Personal Favorites – Soul, R’n’B, Blues

Sly and The Family Stone – Stand

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  • Tired of the crude, congested, hard, harsh and otherwise unpleasant sound of most pressings? The solution is right here!
  • Stand, I Want To Take You Higher, Everyday People, You Can Make It If You Try — what a killer lineup of songs
  • 5 stars: “Stand! is the pinnacle of Sly & the Family Stone’s early work, a record that represents a culmination of the group’s musical vision and accomplishment. …everything simply gels here, resulting in no separation between the astounding funk, effervescent irresistible melodies, psychedelicized guitars, and deep rhythms.”
  • This is a Must Own Soul Classic from 1969 that belongs in every right-thinking audiophile’s collection
  • The complete list of titles from 1969 that we’ve reviewed to date can be found here.

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Average White Band – Self-Titled

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  • Big, rich, and open – we guarantee you have never heard this album sound even remotely as good as this copy sounds
  • Pick Up The Pieces is rockin’ like it should, finally, but really, there’s not a weak track on the album
  • “AWB embraced soul and funk with so much conviction that it was clear this was anything but an “average” white band.” 4 1/2 Stars

Having done this shootout a number of times since we first discovered a hot sounding copy all the way back in 2007, it’s hard to imagine this music sounding any better than it does on this very copy. It’s smooth, sweet, airy, open, spacious and ALIVE. The best sounding songs here truly have Master Tape Sound.

We’ve been playing this record for years, but until finding a very Hot copy back in 2007 we had no idea what a sonic monster it could be. We didn’t have enough clean copies around to do a full shootout at that time for a very good reason — we’d NEVER heard this record sound particularly good before. The typical copy tends to be smeary, with sour horns and not very much energy.

The overall sound on both sides is lively and energetic with superb transparency. The bass is deep, rich, and tight — just what this funky music demands. The brass sounds wonderful — it has just the right amount of bite and you can really hear the air moving through the horns. (more…)

Flack / Hathaway – Roberta Flack & Donny Hathaway

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  • An outstanding copy, with Shootout Winning Triple Plus (A+++) grades throughout, making this the best copy to hit the site in many years!
  • There’s Tubey Magic, sweetness and spaciousness all over this recording – when it all comes together on Where Is The Love, you won’t believe how good it sounds
  • One of our favorite duet albums, Flack and the woefully underrated Soul Man Donny Hathaway are in top form here
  • Allmusic raves: “A duet classic, and perhaps the most popular album Roberta Flack made. ‘Where Is the Love’ dominated urban contemporary radio for almost the entire year, while ‘You’ve Got a Friend’ was just as influential…”

These soulful duets sound wonderful. The best sides are big, bold, open and transparent with a huge three-dimensional soundfield, strong presence, good rhythmic energy, and wonderfully dynamic leads and choruses. (more…)

Lou Rawls – Live!

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Well Recorded Albums that Should Be More Popular with Audiophiles

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Well Recorded Soul. RnB, Blues, Etc. Albums – The Core Collection

  • Lou Rawls Live! is an amazing recording that really comes to life on the best Hot Stamper pressings
  • The songs are fantastic, the musicians are brilliant, the sound is superb – Stormy Monday & Tobacco Road are highlights, but really, there’s not a bad track here
  • If you could only have one Lou Rawls album, no question it would have to be this one – everything that’s good about the man’s music is fully on display
  • 4 stars: “Lou Rawls gives a riveting performance on Live!, covering standards from Basie/Rushing’s tambourine-jumpin’ ‘Goin’ to Chicago’ to T-Bone Walker’s foot-stompin’ ‘Stormy Monday,’ and whole lot in between.”

What an album! For live soul-infused vocals, we know of none better. (more…)

War / Why Can’t We Be Friends? – A True Demo Disc

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This Well Recorded Album Should Be More Popular with Audiophiles

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  • An incredible copy of the band’s 1975 release, with Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • One of our favorite albums here at Better Records and clearly the band’s Masterpiece – the bass and dynamics on the better pressings make this a Demo Disc on the right system
  • 4 stars [but we give it 5]: “Cut from the same cloth as the band’s 1973 Deliver the Word LP, War’s 1975 Why Can’t We Be Friends? is a masterpiece in its scope and breadth. [It] remains one of War’s truly outstanding efforts, and has become an integral part of the funk genre’s landscape. It also remains the nightcap of their finest hour.”

Engineered by the brilliant Chris Huston, this recording displays all his trademark gifts. His mixes feature lots of bass; huge, room-filling choruses that get loud without straining or becoming congested; and rhythmic energy that few pop recordings could lay claim to in 1975.

Low Rider sounds AWESOME on this one. This is the kind of record you can take to any stereo store or audiophile friend’s house and bring their stereos to their knees. Audiophile systems are rarely designed to play this kind of music at the levels it demands, but that doesn’t mean they shouldn’t be. Records like this are the challenge we audiophiles need to make our stereos even better. When the music is this good it’s worth the effort

What superb sides such as these have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1975
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

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Stevie Wonder – Innervisions

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Hot Stamper Pressings of Innervisions Available Now

  • With two outstanding Double Plus (A++) sides, this is an all around killer pressing – exceptionally quiet vinyl too
  • One of the funkiest audiophile-quality discs money can buy, but you need a copy that sounds as good as this one to make that case
  • The key qualities are richness, warmth, Tubey Magic, and clarity, and here you will find a healthy dose of all four
  • “Stevie Wonder applied his tremendous songwriting talents to the unsettled social morass that was the early ’70s and produced one of his greatest, most important works, a rich panoply of songs addressing drugs, spirituality, political ethics, and what looked to be the failure of the ’60s dream — all set within a collection of charts as funky and catchy as any he’d written before.”

Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.). The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real Stevie Wonder singing live in your listening room. The best copies have an uncanny way of doing just that. (more…)

Michael Jackson – Off The Wall

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Reviews and Commentaries for Off the Wall

  • You’ll find outstanding Double Plus (A++) sound on both sides of this MJ classic with some of the most heartfelt, emotional and powerful music he ever recorded
  • Off the Wall is substantially sweeter, tubier, more natural, richer, more relaxed and more ANALOG than any other Michael Jackson album
  • We’re constantly blown away by just how good the best copies of Off the Wall sound – what a recording!
  • Clearly MJ’s best sounding release – 5 stars: “This was a visionary album … part of a colorful tapestry of lush ballads and strings, smooth soul and pop, soft rock, and alluring funk.”

As consistently brilliant as Thriller may be musically — it is the biggest selling album of all time after all [scratch that, the Eagles Greatest Hits just took the top spot away from Thriller recently] — speaking strictly in terms of sonics the sound of the best copies of Off the Wall is substantially sweeter, tubier, more natural, richer, and more ANALOG than Thriller.

Thriller is clearly more aggressive and processed-sounding than Off the Wall. The Girl Is Mine or Human Nature from Thriller would fit just fine anywhere on Off the Wall, but could the same be said for Beat It or Thriller? Just thinking about them you can hear the artificiality of the sound of both those songs in your head. Think about the snare that opens Beat It. I’ve never heard a snare sound like that in my life. Practically no instrument on Off the Wall has that kind of overly processed EQ’d sound.

Normally when you have a copy with plenty of presence, it can be somewhat sibilant in places. Sibilance is hardly a problem here. For some reason this copy has all the highs, but it’s cut so clean it practically doesn’t spit at all. Even on the song I Can’t Help It, which normally has a problem in that respect. Since that’s my favorite song on this album, and probably my favorite MJ song of all time, hearing it sound so good was a revelation. (more…)

Ray Charles – Ingredients In A Recipe For Soul

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  • An outstanding pressing of Charles’ 1963 release, with solid Double Plus (A++) sound from start to finish
  • These sides are doing it all right — richer, fuller, better bass, more Tubey Magic, and the list goes on
  • Ray Charles was a genius and the music on this record is just more proof of the undeniability of that fact
  • 4 stars: “The high points are very high — ‘Busted,’ his hit reworking of a composition by country songwriter Harlan Howard, is jazzy and tough, and one of his best early-’60s singles…”

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Ray Charles / All Time Great Country and Western Hits – Better Sound than the Originals? Can It Really Be True?

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More Soul, Blues and R&B

  • With three nearly Triple Plus (A++ to A+++) sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner – exceptionally quiet vinyl too
  • What was especially shocking about this shootout is that in some ways the best sounding copies of the reissue not just the equal of, but actually best their original album counterparts
  • 22 classic songs on two LPs, including huge hits like I Can’t Stop Loving You, You Don’t Know Me, Oh Lonesome Me, Bye Bye Love, and much more – no wonder AMG gave both discs 5 stars
  • This is some big, bold, absolutely glorious Tubey Magical analog – the tape to disc transfer is Hard To Fault (HTF), making a mockery of the audiophile remasters to come

The music is wonderful. Just listen to that swingin’ horn section behind Ray on Hey, Good Lookin’. They are hot! And Bye Bye Love just plain ROCKS.

Both these LPs have the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)

David Bowie – Young Americans

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  • A killer copy of Bowie’s one and only soul album with Triple Plus (A+++) sound or close to it on both sides
  • This pressing was simply bigger and fuller than the competition, with plenty of funky energy and three-dimensional studio space
  • On an exceptionally transparent copy such as this one, it’s much easier to pick out all the background vocalists in the relatively dense mixes that Bowie favored here, and that’s the kind of sound that wins shootouts 
  • One of our favorites by The Man, with so many killer tracks: Young Americans, Win, Fascination, Somebody Up There Likes Me, Across the Universe and, of course, Fame

Truly stunning sound throughout. The strings have amazing amounts of texture — you can really hear the sound of the rosin on the bow. The highs are silky sweet and the bottom end is punchy and powerful. You won’t believe how lively the cymbal crashes sound — you’re right there in the room with all these guys and gals.

This is one of our favorite Bowie albums. Nobody seems to care about it anymore. They dismiss it as disco junk, but it actually has some of his best music on it. I especially like the song Win. David Sanborn’s saxophone sounds like it’s coming from 60 feet behind Bowie, a nice effect. (more…)