Records that Sound Best Like This

These titles have lighter gray text at the bottom of the listing to help the reader decode the pressings that have the potential for the best sound, based on our Hot Stamper shootouts.

For example, “Early=Best” simply means that the right early pressings usually sound the best on this title.

In addition to early pressings, here are the records that we’ve identified using the remaining five attributes:

Imported vinyl (Import=Best); domestic vinyl (Domestic=Best); in mono (Mono=Best); in stereo (Stereo=Best), and lastly, on the right reissue (Reissue=Best)

Keep in mind that any given pressing with the “wrong” attributes, e.g., import, reissue, etc., can be better sounding than one with the “right” attributes, e.g., domestic, early, etc. There are far too many factors that go into the making of a record for any of this information to be useful without a large sample of LPs.

In other words, these attributes are best seen as a rough guide to help point the reader in the right direction.

Supertramp – Crisis? What Crisis?

More of the Music of Supertramp

  • This UK import copy was doing most everything right, earning solid Double Plus (A++) grades on both sides
  • Lots of quiet passages make this title one of the most difficult to find in audiophile playing condition, but here one is!
  • Most pressings are painfully thin and harsh, but this one had much more of the richness and smoothness we were looking for, miles away from the painfully bad original domestic pressings we know to avoid
  • Credit the man behind the board, Ken Scott (Ziggy Stardust, Honky Chateau, Crime of the Century, A Salty Dog, Magical Mystery Tour, America and more), who knows a thing or two about Tubey Magic
  • A Desert Island Disc for TP, from all the way back in 1975 when I first gave it a spin on my Ariston RD 11 turntable
  • “Even simple tracks like ‘Lady’ and ‘Just a Normal Day’ blend in nicely with the album’s warm personality and charmingly subtle mood. Although the tracks aren’t overly contagious or hook laden, there’s still a work-in-process type of appeal spread through the cuts, which do grow on you over time.”

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Thelonious Monk – Solo Monk

More of the Music of Thelonious Monk

  • Here is an early Stereo 360 pressing of Monk’s sixth studio album (the first copy to ever hit the site) with STUNNING Shootout Winning Triple Plus (A+++) grades or close to them from first note to last
  • If you want to hear just how good Monk’s big, rich piano can sound, this copy can show you like nothing by Monk you’ve ever heard
  • With Teo Macero producing and top Columbia engineering, the best pressings have audiophile quality sound that puts to shame anything from his earlier period
  • 4 1/2 stars: “The mystery and haunting angular beauty of Thelonious Monk’s unadorned keyboard sides are the focus of Solo Monk. As if holding the history of jazz in his hands, Monk’s solo recordings and performances from every phase of his career remain pure. The components of what made Monk such an uncompromising composer, arranger, and especially bandmember are evident in every note he plays.”

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Jethro Tull – Songs From The Wood

 More Folk Rock

  • This original UK pressing of Tull’s tenth studio album boasts INSANELY GOOD Shootout Winning Triple Plus (A+++) grades from top to bottom – exceptionally quiet vinyl too
  • Both of these sides are amazingly big and full with wonderfully breathy vocals and deep punchy bass
  • No other copy in the shootout earned 3 pluses on any side other than this killer copy right here — this was a tough shootout!
  • Forget the domestic originals and reissues, they’re medicore at best and more than likely awful
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear Tubey Magic, size and energy, a vintage pressing like this one is the way to go
  • 4 stars: “Far and away the prettiest record Jethro Tull released at least since Thick as a Brick and a special treat for anyone with a fondness for the group’s more folk-oriented material.”

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Culture Club – Kissing To Be Clever

More Records We Only Sell on Import Vinyl

  • Kissing To Be Clever debuts on the site with INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it from start to finish – fairly quiet vinyl too
  • Both sides of this early British pressing are big, rich and punchy with wonderfully breathy vocals, excellent clarity and a plenty of bottom end weight
  • Forget the domestic pressings on Epic — again and again our notes read “dull, thin and gritty,” which is how I remember the album sounding when I bought my first copy back in 1982
  • The sound varies somewhat from track to track — I hope to put something on the blog detailing the differences we heard as we spot-checked every song on both sides
  • 4 stars: “Incorporating pop, rock, dance, new wave, soul, and Caribbean rhythms (an amalgamation of “cultures”), the result was a soulful, progressive pop outing that scored several landmark international hits and made a star out of the band’s outrageous frontman, Boy George.”

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Bad Company – Self-Titled (UK Press)

More of the Music of Bad Company

  • Bad Company’s classic debut LP, here with very good Hot Stamper grades from start to finish
  • We guarantee there is more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that
  • A member of the Better Records Rock and Pop Top 100, and a Must Own Classic Rock title from 1974
  • 4 1/2 stars: “Bad Company’s 1974 self-titled release stands as one of the most important and accomplished debut hard rock albums from the 70s … it was one of the most successful steps in the continuing evolution of rock & roll.”
  • If you’re a Classic Rock fan, then Bad Company’s killer debut album from 1974 belongs in your collection.

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XTC – English Settlement

More of the Music of XTC

  • With outstanding Double Plus (A++) grades on all FOUR sides, these early Virgin UK import pressings will be very hard to beat
  • You won’t believe how good these records sound – on a big system with lots of firepower down low, this is a sonic tour de force, a monster Demo Disc
  • These sides have huge amounts of open studio space and that Tubey Magical, rich, fat, dense, bass-heavy British Rock Sound we love
  • It takes us years to get this shootout going – what happened to all the clean British pressings? They have disappeared over the last five years it seems
  • 4 stars: “There are plenty of pop gems – ‘Senses Working Overtime’ stands as one of their finest songs — but the main focus seems to be the more expansive sound…the textural sound of the album is quite remarkable.”

This is an AMAZINGLY well-recorded album, with huge amounts of open studio space and that Tubey Magical, rich, fat, dense British Rock Sound. That sound isn’t easy to reproduce, but this copy absoluely nails it. Nothing else in our shootout came close to it!

If you have big speakers and the room to play to play them good and loud , this is quite the sonic tour de force.

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Rachmaninoff – Symphony No. 2 / Previn

More of the Music of Sergei Rachmaninoff

  • Superb sound throughout this vintage British EMI pressing of Rachmaninoff’s Symphony No. 2, with both sides earning solid Double Plus (A++) grades
  • A long term resident of the TAS super disc list, and one I never realized was anything special until my stereo got a lot better about ten or fifteen years ago
  • This is a spectacular recording – it’s guaranteed to put to shame any Heavy Vinyl pressing of orchestral music you own
  • There are more than 175 orchestral recordings we think offer the best performances with the highest quality sound. This record is certainly deserving of a place on that list.
  • The vast majority of the best orchestral recordings we’ve played were made in the Golden Age of recording (50s & 60s), but that doesn’t mean that the 70s & 80s didn’t produce amazing discs as well, and you can find more than 20 of them here

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J.J. Cale – Troubadour

More Roots Rock

  • An outstanding copy of 5 with Double Plus (A++) sound from the first note to the last
  • The overall sound here is rich, full-bodied and musical with lots of Tubey Magic and a solid bottom end — the perfect sound for this laid-back bluesy rock
  • If you’ve got a hankerin’ to hear Cocaine on the authentic original, you will really have to work hard to hear it sound any better than it does on this pressing.
  • Wikipedia lists his many styles as “Americana, Cajun, blues, swamp rock, country rock, Red Dirt, Tulsa Sound” but we think Americana is probably all you really need.
  • If you like Dire Straits, try this one – J.J. Cale and Mark Knopfler have a lot in common, probably more than you think
  • “While Cale remains the ultimate laid-back Blues artist, he still manages to conjure up the spirit of Country, Soul and subdued Funk in each of the tracks on 5, making this album one of the best loved in his catalog.”
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. Cale’s breakthrough album is a good example of a record many audiophiles may not know well but should.

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The Rolling Stones – Beggars Banquet

More of the Music of The Rolling Stones

  • You’ll find INSANELY GOOD Shootout Winning Triple Plus (A+++) grades on both sides of this vintage London pressing of this surprisingly well-recorded Stones album from 1968
  • The long lost Tubey Magic of these early pressings has them sounding better than we ever thought possible with the audio equipment of the day
  • This is exactly the way you want Beggars Banquet to sound and it sure doesn’t take a pair of golden ears to hear it
  • One of a select group of Rolling Stones Must Own titles we prize above all others – Sticky Fingers and Let It Bleed round out the trio
  • 5 stars: “Basic rock & roll was not forgotten, however: ‘Street Fighting Man’… was one of their most innovative singles, and ‘Sympathy for the Devil’… was an image-defining epic.”
  • If you’re a Stones fan, this vintage pressing of their 1968 classic belongs in your collection

No Expectations, the second song on the first side, is one of the greatest Demo Tracks for Tubey Magical guitar reproduction we know of. The next year, Glyn Johns would pull off another acoustic guitar recording of that quality with Love in Vain on Let It Bleed.

Good pressings are certainly not easy to come by — this kind of rich, full-bodied, musical sound is the exception, not the rule. And there’s actual space and extension up top as well, something you certainly won’t hear on most of the vinyl that’s been pressed over the 50+ years since this album was released.

What sets the best copies apart from the pack is a fuller, richer tonal balance, which is achieved mostly by having plenty of bass and less upper midrange. Those are the copies that sound tonally correct to us, and you should have no trouble appreciating the difference.

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Steve Miller Band – Fly Like An Eagle

More of the Music of the Steve Miller Band

  • F
  • Here is a vintage copy with INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them from start to finish – fairly quiet vinyl too
  • A surprisingly difficult record to find with good sound and quiet surfaces – they pumped these out by the millions and most copies aren’t worth even the bad vinyl they’re pressed on
  • The sound is clear, full-bodied and detailed with tremendous space, critical to reproducing the recording’s spacey (and pretty cool) effects
  • The title track and “Take The Money And Run” both sound excellent (but so does pretty much everything else)
  • 4 1/2 stars: “The key is focus, even on an album as stylishly, self-consciously trippy as this, since the focus brings about his strongest set of songs (both originals and covers), plus a detailed atmospheric production where everything fits.”
  • If you’re a Steve Miller fan, or perhaps a fan of mid-’70s Classic Rock, this title from 1976 is surely a Must Own.

On this copy, you get richness and warmth, front and center immediacy, extension up top and down low, and loads of energy. The synths have texture, the guitars are full-bodied and the bottom end is nice and meaty.

The soundfield is especially open and transparent, with three-dimensional space that brings out the trippy effects the band threw in all over the place. When they sound this good, they really work some Seventies Analog Magic. (more…)