Hot Stamper Pressings of the Music of Paul Simon Available Now
When I finally got around to comparing the two, I remember being taken aback by how much better my original Artisan pressing sounded than the supposedly superior DCC, the one pressed at high quality Heavy Vinyl at RTI to the most exacting standards possible, yada, yada, yada.
What finally turned me completely against DCC were the awful Paul Simon solo albums they remastered. Two were released, two I had as unreleased test pressings, and all of them were clearly and markedly inferior to the good original pressings I had owned.
Since that time we have learned that placing your faith in any record label or cutting operation is a mistake.
You have to play the records to know how they sound.
Nothing else works, and nothing else can work.