More of the Music of Antonio Vivaldi
Reviews and Commentaries for The Four Seasons
In 2007 we did a shootout for this album and noted the following:
For those with better tube gear, the string tone on this record is sublime, with that rosin-on-the-bow quality that tubes seem to bring out in a way virtually nothing else can, at least in my experience.
Our experience since 2007 has changed our view concerning the magical power of tubes to bring out the rosiny texture of bowed stringed instruments. We have in fact changed our minds completely with respect to that often-unquestioned belief.
It’s a classic case of Live and Learn, and one of the bigger Milestones in Audio that we marked in 2007, a year that in hindsight turns out to have been the most important in the history of our company.
Our transistor equipment — and by ours we mean the unnamed low-powered ’70s integrated amp we use, mated with the EAR 324P phono, making no claims whatsoever for any other transistor equipment of any kind, almost all of which in my experience is not very good — is dramatically faster, more transparent, more free from smear, dynamic and resolving than any tube equipment we have ever heard.
It is, simply put, much more TRUTHFUL. It is precisely this quality that is hardest to find in all of audio.
It is also the one quality of our system that, more than any other, allows us to do our job well.
Our equipment lets us hear the sound of the record being played, uncolored and unadorned.
It also has the added benefit of sounding to us more like live music.
Yes, we know, we haven’t heard every piece of tube gear in the world. There may indeed be something out there with even more of the qualities we recognize in live music than we are currently capable of reproducing with our transistor equipment.
We remain open-minded as always, but intensely skeptical — a combination that has certainly served us well over the 33 years we have been in the business of selling records to audiophiles.
Yes, for a while I actually owned a pair of Mac 30 amps, built circa 1954.
They were not 99.60% perfect by any stretch of the imagination. To this day they are the most Tubey Magical, most colored and inaccurate amp I have ever heard in my life, and I have heard more than my share.
If this is your idea of good sound, you are wasting your time reading this blog.
Get better equipment, learn to listen to it critically, and then come back so that you can discover for yourself that what you are reading here is true.
Discovering Some Inconvenient Truths