More Little Feat
Reviews and Commentaries for Waiting for Columbus
- A killer copy of Waiting For Columbus with Shootout Winning Triple Plus (A+++) sound or close to it on the first THREE sides, and excellent Double Plus (A++) sound on the fourth – exceptionally quiet vinyl too
- Some of the best sounding live rock and roll sound you will ever hear outside of a concert venue
- If you want to understand the unique appeal of the band, there’s no better place to start than right here
- 4 1/2 stars: “There’s much to savor on Waiting For Columbus, one of the great live albums of its era, thanks to rich performances that prove Little Feat were one of the great live bands of their time.”
- We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. Waiting for Columbus is a good example of a record many audiophiles may not know well but should.
This is an amazingly well-recorded concert, and what’s more, the versions the band does of their earlier material are much better than the studio album versions of those same songs in every case.
Fat Man In A Bathtub on this album is out of this world, but you could easily say that about a dozen or more of the tracks on this double album. Which simply means that you will have a very hard time listening to any of the studio versions of these songs once you’ve heard them performed with the kind of energy, enthusiasm and technical virtuosity Little Feat brought to this live show. (I saw them twice with Lowell and they were amazing both times.)
This is some of the best sounding live rock and roll sound you will ever hear outside of a concert venue. In fact, on a great copy, it’s just about as good as live rock’n’roll sound gets.
What The Best Sides Of Waiting For Columbus Have To Offer Is Not Hard To Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1978
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing these records are the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find pressings that sound as good as these two do.
What We’re Listening For On Waiting For Columbus
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don’t have the vintage analog magic of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that’s certainly your prerogative, but we can’t imagine losing what’s good about this music — the size, the energy, the presence, the clarity, the weight — just to hear it with less background noise.
A Must Own Rock Record
We consider this Little Feat album a Masterpiece. It’s a recording that belongs in any serious Rock Music Collection.
Others that belong in that category can be found here.
Join the Band
Fat Man in the Bathtub
All That You Dream
Old Folks’ Boogie
Time Loves a Hero
Day or Night
Tripe Face Boogie
Rocket in My Pocket
Don’t Bogart That Joint
A Apolitical Blues
Feats Don’t Fail Me Now
AMG 4 1/2 Star Rave Review
Little Feat was one of the legendary live bands of the ’70s, showered with praise by not only their small, fiercely dedicated cult of fans, but such fellow musicians as Bonnie Raitt, Robert Palmer, and Jimmy Page. Given all that acclaim, it only made sense for the group to cut a live album… there’s much to savor on Waiting for Columbus, one of the great live albums of its era, thanks to rich performances that prove Little Feat were one of the great live bands of their time.