Insanely good sound throughout — Triple Plus (A+++) on the second side, Double Plus (A++) on the first – we rarely have copies that rock the way this one does
This is one of engineer Bill Price’s better efforts behind the boards, and Chris Thomas’s production is State of the Art
Relatively quiet vinyl throughout this early UK pressing – Mint Minus to Mint Minus Minus
Five Stars: “Few rock & roll records rock as hard or with as much originality as the Pretenders’ eponymous debut album. A sleek, stylish fusion of Stonesy rock & roll, new wave pop, and pure punk aggression, Pretenders is teeming with sharp hooks and a viciously cool attitude.”
What really separated this copy from the pack was the lack of edge on the vocals. It’s not duller — it’s bigger and clearer yet less distorted and cut cleaner than the other sides we played.
Add big bass and dynamics and you have yourself some truly Hot Stamper sound!
Forget the dubby domestic vinyl, these Brit pressings are the only way to go.(more…)
Devo’s superb debut finally returns to the site after more than a year, with outstanding Double Plus (A++) sound on both sides – fairly quiet vinyl too
This pressing is head and shoulders above the pack, with the kind of big, punchy, full-bodied sound this music absolutely demands
Tons of great songs on here, including Uncontrollable Urge, Jocko Homo, Too Much Paranoias, and their killer cover of The Stones’ Satisfaction
4 1/2 stars: “A seminal touchstone in the development of American new wave… had a conceptual unity that bolstered the consistent songwriting, making it an essential document of one of new wave’s most influential bands.”
Let the Devolution begin!
While Devo’s music may never sound as rich, warm, and tubey as the typical classic rock album, that certainly doesn’t mean we need to accept completely anemic, sterile sound for this album. It took a big stack of copies, but here’s one that made us sit up straight, pay attention and enjoy!
Tons of great songs here, including Uncontrollable Urge, Jocko Homo, Too Much Paranoias, and their killer cover of The Stones’ Satisfaction. (more…)
Stunning Shootout Winning Triple Plus (A+++) sound from start to finish, making this the best copy to hit the site in years!
The energy and presence here are off the charts, the bottom end is super solid and punchy, and there’s tons of space around all of the instruments
“Devo and their ilk were serious and heartfelt about their goofy sound. They were weird, but weird on their terms. Duty Now for the Future is the perfect example of that. It earns its strangeness with sharp, compelling, and infectiously energetic songs. It crafts a world to travel and never misses a step. And, perhaps most impressively, it sounds just as fresh over 30 [now 40!] years after its original release.” – Pop Matters
GET DEVOLVED! This copy gives you amazing sound for both sides of this fun — and very well-recorded — album. The average copy of this record barely hints at the sound that Ken Scott was clearly able to get on the tape. This one tells a different story, with serious weight down low, a ton of energy, loads of texture to the synths, and wonderful clarity. The lucky man (or woman) who takes this home is sure to get a thrill from it.
The soundfield on these killer sides has a three-dimensional quality that allows all the instruments to be identified and followed with ease. They just don’t get any punchier or livelier, and with music like this, all those elements combine to make this music a FUN listen.(more…)
With outstanding Double Plus (A++) sound or BETTER on both sides, this vintage pressing is overflowing with analog magic in its grooves – exceptionally quiet vinyl too
Talk about sound that is positively jumpin’ out of the speakers – every instrument here is clear and present, laid out from wall to wall right in your listening room
Tubey Magic in 1979? Somehow they managed to pull it off. So dynamic too. What a recording!
A New Wave Classic, 5 stars in the All Music Guide: “These songs illustrated that the B-52’s’ adoration of camp culture… was a world view capable of turning out brilliant pop singles and, in turn, influencing mainstream pop culture… a hell of a good time.”
We think you will be surprised at just how good the sound can be. And you may or may not be surprised at just how FUN the music is.
Listen to the huge, spacious soundstage and amazingly rich, full-bodied and uncolored tonality that earned this recording a place in our Top 100.
Who knew that good sounding records were still being recorded in 1979? Candy-O comes to mind, but the B-52s’ first album has virtually none of the grit and Roy Thomas Baker heavy-processing of that one, and a lot more Tubey Magic to boot — when you get a pressing like this of course.(more…)
Panorama makes its Hot Stamper debut here with outstanding Double Plus (A++) sound from start to finish
The sound here is rich and full-bodied with much less grain and much more Tubey Magic than most of the other copies we played
A tough title to find these days — it took us years to get this shootout going
“While it’s true that Panorama may be the work of a band in transition, taking baby steps in new directions, it’s also the work of a band that couldn’t help but make great music regardless. . . The production, too, is just as striking as it is on previous efforts, as are the performances.”
The Eurythmics third studio album was their breakthrough, and here it is with outstanding Double Plus (A++) sound
This copy was surprisingly rich, smooth and analog sounding, with an especially nice weighty quality to Lennox’s powerful vocals
Includes some of the most memorable synth-pop anthems of the era – “Here Comes The Rain Again,” Who’s That Girl?” and more
4 1/2 stars: “The cool, sophisticated musical experimentalism all over Touch cemented Eurythmics’ reputation as one of the most innovative duos of their time… Touch is a testament to what Eurythmics were at the height of their electronic-techno phase and, without doubt, is a milestone in 1980s pop music.”
We’ve tried a fair number of this band’s albums and to be honest, every one but this one has had horribly bright, overly-processed, distorted sound, even on import vinyl.
Until we run across something a lot better than what we have been auditioning, this will be the only title we can offer as a Hot Stamper from Eurythmics.(more…)
STUNNING! This insanely good pressing earned the rare FOUR PLUS (A++++) grade on side one — it’s OFF THE CHARTS! Side two is incredible as well, earning our standard top grade of Triple Plus (A+++) The sound is incredibly lively, punchy, and powerful; with all due respect, it should MURDER whatever copies you may have. Relatively quiet for this album, Mint Minus to Mint Minus Minus on both sides.
We award this copy’s side one our very special Four Plus A++++ grade, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level never experienced by us before, a level we had no idea could even exist. We estimate that less than one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. You can’t get much more rare than that.
This is an amazing album, but a pressing like this takes it to a whole new level! The average copy of this record is aggressive and unpleasant. You either have to work very hard to find a good one (which means buying, cleaning and playing lots and lots of them), or you have to luck into a good one by accident.
The best copies must have one key ingredient that we’ve discovered is absolutely essential if this groundbreaking New Wave album is to come to life — a huge, spacious soundstage.
Some copies are huge; others, not so much. The effect of these size differentials is ENORMOUS. The power of the music ramps up like crazy — how could this recording possibly be this BIG and POWERFUL? How did it achieve this kind of scale? You may need twenty copies to find one like this, which begs the question: why don’t the other 19 sound the way this one does? The sound we heard has to be on the master tape in some sense, doesn’t it? Mastering clearly contributes to the sound, but can it really be a factor of this magnitude? (more…)
An outstanding pressing of Little Creatures with solid Double Plus (A++) sound or BETTER from start to finish – this one has the BIG BEAT sound we love
I ask you, what record from 1985 sounds better than Little Creatures?
These sides are rockin’ on tracks like Stay Up Late, Road To Nowhere, And She Was, Creatures of Love and more
Surprisingly big, punchy and open sound for this ’85 pop classic – a Top 100 album and longtime Better Records favorite
4 1/2 stars: “Ear Candy …a pop album, and an accomplished one, by a band that knew what it was doing.”
We’re huge fans of Little Creatures, and when you hear a copy like this you’ll know exactly why. Not many records from this era sound as amazingly rich as this one, not in our experience anyway.
On the better copies, the sound is punchy, smooth & so ANALOG, with an especially beefy bottom end, the kind a good Big Beat Pop Album record needs. For a good reference think Get The Knack or Parallel Lines.
Tight, punchy, surprisingly deep note-like bass absolutely makes or breaks the sound on Little Creatures. Without the proper bass foundation this funky beat-crazy Talking Heads album can’t BEGIN to do what it’s trying to do: get your feet tappin’ and your body rockin’ to the music.
The better pressings are surprisingly dynamic, with a sweet, often silky top end. The drums are very well recorded throughout — you can really hear the room around that big kit. You will also find that the higher-rez pressings give David Byrne’s vocals the presence and breathy texture they need. The overall sound will be open, spacious, and sweet — even three-dimensional.(more…)