Eddie Kramer, Engineer

Traffic – The Best of Traffic

More Music on Island Records

For those who wish to find their own Hot Stamper pressings of the album, we say more power to you. Our helpful advice can be found at the bottom of the listing,

  • This original Pink Label Island pressing was doing just about everything right, with both sides earning solid Double Plus (A++) grades or BETTER
  • Side one was sonically very close to our Shootout Winner – you will be shocked at how big and powerful the sound is
  • Here are the full-bodied mids, punchy lows and clear, open, extended highs that let this 1969 release come alive
  • This amazing compilation boasts superb sound, often dramatically better than the very same tracks on many of the original British releases
  • Problems in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • Top 100 and 4 stars: “The entire second side of the LP, comprising ‘Medicated Goo,’ ‘Forty Thousand Headmen,’ ‘Feelin’ Alright,’ ‘Shanghai Noodle Factory,’ and ‘Dear Mr. Fantasy,’ was the kind of progressive rock that would define Traffic and give it its place in the rock pantheon.”
  • For our current take on the sound of the various labels and stampers for Mr. Fantasy and The Best of Traffic, please click here.

This British Pink Label Island pressing has some of the best Traffic sound you’ll ever hear! We’ve been flipping out over Hot Stamper copies of this greatest hits comp for ages for a very simple, yet likely shocking, reason — the sound on the best copies can be better than the best original pressings! How can that be you ask, dumbfounded by the sheer ridiculousness of such a statement? Well, dear reader, I’ll tell you. Follow me over the jump to find out.

It’s a dirty little secret in the record biz that sometimes the master for the anticipated “hit single” (or singles) is pulled from the album’s final two-track master and used to make the 45, the thinking being that the 45 is what people are going to buy, or, having heard it sound so good on the radio, cause them to buy the album. One way or another, it’s the single that will do the selling of Traffic’s music.

A dub is then made of the master tape that was used to cut the 45 and spliced back onto the album master, so that the single (or singles) is one generation down from the master for the other songs on the side.

This explains why the “hit single” from so many albums is often the worst-sounding song on the album — most likely to suffer from bad radio EQ and distorted, smeary, sub-gen sound. And it also explains another anomaly those of us who play tons of records run into from time to time: songs on greatest hits albums sounding better than their counterparts on the original albums from which they are taken. That’s crazy talk, but this Traffic record is all the evidence you need to demonstrate that as it crazy as it seems, every once in a while it turns out to be true. This is one of those times.

Heaven Is In Your Mind

Best proof: “Heaven Is In Your Mind,” the second track on side one. It is amazing sounding here and such a disappointment on every Pink Label Island original (and some reissues) we’ve played. Once you know how good that song can sound — by playing a Hot Stamper copy of Best of Traffic like this one — going back to the original version of the song found on the album is not just a letdown, it’s positively painful.

Where’s the analog magic? The weight to the piano? The startling clarity and super-spaciousness of the soundfield? The life and energy of the performance?

They’re gone, brother. Not entirely gone, mind you, more a shadow of what they should be. But once you’ve heard the real thing, it’s no fun listening to a shadow. It’s just a drag.

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Jimi Hendrix – Hendrix In The West

More Jimi Hendrix

  • Hendrix in the West is back on the site for only the second time in over three years, here with incredible Nearly Triple Plus (A++ to A+++) sound throughout this early UK import pressing, just shy of our Shootout Winner – exceptionally quiet vinyl too
  • This is a fun live album with stellar performances by Jimi – the best of his many posthumous releases
  • The awesome version of “Little Wing” is just killer on this copy – it’s Jimi’s best performance of the song
  • 4 stars: “…it’s a hodge-podge, made of live tracks largely from 1969 and 1970. But it’s a bunch of great live tracks, including some real rarities… In the West is a great sampling of Hendrix’s late-period live material (and his sense of humor) making its long awaited appearance.”

We’re still surprised at how well recorded the album is. It takes a pressing like this to really show you the live Jimi Hendrix magic Eddie Kramer got onto tape. Drop the needle on “Little Wing” and you are going to be floored.

The size and space here are really something, miles beyond most. The resolution and clarity of the open live sound of this copy bring out all the instrumental textures and details of the recording like few we played. More importantly, the extended top keeps the highs from getting hard or harsh the way they do on so many pressings we’ve played.

As these performances are culled from different concerts, the sound varies a bit from track to track, but every track on here sounds good and the best tracks sound amazing.

Almost Famous

It’s hard to understand why this album isn’t more widely known. The performances are great and the sound is excellent for a vintage live recording.

Naturally not every copy sounds as good as this one. We heard a lot of pressings with too much grit and grain, and many that badly lacked presence. When I play a live album, I want to feel like I am there at the show (and to do that I set the volume accordingly, of course) but with most copies that just isn’t possible.

Thanks to Eddie Kramer’s amazing engineering, this album will have Jimi playing live in your listening room, and what a thrill it is to hear it all these years later (and on dramatically better equipment).

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Jimi Hendrix – Are You Experienced

More Jimi Hendrix

  • This UK Polydor import pressing will blow you away with INSANELY GOOD Shootout Winning Triple Plus (A+++) grades on both sides – exceptionally quiet vinyl too
  • Here are just a few of the things we had to say about this amazing copy in our notes: “huge and fat and tubey”…”super present and 3D”…”so full and big and weighty”…”great energy”…”HTF [hard to fault]” (side one)…”vox present and breathy”…”rich and lively”
  • The sound is dramatically bigger, cleaner, livelier, richer, tubier, more present and more energetic than you’ll hear on any other copy, or your money back
  • Stunning sound for “Purple Haze,” “Hey Joe,” “The Wind Cries Mary,” “Fire,” “Foxy Lady” and every other song on his brilliant debut
  • No matter what version you’ve been playing, we guarantee you’ll be blown away by the Master Tape Sound found on this import and only this import
  • 5 stars: “One of the most stunning debuts in rock history, and one of the definitive albums of the psychedelic era.”

It is no easy task trying to find good copies of this album (or any Hendrix album, really). This one is absolutely killer. The bottom end is big and weighty, the top is open and transparent, and there’s plenty of rich, full tubey magic. Good luck finding this kind of sound for Are You Experienced on your own — it took us DECADES! (more…)

Led Zeppelin / Led Zeppelin II

More of the Music of Led Zeppelin

  • An incredible copy of Zep II with killer sound from start to finish – this one is guaranteed to rock your world like no other!
  • The sound is freakishly good – we created a Top Ten list just to put this album on it
  • Years ago we gave up on everything but these killer RL (and SS) pressings, because nothing else can hold a candle to them
  • With copies selling for $1000+ on ebay, sometimes $3000+, we’re forced to pay big bucks for Zep II these days, but if any album is worth it — to us and our customers — it’s this one
  • A Must Own Zep classic from 1969 that belongs in every right-thinking audiophile’s collection
  • It’s our pick for the band’s best sounding album. Roughly 150 other listings for the Best by an Artist or Group can be found here.

At least 80% of the copies we buy these days — for many, many hundreds of dollars each I might add, more than a grand on occasion — go right back to the seller. The biggest problem we run into besides obvious scratches that play and worn out grooves is easy to spot: just play the song “Thank You” at the end of side one. Most of the time there is inner groove damage so bad that the track becomes virtually unlistenable.

It’s become a common dealbreaker for the records we buy on the internet. We get them in, we play that track, we hear it distort and we pack the record up and send it back to the seller.

UPDATE 2023

This was true ten years ago, but we have since found better sources for our copies. The sellers we tend to buy from know not to send us groove-damaged, scratched copies. Something closer to 20% get returned now.

But this copy plays clean all the way to the end on both sides — assuming you have a highly-tweaked, high-performance front end of course.

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Jimi Hendrix – Band of Gypsys

More Jimi Hendrix

  • A Band of Gypsys like you’ve never heard, with solid Double Plus (A++) grades or BETTER throughout this original pressing – fairly quiet vinyl too
  • Huge amounts of bass; rich, smooth vocals; here is the big, bold sound that we’re pretty sure you had no idea the album could have
  • Wonderful clarity and freedom from distortion characterize the overall sound of both sides, and that’s unusual because there are a lot of dreadful sounding copies floating around
  • These Robert Ludwig-mastered Capitol pressings are the only ones good enough to be called Hot Stampers – accept no substitutes!
  • Trust us on this one – you’re going to have a difficult (and expensive!) adventure finding a copy that sounds as good as this one on your own
  • We have a staff of ten and even we have a hard time with Classic Rock titles like these — people loved this album and played it to death on their shitty turntables, leaving few copies in clean condition for us audiophiles to enjoy 54 years later [see below]
  • 4 1/2 stars: “Although he could be an erratic live performer, for these shows, Hendrix was on — perhaps his finest performances… not only an important part of the Hendrix legacy, but one of the greatest live albums ever.”
  • If you’re a fan of Jimi’s, this 1970 release belongs in your collection.
  • When it comes to rock and pop music in 1970, our picks for the best of the best, numbering less than 30 titles, can be found here.

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Carly Simon – Self-Titled

More Carly Simon

  • This early Elektra pressing was doing pretty much everything right, with both sides earning outstanding Double Plus (A++) grades or BETTER
  • Can you believe that the producer and engineer of Carly’s debut is none other than Eddie Kramer?!
  • “That’s The Way I’ve Always Heard It Should Be” is the killer track here and it’s close to the BEST we’ve heard on this Nearly Triple Plus (A++ to A+++) side one – just shy of our Shootout Winner
  • This copy really brought this Big Production to life and allowed so many elements to work in harmony.
  • It’s a good example of what a truly Hot Stamper is supposed to do – let the music work as music

The richness and the sweetness of the midrange on the better copies are exactly what you’d be looking for on this heavily-produced pop album, and this copy gives you that sound like no other copy you’ve ever heard.

Credit must go to Eddie Kramer, legendary producer and engineer for the likes of Hendrix and Zeppelin. He knows how to get good sound all right, although Female Singer Songwriter albums in his catalog are fairly light on the ground. (Richard Perry became the go-to guy for those productions as the ’70s wore on.) This may, in fact, be the only one Eddie ever did. But he knows Big Production Rock, and that’s what most of this album is about.

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David Bowie – David Live

More David Bowie

  • A David Live like you’ve never heard, with STUNNING Shootout Winning Triple Plus (A+++) sound or close to it on sides one and four, and excellent Double Plus (A++) sound on sides two and three
  • One of our favorite live recordings – a great overview of Bowie’s career through 1974
  • “1984,” “Rebel Rebel,” “Sweet Thing” and “Rock and Roll With Me” come ALIVE in performance like you have never heard before
  • A-List players of the day deliver sonic treats, including multiple horn players, multiple percussionists, all-male chorus background vocals, the searing fuzzed-out guitar leads of Earl Slick, piano and Mellotron by Mike Garson, and the amazing Herbie Flowers on bass
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” with an accent on the joy these amazing audiophile-quality recordings can bring to your life. David Live is a good example of a record audiophiles may not know well but we think might benefit from getting to know better
  • If I were to compile a list of Must Own rock and pop albums from 1974, this album would definitely be on it

When you listen to an outstanding copy of this Bowie classic, you will have no trouble picturing yourself in the audience with a front row center seat. And the great thing about a record like this is that you can be in the front row of this very concert whenever you want!

The other top live album is, of course, Waiting For Columbus, and the two have much in common. Most importantly, the songs played live on both albums are consistently better than their studio versions. (This is especially true on the Little Feat album. Little Feat was not a studio band and their live arrangements — with the Tower of Power horns — just murder the studio ones.)

For us audiophiles, the other reason to own a Hot Copy of David Live or Waiting For Columbus is that the sound is much improved over most of the studio albums in which the material was originally found. Have you ever heard a good sounding “Diamond Dogs”?

But David Live is full of great sounding material from the album. “1984” is much better here than on the original album. “Rebel Rebel,” “Sweet Thing” and “Rock & Roll With Me” also come alive in performance. They rock!

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Joe Cocker – Mad Dogs And Englishmen

More of the Music of Joe Cocker

  • This vintage copy boasts KILLER Shootout Winning Triple Plus (A+++) sound on side four and seriously good Double Plus (A++) sound on the other THREE sides, and plays about as quietly as any early pressing ever will
  • The sound is rich and tubey, with driving energy and the top end and clarity that was simply missing from far too many of the copies we had to work through in order to find this one
  • 4 1/2 stars: “Unlike a lot of other ‘coffee table’-type rock releases of the era, such as Woodstock and The Concert for Bangladesh, people actually listened to Mad Dogs & Englishmen – most of its content was exciting, and its sound, a veritable definition of big-band rock with three dozen players working behind the singer, was unique.”

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Peter Frampton – Frampton’s Camel

The Music of Peter Frampton Available Now

Peter Frampton Albums We’ve Reviewed

  • On his second album, Frampton fronts a real rock band, playing his unique style of rock and pop, electric and acoustic, with consummate skill – if you’re a Frampton fan this is a record that belongs in your collection
  • Superb engineering from Chris Kimsey and Eddie Kramer at Olympic and Electric Lady Studios
  • 4 1/2 stars: “Named after Frampton’s touring band at the time, Frampton’s Camel has a harder-rocking feel than its predecessor Wind of Change, with Mick Gallagher’s percussive electric piano and organ taking a prominent position in the mix and Frampton getting a harder sound from his electric guitars (though his acoustic playing is so lush and lyrical that it dominates the album here and there in its quiet way).”
  • If you’re a Frampton fan — I sure am — then this title from 1973 comes highly recommended.
  • All titles from 1973 we’ve reviewed to date can be found here.

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Jimi Hendrix – War Heroes

More Jimi Hendrix

  • Outstanding Double Plus (A++) sound from the first note to the last on this Hendrix classic
  • The material here is unusually well-recorded by Hendrix’s longtime engineer, Eddie Kramer – with sound that is competitive with, maybe even better than, Hendrix’s “real” albums
  • Features top-tier Hendrix rarities such as “Izabella,” “Highway Chile,” “Bleeding Heart” and “Stepping Stone”
  • “One of the few consistent compilations of unreleased Hendrix.”

Drop the needle at the start of either side and prepare to be floored. You won’t believe the big-time presence, the mindblowing energy, or the massive WHOMP factor. Here’s a copy with the kind of big, three-dimensional sound we wish we heard on more Hendrix records. You’ll know what I’m talking about as soon as the needle hits the groove.

The vocals are full-bodied and present with lots of body and breath. The bottom end is tight and punchy with more weight than we heard on other copies. You could play a good-sized stack of copies and you’d probably still not find one as open, spacious, and transparent as either of these sides.

The guitar — obviously a key element of any Hendrix recording — absolutely FLIES out of the speakers here. The bottom end is strong and solid, and the overall sound is big, rich and open.

Bridge of Sighs

Note that the guitar sound on the first track of side two appears to have acted as the template for Robin Trower’s sound throughout his career. We love Robin Trower — wish we could find more copies of Bridge of Sighs that sound good — but his guitar sound was all over this album years before it was on any of his own.

It’s beyond difficult for us to find killer copies of Jimi’s first three or four albums, so I advise you Hendrix fans to give this one a chance. It’s the real deal.

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