Genre – Rock – Glam Rock

David Bowie – Space Oddity

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  • An outstanding copy of Bowie’s sophomore release with solid Double Plus (A++) sound or BETTER from start to finish
  • The sound here is huge, full-bodied, punchy and relatively smooth throughout, with real space and ambience around the vocals and instruments
  • “Abandoning both the mod and Anthony Newley fascinations that marked his earlier recordings, Bowie delves into a lightly psychedelic folk-rock, exemplified by the album’s soaring title track. . .”

One of the reasons the song “Space Oddity” sounds so amazing is that it was produced by none other than Gus Dudgeon, the man behind all the best Elton John records. It has Paul Buckmaster doing the string arrangements as well. His work on Elton’s self-titled album is awe-inspiring; we know of none better. (more…)

David Bowie – The Man Who Sold The World

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  • This outstanding pressing boasts solid Double Plus (A++) sound from first note to last
  • Big space, breathy vocals, grungy guitars and plenty of Ken Scott’s luscious Tubey Magic makes this album a true audiophile treat
  • As it says on the back of the jacket, “Many thanks to our engineer Ken (Scott, one of our favorites).”
  • 4 1/2 stars: “Working with guitarist Mick Ronson and producer Tony Visconti for the first time, Bowie developed a tight, twisted heavy guitar rock that appears simple on the surface but sounds more gnarled upon each listen.”

*NOTE: On side one, a mark makes 8 light ticks at the beginning of Track 1, The Width Of A Circle. On side two, a mark makes 16 light ticks at the beginning of Track 1, Running Gun Blues.

The sound is rich and full, just the way the Brits (and us audiophiles) like it. The tube compression that both Bowie and Scott favor works its magic at every turn, adding fatness and richness and lovely harmonics to the guitars and the drums.

Mick Ronson’s guitars are wonderfully rich and grungy. The vocals can get a bit hot on the first track on side one (as is often the case), but by track two the sound has settled in and is rich and smooth, just the way we like it. Very present and lively vocals are a strong point. Listen to the big bass, richness and Tubey Magic of the third track on side two — that is some Ken Scott studio wizardry at play.

Note that the second track on the second side seems to be where Alice Cooper found his “sound.” More power to him I say. You could get away with ripping off Bowie in 1970; nobody bought this album in the states, which is why it’s so damn rare and expensive. (more…)

David Bowie – Pin-Ups

Dear Reader,

We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.

Tom Port – Better Records

  • A stunning copy of this Classic Bowie album from 1973 with Shootout Winning Triple Plus (A+++) sound or close to it throughout – exceptionally quiet vinyl too
  • Both sides have phenomenal amounts of Tubey Magic, thanks to the engineering of Ken Scott
  • The bottom end is huge, as would be expected from anything Ken recorded, and if you don’t believe me, check out Baby You’re a Rich Man off MMT
  • A really fun listen, with Bowie running through covers of his favorite Sixties hits in true Demo Disc sound
  • Turns out he’s a great interpreter, turning in passionate versions of songs by The Who, Pink Floyd, The Yardbirds and more

The music on this album is wonderful. Bowie puts a unique spin on tracks originally played by The Who, The Yardbirds, Pink Floyd and other British rockers. It’s a fun, intriguing album that stands up well to repeated plays. Bryan Ferry did the same thing in 1973 with some of his favorite pop songs. Oddly enough both albums entered the charts on the very same day in November of that year.

The sound is lively and full-bodied with nice transparency throughout. Bowie’s voice sounds correct and the bottom end is huge, as would be expected from anything Ken Scott recorded, and if you don’t believe me check out Baby You’re a Rich Man off MMT.

The bass here is deep and not nearly as sloppy as on most copies. Listen to the vocals, which sound just right and have lots of texture to them. The harmonica on I Wish You Would is AMAZING. When has a harmonica ever sounded so rich and full? You’ll also want to check out the sax solo on Sorrow, which just plain ROCKS.

So what were some of the worst copies we heard? One was a British Original, believe it or not. They tend to be dull, thick, and lifeless — not a good match for this punky, energetic material. There are some very good sounding Brit originals but, having said that, to date they have never won a shootout.

On the other side, many of the other copies we heard were bright and grainy. It’s tough to find a copy that strikes the right balance, but this copy sure did. (more…)

David Bowie – Hunky Dory

Dear Reader,

We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.

Tom Port – Better Records

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  • This UK pressing of Bowie’s pre-Ziggy Folk Rock masterpiece earned outstanding Double (A++) grades for their preternaturally Tubey Magical sound – thanks Ken Scott, you da man!
  • The best tracks on the album are Demonstration Quality – Oh You Pretty Things is a KNOCKOUT here
  • Rich, spacious and sweet, with a HUGE soundstage – drop the needle on Changes and listen to how dynamic it is
  • 5 stars: “On the surface, such a wide range of styles and sounds would make an album incoherent, but Bowie’s improved songwriting and determined sense of style instead made Hunky Dory a touchstone for reinterpreting pop’s traditions into fresh, postmodern pop music.”

The amazing Ken Scott (Ziggy Stardust, Magical Mystery Tour, Honky Chateau, Crime of the Century (all Top 100), as well as All Things Must Pass, Truth, Birds of Fire, Son Of Schmilsson, America’s debut and many more is the man responsible for the sound here (he also produced the album, replacing Tony Visconti). It should go without saying that this is one seriously talented guy.

The kind of Tubey Magical richness and smoothness that he achieved at Trident in the early ’70s, not to mention sound that is remarkably spacious and practically free from distortion — qualities that are especially important to us Big Speaker guys who like to play their records good and loud –has rarely been equaled by anyone in the years that’ve followed (even by Ken).

As noted above, many of his best recordings can be found in our Rock and Pop Top 100 List of Best Sounding Albums, limited to the titles that we can actually find sufficient copies of with which to do our Hot Stamper shootouts. (more…)

Roxy Music’s Debut Is a Masterpiece

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  • Andy Hendriksen’s engineering (over the course of a week!) is superb in all respects and practically faultless
  • A Top 100 album, the band’s Masterpiece, and truly a Must Own Desert Island Disc of Glamorous Arty Rock
  • “Falling halfway between musical primitivism and art rock ambition, Roxy Music’s eponymous debut remains a startling redefinition of rock’s boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures.”

Folks, this is a true Demo Disc in the world of Art Rock. It’s rare to find a recording of popular music with DYNAMICS like these. (more…)

David Bowie – The Man Who Sold The World – Our Shootout Winner from 2015

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The sound is rich and full, just the way the Brits like it. The heavy compression that both Bowie and Scott favor works its magic at every turn, adding fatness and richness and lovely harmonics to the guitars and the drums.

Not many Bowie albums from his “classic” period sound good on domestic vinyl, nothing I know of before Diamond Dogs with the exception of this album and the occasional copy of Space Oddity. Strangely enough, from then on practically every one of Bowie’s albums sounds best on domestic vinyl, all the way through to Let’s Dance, after which we more or less check out — don’t know those albums well and don’t plan on finding out more.

Ah but here, here we have some truly prime period Bowie, recorded, mastered and pressed with Top Quality sound!

Side One

Mick Ronson’s guitars are wonderfully clear. The vocals can get a bit hot on the first track (as is often the case), but by track two the sound has settled in and is rich and smooth, just the way we like it. Very present and lively vocals are a strong point.

Side Two

Listen to the big bass, richness and Tubey Magic of the third track — that is some Ken Scott studio wizardry at play.

Note that the second track seems to be where Alice Cooper found his “sound.” More power to him I say. You could get away with ripping off Bowie in 1970; nobody bought this album in the states, which is why it’s so damn rare and expensive.

And the reason there are so many bootlegs. Practically every copy of ebay is a bootleg.  They sound terrible by the way. (more…)

City Boy – Young Men Gone West

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  • Super Hot Stamper or better sound on both sides of this Arty Glam Rock album
  • Produced by Robert John “Mutt” Lange before he hit it big with Foreigner and Def Leppard
  • As far as I know Mr Lange never produced an album that sounds this good
  • Plenty of Tubey Magical richness, which only the UK Vertigo pressings seem to have

Like many of my personal favorites, this is a band that never caught on in the states. I saw them live back in the late ’70s and thought they were killer — they reminded me of a more accessible version of 10cc. They write amusingly witty, clever lyrics and mate them to catchy melodies with lots of pop hooks, all produced with meticulous care and engineered with top audiophile sound.

They might fit in the general category of Glam Rock, owing, as they do, so much to Supertramp, Badfinger, Queen, 10cc, Ziggy-period Bowie and the like, but even as I write that it seems unfair to the band, which had a unique style all its own, worthy of the respect and admiration due any of these artists (well, maybe not all the respect, but some of it anyway). Fortunately for us record lovers, this is their best album. (more…)

Mott The Hoople – Mott

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  • Incredible Shootout Winning Triple Plus (A+++) sound on both sides, this copy will blow the doors off anything you’ve played
  • Both of these sides are rich and musical, solid down low, with Tubey Magic for days – forget the dubby domestic pressings, this is the sound you want for Mott
  • Bill Price engineered in 1973 – he’s the man behind The Clash’s Best Sounding Album, London Calling
  • AMG raves “This sounds better, looser, than All the Young Dudes, as the band jives through “All the Way From Memphis” and “Honaloochie Boogie,” beats the living hell outta “Violence,” swaggers on “Whizz Kid,” and simply drives it home on “Drivin’ Sister.”

This CBS Orange Label early British LP has the big British Rock Sound we love here at Better Records. Phenomenally rich and sweet, with meaty bass and a smooth top, it’s the kind of sound you find on the best Ken Scott recordings from the early ’70s.

Bill Price engineered this one as he did for many of Mott’s albums. His claim to fame in these parts is London Calling, but his credits run into the hundreds for classic rock records starting in the ’60s right through to the ’80s.

We were surprised (although we shouldn’t be by now) that so many copies were slightly thin and dry. The first track on side one, the big hit All the Way From Memphis, tends to have a problem in that area more than the tracks that follow. (more…)

Eno – Here Come The Warm Jets

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  • KILLER sound from start to finish for this Island import pressing with both sides finishing top of the class — Triple Plus (A+++) sound throughout
  • The sound here is clean, clear, present and dynamic yet still super rich and musical with lots of Tubey Magic
  • Exceptionally quiet vinyl — Mint Minus to Mint Minus Minus on both sides
  • 5 stars on Allmusic: “Eno’s solo debut, Here Come the Warm Jets, is a spirited, experimental collection of unabashed pop songs… Avant-garde yet very accessible, Here Come the Warm Jets still sounds exciting, forward-looking, and densely detailed, revealing more intricacies with every play.”

A great pressing of one of our favorite albums! These are not easy to come by, so we don’t get to shoot these out as often as we’d like. This is not your typical audiophile-friendly rock album, to be sure. There are lots of weird sounds, out-of-tune instruments and other Eno craziness. We’re big Eno fans here — Taking Tiger Mountain and Before And After Science are other big favorites here. If you’ve got a taste for avant-garde art rock, this album should be right up your alley. (more…)

David Bowie – Ziggy Stardust

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Reviews and Commentaries for Ziggy Stardust

  • This incredibly good sounding Triple Plus (A+++) side two will show you just how good Ziggy Stardust can sound in analog (and side two was not far behind at A++) – exceptionally QUIET vinyl too
  • The stage is huge and the amount of Tubey Magic has to be heard to be believed – this is the pinnacle of sound for Glam Rock
  • Until you hear one of these killer British pressings you simply cannot know what you are missing
  • A Rock & Pop Top 100 album, and Ken Scott’s engineering masterpiece
  • “Fleshing out the off-kilter metallic mix with fatter guitars, genuine pop songs, string sections, keyboards, and a cinematic flourish, Ziggy Stardust is a glitzy array of riffs, hooks, melodrama, and style and the logical culmination of glam.”

Drop the needle on any song. We guarantee you have never heard that song sound better. The mastering is superb. There’s really no “mastering” to listen for — all you’re really aware of is the music flowing from the speakers, freed from all the limitations that you’ve had to accept over the years.

Unquestionably, this is the pinnacle of Glam Rock. Every track is superb; not a moment is less than stellar from beginning to end.

Is it Bowie’s Masterpiece?

Absolutely. No other Bowie record ranks higher in my book. (more…)