- This superb bossa-nova classic finally makes its Hot Stamper debut with Shootout Winning Triple Plus (A+++) sound from first note to last on this original Capitol stereo pressing
- Here is the Tubey Magical richness, size and space that only the best vintage pressings are capable of conveying to the critical listener
- The brilliance of this All Tube Chain recording from Capitol in their heyday makes all the hard work you’ve put into your system pay off
- This wonderful compilation makes its Hot Stamper debut here with outstanding Double Plus (A++) sound from start to finish
- It’s big, lively, clear and present, with the kind of Tubey Magical richness we flip out for here at Better Records
- A difficult record to find with audiophile playing surfaces – we go years without seeing a clean copy in stereo
- “The two make an effective team, with Gilberto’s sometimes sentimental, sometimes impressionistic works effectively supported by Mann’s lithe flute solos.”
Sonic Grade: C
Another Audiophile Pressing reviewed.
This is a Minty looking Verve Japanese Import LP. It’s not competitive with the best domestic pressings but you could definitely do worse. Trying to find domestic copies that aren’t trashed is virtually impossible, so if you’re a click and pop counter, this copy may be the ticket! Stan Getz is a truly great tenor saxophonist, the cool school’s most popular player. This LP is all the evidence you need. Side 1 has those wonderfully relaxed Brazilian tempos and the smooth sax stylings of Stan Getz.
Side two for me is even more magical. Getz fires up and lets loose some of his most emotionally intense playing. These sad, poetic songs are about feeling more than anything else and Getz communicates that so completely you don’t have to speak Portugese to know what Jobim is saying. Call it cool jazz with feeling.
- With two seriously good Double Plus (A++) sides, this copy is guaranteed to blow the doors off any other Fool on the Hill you’ve heard
- Sergio’s unique rearrangement of two songs in particular here make this a Must Own album: Scarborough Fair and title trackl
- Top engineers for A&M, Henry Lewy and Larry Levine, capture the natural, breathy intimacy in the voices of these wonderful female leads – Lani Hall, Karen Philipp and Gracinha Leporace
- 4 1/2 Stars: “Even though he had become thoroughly embedded in the consciousness of mainstream America, Mendes still managed to have it three ways, exposing first-class tunes from little-known Brazilian talent, garnering commercial hits, and also making some fine records.”
NOTE: A light mark is audible for eight light ticks at the end of track three on side two.
Two songs in particular make this a Must Own album: Scarborough Fair and The Fool On The Hill. Both of them are given wonderfully original treatments. These songs hold their own against the originals, and that’s saying something.
Sergio took on many of the heavyweights of his day, and most of the time he succeeded in producing a uniquely satisfying version of well-known material. Superb original tracks by The Beatles, Simon and Garfunkel, Buffalo Springfield, Joni Mitchell and others were given the Sergio Mendes latin pop treatment and came out much the better for it.
This vintage A&M pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
- A stunning copy of Jazz Samba with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
- Exceptionally spacious and three-dimensional, as well as relaxed and full-bodied – this pressing was a noticeable step up over practically every other pressing we played
- 5 stars: “[Jazz Samba] was the true beginning of the bossa nova craze, and introduced several standards of the genre… But above all, Jazz Samba stands on its own artistic merit as a shimmering, graceful collection that’s as subtly advanced — in harmony and rhythm — as it is beautiful.
- The first copy to hit the site in NINE years and with KILLER sound to boot; both sides earned Shootout Winning Triple Plus (A+++) grades
- Both of these sides are incredibly full-bodied, natural and present with tight punchy bass and lots of space around all of the players
- I love the music of Antonio Carlos Jobim and this is one of his best albums; it belongs in any serious Latin Jazz record collection.
- “When Creed Taylor left Verve/MGM for his own label under the auspices of A&M, he quickly signed Antonio Carlos Jobim and they picked up right where they left off with this stunningly seductive record, possibly Jobim’s best.” – All Music
- A KILLER sounding copy with Shootout Winning Triple Plus (A+++) Live Jazz sound from start to finish
- This original stereo pressing is the first copy to make it to the site in years – boy are these hard to find in this kind of clean condition with top quality sonics
- Rich, tubey and musical, the sound is wonderful for these live performances of two very different groups, one featuring Getz, the other Jobim
- 4 1/2 Stars: “Getz/Gilberto #2 holds its own with an appealing selection of fine jazz and bossa nova cuts.”
This original Verve Stereo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in a real jazz club, this is the record for you. It’s what Vintage Records are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)
- An outstanding pressing of Look Around, with solid Double Plus (A++) sound from start to finish
- We go CRAZY for the breathy multi-tracked female vocals and the layers of harmonies, the brilliant percussion, as well as the piano work and arrangements of Sergio himself
- “The Look of Love” and “With a Little Help from My Friends” are the epitome of Bossa Nova Magic on this exceptional pressing
- 4 1/2 stars: “Sergio Mendes took a deep breath, expanded his sound to include strings lavishly arranged by the young Dave Grusin and Dick Hazard, went further into Brazil, and out came a gorgeous record of Brasil ’66 at the peak of its form.”
As you may have noticed, we here at Better Records are HUGE Sergio Mendes fans. Nowhere else in the world of music can you find the wonderfully diverse thrills that this group offers. We go CRAZY for the girls’ breathy multi-tracked vocals and the layers and layers of harmonies, the brilliant percussion, and, let us never forget, the crucially important, always tasteful keyboards and arrangements of Sergio himself. (more…)
- Amazing sound throughout with both sides earning Shootout Winning Triple Plus (A+++) grades, making this the best copy to hit the site in over SEVEN years!
- The sound onb both sides here is jumping out, with more Tubey Magic, more space, more extension top to bottom, and more detail than any other copy we’ve ever played; the soundstage is HUGE as well!
- Yes, it’s a recording that has some problems, but the best copies are able to overcome most of them, and that’s precisely what we are offering here: a White Hot copy that gets the sound of this music as right as it’s going to get
- “Dave Grusin is right there with a lush, haunting orchestral chart when needed; Lani Hall is thrust further into the vocal spotlight, as cool and alluring as ever.. Weird and overblown, but wonderful.” – All Music
Two KILLER Triple Plus (A+++) sides make this the BEST sounding copy of Crystal Illusions to ever hit the site.
If you are not familiar with Sergio and his magical band, this might not be the place to start. Try the first two albums or Stillness if you want to hear the best material recorded with the highest quality. This is a second tier album in the Sergio canon, and priced accordingly. There are of course some truly great songs on this one, just as there are on every Brasil ’66 album. I would draw your attention especially to the Otis Redding classic Dock of the Bay. Fans will no doubt find much to like here; others maybe not so much. If you get a thrill out of FINALLY hearing a famous album sound the way you always wished it could, this copy is for you!
What you’re looking for on Crystal Illusions is a copy that’s not thin, dry, harsh and edgy! If you own this album you know exactly what I am talking about. Most copies sound like CDs in that respect. And most Brazil ’66 CDs sound just as bad as you might think they would. Believe me, I know, I’ve bought practically all of them. Thank god for the treble control on my car stereo. (more…)
- Getz’s superb 1962 release finally arrives on the site with outstanding Double Plus (A++) stereo sound or BETTER from start to finish – and the vinyl plays about as quietly as any vintage Verve ever does
- Speakers Corner produced an unimpressive remaster on Heavy Vinyl years ago, and there are probably plenty of newer pressings that have come out since then, but none of them can begin to compete with the All Analog sound of this very pressing
- 4 stars: “Fresh from the sudden success of Jazz Samba and “Desafinado,” Stan Getz asked the 28-year-old, strikingly gifted Gary McFarland to arrange a bossa nova album for big band as a follow-up. Getz is always his debonair, wistful, freely-floating self, completely at home in the Brazilian idiom that he’d adopted only a few months before.”