Just today (3/16/15) we put up a White Hot Stamper2-packof the Eagles’ First Album. One of the two pressings that made up the 2-pack had a killer side two, practically As Good As It Gets.
What was interesting about that particular record was how bad side one was. Side one of that copy — on the white label, with stampers that are usually killer — was terrible. The vocals were hard, shrill and spitty. My notes say “CD sound. ” When a record sounds like a CD it goes in the trade-in pile, not on our site.
We encouraged the lucky owner to play the bad side for himself just to hear how awful it is, yet surprisingly, one might even say shockingly, it has exactly the qualities that audiophiles and collectors are most often satisfied with: the right label, and, in this case even the right stampers (assuming anyone besides us would know what the right stampers are).(more…)
This Original Asylum White Label Pressing has a STRONG A++ side one backed with a KILLER A+++ side two! It’s been a couple of weeks since we finished our big shootout for this great album and I still can’t get over how amazing this copy sounded. Most copies are too compressed to ever really come to life, but this one is big, bold and dynamic with lots of energy. The bottom end is positively killer on this one.
Side one earned an A++ grade. It’s incredibly transparent with lots of ambience and space around the various instruments. There’s loads of tubey magic; most copies just aren’t this rich, warm or sweet. Our very best side ones have a little more presence, but I doubt anyone will be less than thrilled by the sound here.
Side two has it ALL going on, which is why we gave it our top grade of A+++. The soundfield is big, wide and DEEP. The top end is extended and silky sweet, qualities that you don’t get on most copies out there. This side has all the immediacy you could ask for. I just don’t think you could find a better sounding side two no matter what you did.
On the TAS Super Disc List, Harry Pearson recommends the British SYL pressings for this album. SYL pressings can sound very good; we’ve previously found one that rated a Double Plus on both sides. But our champions for both sides were both domestic, both this time and last time.(more…)
One of our good customers had this to say about some Hot Stampers he purchased recently:
First a short thank you. I was slow in ordering a record I needed for an audiophile’s friend’s birthday this week, and you guys got it to me. There is a personal service aspect of your team that just adds to the quality of the product. As to that…..
This morning I went to my record collection looking for the right one to listen to with morning coffee at the start of a beautiful Friday. I came across the very first Hot Stamper I ever purchased from you. A copy of Carol King’s Tapestry. I remember the nervousness I felt when making that first “investment”…. Have to tell you, it sounds even better today. The dynamic range, the lingering cymbal clash, the clarity of James Taylor’s acoustic guitar…as if I were sitting in that Southern California recording studio all those years ago.
btw…I had a very cool experience last week. My boss is friends with a guy who’s name is Herb Tobin. Herb bought an ocean front house in a small berg north Miami called Golden Beach back in 1982. He bought it from a Miami recording studio that use to be called Criteria, later changing their name to the current The Hits Factory. My boss arranged for us to have lunch with Mr. Tobin on my birthday. By now, you no doubt have guessed the address….461 Ocean Blvd. Not only did Eric Clapton stay there and was so inspired at the turning point in his life that time meant he named the album, and used the image looking back from the beach at the back of the house in 1974 as the album cover. The Eagles also stayed there while recording Hotel California.
We met Mr. Tobin out for lunch and he told me many stories of all the strange, and some unwelcome visitors he has had since 1982. One most welcomed visitor was in the 1990’s he got a call from Clapton’s agent and Eric wanted to bring his wife by and show her the house. They ended up having lunch out on the back patio, where the palm tree is on the album cover. Eric autographed 10 records for Mr. Tobin that day and he had 4 left plus one he had framed. My boss made arrangements with Mr. Tobin in advance and he gave me one….I am having it framed. I have always loved that record, since 74. Not looking for agreement, but I have never been able to warm up to any of the Cream, Derek and the Dominos, etc. and anything after what are for me the 4 best (461; Backless; No Reason to Cry; and There’s One In Every Crowd), is simply not my cup of tea. But 461 for me is not only Clapton’s best work, it is one of my top 10 albums of all time. Something totally authentic about it.
Wanted to share a little with you of the impact all your good work makes.(more…)
One of our good customers had this to say about some Hot Stampers he purchased recently:
I want to tell you I bought America’s 1st lp from you some couple of years back. White Hot designation at that time. I don’t know if you have found one better since then. Paid big dollars and I still cannot believe the sound. Worth every penny. When I play that LP, I cannot avoid getting goose bumps or getting totally enveloped with the music. The guitars and vocals are flat out surreal. It is just as amazing as the Eagles 1st lp Hot Stamper. Un******believable that any record could sound that good.
Victim of Love is yet another one of our favorite tracks that really comes alive when you Turn Up Your Volume.
It’s the sound of this five piece tearing it up LIVE IN THE STUDIO. It’s also the track where the DCC just falls apart for us. Where did the rock and roll energy go? The DCC makes it sound like the band just doesn’t care, which was certainly not our experience when were playing any of the killer Hot Stampers we came across. Just the reverse was true; we had them turned up full blast and they ROCKED.
In fact I might go so far as to say that Victim of Love is the best sounding track on the whole album. It’s punchy, real and MUSICAL in a way that nothing else on the album is, because it’s being played by a real band, live. The energy and coherency of the sound is like nothing else you will hear on Hotel California, and possibly on any other Eagles record.(more…)
Take one of our killer Hot Stamper pressings with you when you go shopping for speakers. The speaker that gets the POWER and ENERGY of this music right is the one you want. This record will separate the men from the boys thirty seconds into Take It Easy. It will be obvious who’s got the piston power and who doesn’t.
With big bass and huge scope, this may become your favorite disc for showing your friends just what analog is really capable of.
When the big chorus comes in on Take It Easy — one of the toughest tests for side one — you will be amazed by how energetic and downright GLORIOUS these boys can sound. Believe us when we tell you, it’s the rare copy that can pass that test.(more…)
The Eagles first album is without a doubt Glyn Johns’ masterpiece — rock records just don’t sound any better! It’s exactly the kind of record that makes virtually ANY Audiophile Record pale in comparison. EVERYTHING you could ask for as an audiophile is all here and more.
The Eagles first album is without a doubt Glyn Johns’ masterpiece — rock records just don’t sound any better! It’s exactly the kind of record that makes virtually ANY Audiophile Record pale in comparison. EVERYTHING you could ask for as an audiophile is all here and more. When you drop the needle on Train Leaves Here This Morning, the opener for side two, the immediate impression you will get is “WOW”. The sound is as BIG and BOLD as any outside of the live event. The sweetness and the tubey magical quality of the vocals are virtually without equal. It’s my favorite track on the album and it KILLS on this copy!
A Top Ten Title
You may have seen our Top 100 list of the best sounding rock records elsewhere on the site. If we were to pick out a Top Ten from that list, this record would have made the cut.(more…)
The DCC for this album is not a total disaster. In fact, the first side of the DCC is one of the better DCC sides we’ve played in recent memory. We dropped the needle on a few copies we had in the back (pressing variations exist for audiophile records too, don’t you know) and they averaged about a B+ for sound on side one. Side two was quite a bit too clean for our tastes — no real ambience or meaty texture to the guitars, about a B- for sound. To flip something we say often: you can do worse, but you can do a LOT better. (more…)
Wonderfully rich and smooth throughout – both sides earned Double Plus (A++) grades for their crazy good Tubey Magical sound
Clean, clear and dynamic, this copy has huge amounts of bass and tremendous space around the guitars and voices
Play this pressing against the average copy for a good laugh – the differences will be anything but subtle
An outstanding Glyn Johns recording (with TAS List credentials) that is nothing less than jaw-dropping on a copy as good as this one
This early pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
This 2-pack contains the best side one we’ve ever heard! The sound is bigger, richer, tubier and livelier than we even thought possible. Side one was so amazing, such an obvious step up over every side of every other copy, we felt it deserved to be awarded our “Four Plus” (A++++) grade. One of These Nights, Too Many Hands and Hollywood Waltz will blow your mind on this side one.
Please note: we award the Four Plus grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. So the side one here shows up on the chart as A+++, but when you hear this copy you will know why we gave it a fourth plus!
We award this copy’s side one our very special Four Plus (A++++) grade, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level never experienced by us before, a level we had no idea even existed. We estimate that about one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. You can’t get much more rare than that.
A Side One Like No Other
My notes read: ‘hi-rez, super tubey, breathy vocals with much less honk.”
This comment which really gets to the point: “guitar solos rise above.” The big solo on the title track just soars on this copy like we had never heard before. This is the guitar sound that Bill Szymczyk achieved with the band that Glyn Johns had not. Of course Johns had never tried; he saw them as a Country Rock band. The Eagles saw themselves as a Rock band, it’s as simple as that.(more…)