciate the music. Seeking out for my “own” hot stampers now, is what really makes this hobby so interesting! (for example: Roxy Music Avalon, after buying and comparing 5 copies, incl. UK 1st Arun cut, I now have “my” best sounding one, and indeed it is a reissue (vintage, not modern “audiophile”)¨! Denis Blackham (BilBo) did a very good job on this one…

I replied:

Yes, the Bilbo cutting of Avalon can be very good, something we know from having played them by the dozens.

It has been many years, more than a decade I should think, since a Bilbo cutting won a shootout. Still, they can be very good, probably falling somewhere in the 1.5+ to 2+ range, but if you want to, you can certainly do a lot better, which is the kind of thing you learn when you have piles and piles of clean British pressings to play.

We stopped buying the Bilbo pressings many years ago, and they no longer show up in our stamper sheets these days. Why spend the money for them when something better is just as easy to find?

Nevertheless, Bilbo is a great mastering engineer and his work is worth seeking out, even though he did not knock Avalon out of the park.

On another note:

If modern engineers are so good at their jobs, as so many on this thread keep implying, where are the records they’ve made that can compete with Bilbo’s cuttings from the old days?

Please name them. I know of none, and I am hoping someone will take pity on a poor fool such as myself and help enlighten me.

Based on the vitriol I am reading, the consensus is that my benighted ravings are shameful and outlandish.

If anyone needs a clue, it’s pretty obvious I do.

Please help me understand what I have been missing for the last few decades, decades in which I was playing tens of thousands of records, listening to them critically and posting my thoughts about them in the 5000 6000 listings found on my blog. (If indeed I am wrong about all this, I’m sure wrong a lot!)

Of course I did not get an answer to that question, and doubt I ever will.

All that would be needed is the name of one specific pressing, mastered by one specific person or company, and released on one specific label with a specific catalog number.

How is it possible that the fans of these Heavy Vinyl records cannot name one good one?

I know how it is possible. The reason no one can name any of the great records being made these days is that no such records are being made these days.

It is our strongly held belief, backed up by mountains of evidence, that there is simply no one alive today making records as good as the ones Bilbo and other mastering engineers have ben making starting all the way back in the 50s and continuing through the 80s and beyond.

This blog is a testament to that fact, as are the Hot Stamper pressings we offer at Better Records.

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Roxy Music – Avalon

More of the Music of Roxy Music

  • An Avalon like you’ve never heard, with superb Double Plus (A++) sound throughout this vintage UK pressing – fairly quiet vinyl too
  • Copies that are exceptionally transparent, with three-dimensional depth and a wide soundstage, present this music the way it was meant to be heard
  • Credit Rhett Davies with creating the sonic space to allow the singers, instruments and subtle studio effects to be balanced and integrated from front to back, side to side and top to bottom
  • The sound may be a bit too heavily processed for some, but we find that on the best copies that sound really works for this music, some of the best ever produced by the band
  • 5 stars: “Ferry was never this romantic or seductive, either with Roxy or as a solo artist, and Avalon shimmers with elegance in both its music and its lyrics.”
  • These are the stampers that always win our shootouts, and when you hear them you will know why – the sound is big, rich and clear like no other
  • We’ve discovered a number of titles in which one stamper always wins, and here are some others

Records like Avalon get people (often known as audiophiles) to spend wads and wads of money in pursuit of expensive analog equipment good enough to bring this wonderful music to life in their very own listening rooms.

The album rewards a stereo with many of the qualities that audiophiles prize most highly when selecting equipment — spaciousness, transparency, clarity, detail, depth, soundstaging, speed, high frequency extension and the like.

The mix is as dense as any we know. Only the best copies have the ability to show you everything that’s on the tape. Credit must go to the amazingly talented Rhett Davies for creating the space to put so many instruments and sounds in.

We would add to that list presence and energy, along with warmth, fullness, and lack of smear on the transients. Whomp and rock and roll power do not seem to play much part in separating the best from the rest, although it’s nice when the bottom end is big and solid.

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For Your Pleasure Is That and a Lot More

Robert Brook runs a blog called The Broken Record, with a subtitle explaining that the aim of his blog is to serve as:

A GUIDE FOR THE DEDICATED ANALOG AUDIOPHILE

FOR YOUR PLEASURE is THAT and MORE

In 1975, after reading a rave review for Siren, their fifth album in Rolling Stone, I took the plunge, bought a copy at my local Tower Records and instantly fell in love with it. I was 21 at the time and that album completely knocked me out. I had never heard anything like it. I knew nothing about the band or their style of music, now known as Art Rock, but it quickly became my favorite genre, and still is.

Naturally I proceeded to work my way through their earlier catalog, which was quite an adventure. It takes scores of plays to understand where the band is coming from on the early albums and what it is they’re trying to accomplish. I spent years trying to get into For Your Pleasure (the lesser of the two albums with Eno in the band), but eventually I wrapped my head around it and learned to enjoy what it has to offer.

The first three albums are by far the band’s best sounding.

Now I listen to each of the first five releases on a regular basis, as well as Avalon, Viva! Roxy Music, a few later albums and many of the Ferry solo releases. It’s probably true that I play Roxy Music and Roxy Music-adjacent albums more than those of any other band. That might have something to do with the fact that even after more than fifty years, this band’s music never seems to get old.

Robert is correct when he points out that Roxy’s early work does not seem to find much favor with the record buying public these days, not even with audiophiles who, one would think, would be attracted to the phenomenal recording quality of the early albums.

As a lifelong fan I have put Better Records’ substantial resources to work in order to find, clean and play as many Roxy Music albums as we can find willing buyers for. There turn out to be fewer buyers than I would have liked, to be sure, but enough to keep their albums on the site and potentially create some new fans, which should be a lot easier now that we know which are the best sounding pressings for all their albums.

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Taking Tiger Mountain – Peak Art Rock

Hot Stamper Pressings of the Music of Brian Eno Available Now

This is Brian Eno’s Masterpiece as well as a personal favorite of yours truly.

On the right pressing, Taking Tiger Mountain is a twisted pop Big Speaker Demo Disc like nothing you have ever heard.

If you have a big speaker and the kind of high quality playback that is capable of unraveling the most complicated studio creations, with all the weight and power of live music at practically live levels, this is the record that will make all your audio effort and expense worthwhile.

That’s the kind of stereo I’ve been working on for forty fifty years and this album just plain KILLS over here.

Art Rock

That being said, it may not be the kind of thing most music loving audiophiles will be able to make sense of if they have no history with this kind of arty rock from the 70s. I grew up on Roxy Music, 10cc, Eno, The Talking Heads, Peter Gabriel, Ambrosia, Supertramp, Yes and the like, bands that wanted to play rock music but felt shackled by the chains of the conventional pop song.

This was and still is my favorite kind of music. Experts who study these things say that the music you discover between the ages of 17 and 23 stays with you for your entire life. For me that’s the music I fell in love from 1971 to 1977. I was 20 when this album came out.

When it comes to the genre, I put this album right at the top of the heap, along with several other landmark albums from the period: More Songs About Buildings and Food, Siren, The Original Soundtrack, Crisis? What Crisis?, Ambrosia’s first two releases, The Yes Album, 801 Live, A New World Order and plenty of others, many more than I have room to describe here.

It should be noted that most of these album don’t sell all that well. We do shootouts for them anyway, partly in the hopes that at least some of our more adventurous customers will get turned on to this music and have their lives changed in the same way mine was.

One difference I could be forgiven for pointing to in this regard is that I had available to me random copies of unknown quality, unlike our customers who get offered nothing but great sounding pressings.

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Phil Manzanera / Diamond Head (Polydor Pressing)

More of the Music of Roxy Music

  • With two outstanding Double Plus (A++) sides, this UK Polydor reissue is guaranteed to blow the doors off any other Diamond Head you’ve heard, assuming you do not have one of our Hot Stamper Island pressings – exceptionally quiet vinyl too
  • Demo Disc quality sound barely begins to describe the size and power of this recording
  • This album is an amazing sonic blockbuster, with sound that will leap right out of your speakers like practically nothing you have every heard
  • A shockingly well-recorded album from the ultra-talented Rhett Davies – this is his engineering masterpiece
  • Our long-standing advice for Diamond Head had been to avoid UK Polydor reissues, so imagine our surprise when we found this one holding its own against some of the Island LPs that we thought were in a league of their own
  • The domestics still suck, by the way, and take comfort in the fact that will never change
  • 4 1/2 stars: “Phil Manzanera’s first post-Roxy foray into solo albums is a terrific all-star affair that still holds up enormously well. Calling on favors from Roxy members present and past, and those from the Cambridge/British art rock scene, Manzanera assembled a supergroup for every song.”

The wind is at your back here because this is one seriously well-recorded album. If this copy doesn’t wake up your stereo nothing will.

Like its brother, 801 Live, this album is an amazing sonic blockbuster, with sound that positively leaps out of the speakers. Why shouldn’t it? It was engineered by the superbly talented Rhett Davies at Island, the genius behind Taking Tiger Mountain, the aforementioned 801 Live, Avalon, Dire Straits’ first album, and many many more.

If we could regularly find copies of this audiophile blockbuster (and frankly, if more people appreciated the album) it would definitely go on our Top 100 Rock and Pop List. In fact, it would easily make the Top Twenty from that list, it’s that good.

Looking for Tubey Magic? Rhett Davies is your man. Just think about the sound of the first Dire Straits album or Avalon. The better pressings of those albums — those with truly Hot Stampers — are swimming in it.

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Roxy Music / Siren

More Roxy Music

  • Roxy’s Art Rock classic from 1975, here with INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them from top to bottom
  • These are just a few of the things we had to say about this killer copy in our notes: “huge and rich and open”…”tight bass”…”big, open chorus”…”tubey and 3D”…”great size and energy”…”lots of weight”…”jumping out of the speakers”
  • If you know the quality of Atlantic/Atco vinyl in the mid-70s, you know this is about as quiet as we can ever hope to find to them
  • The sound here is richer, with much less transistory grain, and more of the all important Tubey Magic than practically all other copies we played
  • Some of Bryan Ferry‘s strongest and most consistent songwriting – “Love Is The Drug,” “End of the Line,” “Sentimental Fool” and more
  • 5 stars: “Abandoning the intoxicating blend of art rock and glam-pop that distinguished Stranded and Country Life, Roxy Music concentrates on Bryan Ferry’s suave, charming crooner persona for the elegantly modern Siren.”

Siren is one of our favorite Roxy albums, right up there with the first album and well ahead of the commercially appealing Avalon. After reading a rave review in Rolling Stone of the album back in 1975 I took the plunge, bought a copy at my local Tower Records and instantly fell in love with it.

As is my wont, I then proceeded to work my way through their earlier catalog, which was quite an adventure. It takes scores of plays to understand where the band is coming from on the early albums and what it is they’re trying to do.

Now I listen to each of the first five releases on a regular basis. Even after more than forty years, the band’s music never seems to get old.

That seems to be true of a lot of the records from the era that we offer on our site. Otherwise, how on earth could we possibly charge so much money for them?

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