breakthrough-2008

The Who – Our First Big Shootout Took Place Way Back in 2008

More of the Music of The Who

More of the Most Tubey Magical Rock Recordings of All Time

Our notes from 2008. Much has changed since then!

This British Track Black Label pressing DEMOLISHED our expectations for this album. I don’t think I’ve ever heard The Who sound this good.

Three out of four sides rate our top grade of A+++, and side three ain’t far behind at A++. What do such high grades give you for this album? Tubey magical guitars, silky vocals with lots of texture, unbelievable weight to the bottom end, “you are there” immediacy, BIG drums sound, OFF THE CHARTS rock and roll energy, and shocking clarity and transparency.

This is only the second $1000 Hot Stamper we’ve ever listed on the site. We know there’s always a rise in trash talk on the vinyl message boards when we throw this kind of record on the site, but we can’t worry about that silly business. Our job is to find you guys the best of the best, and here’s a record that we’re very proud to put at the very top of our top shelf.

Story Of The Shootout

We’ve never been able to pull off a full Tommy shootout until now. We had played enough copies to figure out that the Track originals are really the only way to go, but who can find even one clean copy these days, let alone enough to do a shootout?

[This is before Discogs got up and running. You can buy Tommy all day long up there, and Ebay too. You may end up with lots of noisy copies, but at least you can find them.]

This is where you come in, loyal customer. The prices we charge on records like this allow us to spare little expense when it comes to acquiring important LPs. So when we saw a $200 Original British pressing on the wall at a Amoeba recently, we were able to splurge on it.

How did it turn out? Well, by the time I invested the labor in it to clean it and evaluate it, we definitely won’t be making a dime on that one. (Of course, keep in mind that it inspired us to finally move on this shootout, so in that sense it was well worth it.)

It’s a nice copy, but a hefty price tag and a prime spot on the wall can’t tell you a thing about how a record sounds. Keep that in mind the next time you see an expensive record at your local store or on Ebay that has you hot and bothered. We may charge a lot for our Hot Stampers, but at least when you buy one you are GUARANTEED good sound.

I don’t know of another Who album with such consistently good sound — song to song, not copy to copy, of course. Just about every song on here can sound wonderful on the right pressing. If you’re lucky enough to get a Hot Stamper copy, you’re going to be blown away by the tubey magical guitars, the rock-solid bottom end, the jumpin’-out-of-the-speakers sound, and the silky quality to the vocals and the top end. Usually, the best we can give you for The Who is “crude, but correct”, but on Tommy, the late 60s analog magic is here!

We Finally Broke Through in 2008

Before 2008 we still had a lot to learn. We needed to do more research and development, which of course we are doing regularly with Classic Rock records, our bread and butter and the heart of our business. We do them as often as is practical, considering how difficult it is to find copies with audiophile playing surfaces.

In 2008 we finally made the breakthrough we had worked so hard to achieve.

Want to find your own top quality copy?

Consider taking our moderately helpful advice concerning the pressings that tend to win our shootouts.

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Stevie Wonder / Innervisions – Our Four Plus Shootout Winner from 2008

More of the Music of Stevie Wonder

Important Lessons We Learned from Record Experiments 

A++++ Beyond White Hot Stampers Discovered! After struggling through multiple stalled shootouts, we’ve finally unearthed copies of this wonderful album that have the sound we’ve been waiting for. We’ve gone through SCORES of pressings in the hope that one day we’d find a copy like this — with two Demo Quality sides, and fairly quiet vinyl, it’s our first ever White Hot Stamper for Stevie Wonder’s Innervisions.

Both sides were the shootout champions, but side one went so far beyond any other copy that we’ve ever played that we had no choice to award it the rare A++++ grade — that’s FOUR big pluses, and it earned each and every one of them!

Mindblowingly Hot Sound On Both Sides

Words are hardly going to be able top convey how superb this copy sounds, but let’s give it a try. My initial note for side one reads, simply, “Holy Sh*t!!!” It didn’t take thirty seconds before everyone in the room realized that we were hearing the best copy of this album to ever hit our table. It’s tight and punchy down low, sweet and silky up top, and warm and sweet in the middle. The clarity and transparency are nothing short of shocking. The presence and immediacy will make you forget you are listening to a record — no other copy we’ve ever played gave us such a feeling of live music happening right in front of us. Any element you can think of is PERFECTION on this side one: bass, cymbals, keyboards, vocals, guitars — all Right On The Money. We’ve always had high hopes for this album, but this copy went beyond even our wildest dreams. (more…)

Ambrosia – The First Four Plus Copy We’d Ever Heard, Going All the Way Back to 2008

More of the Music of Ambrosia

Reviews and Commentaries for the Music of Ambrosia

This White Hot Stamper original LP goes BEYOND DEMO DISC sound. What that means exactly I’m not sure, but I know it when I hear it, and this record has THAT SOUND.

We had no choice but to award this side one the very rare A with FOUR pluses A++++. Side one of this copy has ENERGY and LIFE we have never heard before.

No other copy had this kind of OFF THE CHARTS sound on either side, which means we feel no compunction awarding this side one our Ultimate Rating of A Quadruple Plus (A++++). Only a handful of records over the course of the last few years have earned such a grade, certainly no more than ten, and if memory serves there has never been a record with Four Pluses on both sides; that would be just too extraordinary, the Black Swan incarnate.

  • Our lengthy commentary entitled Outliers & Out-of-This-World Sound talks about how rare these kinds of pressings are and how to go about finding them.
  • We no longer give Four Pluses out as a matter of policy, but that doesn’t mean we don’t come across records that deserve them from time to time.
  • Nowadays we often place them under the general heading of Breakthrough Pressings. These are records that, out of the blue, reveal to us sound that fundamentally changes what we thought we knew about these often familiar recordings.
  • When this pressing (or pressings) landed on our turntable, we found ourselves asking “Who knew?
  • Perhaps an even better question would have been “How high is up?”

This Side One

Going back to our best Hot Stamper Triple Plus contenders for the final shootout round, we dropped the needle on this one and it could not have taken three seconds to know that this copy was BEYOND amazing, truly in a league of its own.

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