THE NEW ALL-TIME CHAMPION FOR SIDE ONE! We played over a dozen copies this week, split evenly between domestics and Brit imports — and this bad boy absolutely MURDERED the competition.
Drop the needle on Dolly Dagger or Pali Gap and prepare to be floored! You won’t believe the big-time presence, the mindblowing energy, or the massive WHOMP factor! This copy has the tightest bass we’ve ever heard for this album, plus an unbelievable amount of Tubey Magic.(more…)
This live album, taken from concerts recorded from 1968 to 1970, is wonderful sounding on the best tracks. If you’re in the market for live Hendrix on a Hot Stamper, you’ll be hard pressed to do any better. The bass on this recording is huge, which is exactly what this kind of music needs most. At the levels we were playing this album it was really rockin’.
That’s the true test of a good live rock record — the louder you play it the better it sounds!(more…)
With Eddie Kramer and Robert Ludwig on the payroll, doesn’t this record have to be spectacular?
Good, yes, but spectacular? Not really. Some copies just don’t rock, and those copies lose a huge number of points for that shortcoming on a Monster Rock record such as this. Some are leaned out, some have no real top end — as Murphy’s Law makes clear, if something can go wrong it will go wrong.(more…)
STUNNING SOUND ON BOTH SIDES! It is no easy task trying to find good copies of this album (or any Hendrix album, really). This one is absolutely killer. The bottom end is big and weighty, the top is open and transparent, and there’s plenty of rich, full tubey magic. It’s going to be incredibly hard to find a pressing that comes anywhere close to this one.
No matter what version you’ve been playing, we guarantee you’ll be blown away by the energy and punch on this one.
Ready to go on a trip? You’ve come to the right place. While the sound is not Demo Quality on every track, the acid-drenched soundscapes created by Jimi and engineer Eddie Kramer are certainly going to be exciting to the kind of audiophile who still digs Classic Rock. Unfortunately, most copies are missing a lot of the magic — the space, the tubes, the ambience, the size, the weight.(more…)
TWO GREAT TRIPLE PLUS SIDES on this original Reprise pressing! This is one of those somewhat controversial posthumous Hendrix albums, but it’s hard to argue with the quality of the best tracks on here, like the great Message To Love. I’m not going to go out on a limb and say this is a must-own album, but Hendrix fans will certainly find much to like here. We played a big stack of copies and most of them weren’t worth our time; a copy like this one lets you appreciate Jimi’s craft without mediocre sound getting in the way.
The overall sound is both richer and cleaner than you get on the average copy., not to mention more musical and enjoyable. The bass is strong, there’s lots of presence to the vocals and guitar, and more depth to the soundfield as well.
Bottom line? If you’re a Hendrix fan who wants to hear some of these later songs sound good, this Hot Stamper pressing will get the job done.(more…)
What a copy! Super rich and full-bodied with a wide, tall soundstage and plenty of punch, this is exactly the right sound for this music. It sure ain’t easy to find good-sounding Hendrix records, and most copies of Axis are positively painful. You need rich, full tonality and plenty of space up top if this album is going to work, and on those counts this copy certainly delivers!
Hendrix fans, we have a very special record for you, with one very special quality that sets it well apart from other Hendrix records you may have heard in the past: THE BEST HENDRIX SOUND EVER. Side two of this copy beats any studio release we’ve ever heard, any postmortem release, any release we’ve ever had on our turntable. We love Hendrix, but finding good sounding pressings of his most famous albums is practically impossible. (Note that no Hot Stamper listing exists for Are You Experienced just to cite one example.)
But here’s one, a White Hot copy in fact, with the kind of sound you always dreamed Hendrix records could have. It’s right here on this side two, and side one is very nearly as good!
We played about half a dozen copies this week, split between domestics and Brit imports — and this bad boy absolutely MURDERED most of the competition. Drop the needle at the start of side two and prepare to be floored! You won’t believe the big-time presence, the mindblowing energy, or the massive WHOMP factor! This copy has some of the tightest bass we’ve ever heard for any Hendrix album, plus an unbelievable amount of tubey magic. The sound is WALL to WALL.(more…)
Sides three and four of this bad boy are OFF THE CHARTS, earning our top grade of A+++. Side three manages to combine superb transparency and presence with rich Tubey Magic and a strong, rockin’ low end — not an easy balance to strike! The guitars here, obviously one of the main draws on a Hendrix album, sound phenomenal.
Side four is every bit as good, with tons of rockin’ energy and serious immediacy coupled with smooth, natural tonality. Again, most copies fail miserably at finding that balance. A+++, White Hot Stamper material all the way. Whew!
Sides one and two are excellent as well, clocking in at A++ to A+++ and A++ respectively. Side one is clear and full with a big, punchy low end and plenty of rock energy. Side two is generally the weakest side in terms of sound, and that’s true here as well, but at A++ this one blows away what we found on the typical pressings. Tubey Magical with a nice, solid low end, the music really comes across here.(more…)
With 12 pluses out of a possible 12, this is one of the HIGHEST rated copies to EVER hit the site
All four sides have insanely good shootout winning Triple Plus (A+++) sound
Probably the best-recorded of Hendrix’s studio albums – huge studio space and Tubey Magical richness are key to the shootout winners like this one
5 stars in the AMG: “…not only one of the best rock albums of the era, but also Hendrix’s original musical vision at its absolute apex.”
Sides one and four are mated back to back on these British pressings. Side four is very difficult to find with top sound, the hardest of the four sides by far, but it gets a Triple Plus (A+++) grade here for the first time in a long time!
We’ve played a lot of copies of this sprawling, psychedelic masterpiece but we’ve practically never heard one that puts it all together better than this one does.
Some of Jimi’s best songs can be found here, including Crosstown Traffic, Voodoo Child (Slight Return) and his incendiary cover of Dylan’s All Along The Watchtower. All four sides have truly killer sound, big and full-bodied with a MUCH better low end than you’ll find on most. You get enough energy and weight to make the rock songs really ROCK, and enough clarity and transparency to bring out the more spacey, psychedelic elements that Jimi and Eddie Kramer worked so hard on.(more…)