Genre – Jazz – Organ

Charles Earland – Black Talk!

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  • Charles Earland makes his Hot Stamper debut here with this STUNNING pressing of Black Talk!, boasting Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • You’d be hard-pressed to find a copy that’s this well balanced, yet big and lively, with such wonderful clarity in the mids and highs
  • Credit goes to Rudy Van Gelder once again for the huge space that the superbly well-recorded group occupies
  • 5 stars: “… one of the few successful examples of jazz musicians from the late ’60s taking a few rock and pop songs and turning them into creative jazz… Fans of organ combos are advised to pick up this interesting set.”

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Jimmy Smith – Open House

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  • Open House makes its Hot Stamper debut here with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish  
  • An RVG live-in-the-studio recording from 1960 is hard to beat for you-are-there immediacy, and this pressing delivers that quality like no other copy you’ve heard – we guarantee it
  • We wish more records had this kind of sound – natural, full-bodied, and REAL in a way that no modern Heavy Vinyl pressing seems to be
  • 4 1/2 stars: “For this superlative outing, the innovative organist is teamed with trumpeter Blue Mitchell, altoist Jackie McLean, tenor saxophonist Ike Quebec, and his regular sidemen. The musicians all seem to be inspired by each other’s presence, making this a highly recommended set for straight-ahead jazz collectors”

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Jimmy Smith – Back at the Chicken Shack

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  • Back at the Chicken Shack makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or close to it on this New York label mono pressing
  • Joining Jimmy Smith is one of our favorite bluesy sax players, Stanley Turrentine – just play Kenny Burrell’s Midnight Blue to hear him at this best, and Burrell is especially good here too
  • Credit must go to Rudy Van Gelder once again for the huge space this superbly well-recorded quartet occupies
  • 5 stars: “Recorded in 1960 with Kenny Burrell on guitar, Donald Bailey on drums, and Turrentine, the group reaches the peak of funky soul jazz that all other challengers of the genre would have to live up to.”

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Richard “Groove” Holmes – Spicy

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  • An incredible sounding copy with Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • “The intensity which launched Groove’s cover of “Misty” into such a huge hit is thoroughly in evidence throughout this smoking set and Holmes is firmly in his element during this poppy, but cooking session. A welcome addition to a great organist’s too-thin catalog.” – All About Jazz

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Jimmy Smith – Prayer Meetin’

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  • The wonderful Prayer Meetin’ makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or close to it from first note to last
  • Rich, smooth and Tubey Magical, this pressing was simply more ALIVE and musically involving than the others we played
  • Turrentine is one of our favorite bluesy sax players – just play Kenny Burrell’s Midnight Blue to hear him at this best, and he is especially good here too
  • Credit must go to Rudy Van Gelder once again for the huge space this superbly well-recorded quartet occupies
  • 4 1/2 stars: “Prayer Meetin’ is a delight from start to finish. Forming a perfect closure to Smith’s trio of albums with Turrentine… The blues roots are obvious here, and the Smith-penned title track might even be called jazz-gospel…

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Walter Wanderley – Rain Forest – Our Shootout Winner from 2015

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A distinguished member of the Better Records Rock and Pop Hall of Fame

Spacious, sweet and positively dripping with ambience. White Hot on side one where the big hit Summer Samba can be found. A huge seller in its day, both the sound and the music are crazy fun. A Classic 1966 Rudy Van Gelder All Tube Analog recording with Demo Disc sound.

This White Hot Stamper copy of Rain Forest has a lot in common with the other Jazzy Bachelor Pad / Exotica titles we’ve listed over the years, albums by the likes of Esquivel, Dick Schory, Edmundo Ros, Martin Denny and others.

It’s all about the Tubey Magical Stereoscopic presentation, complete with syncopated percussive arrangements. This copy is super spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, this is vintage analog at its best, so rich and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to “improve” it. If you like the sound of luxurious organ, accompanied by flutes, guitars and percussion, you will have a hard time finding a more magical recording of any of them.

If you’re an audiophile, both the sound and the music are crazy fun. If you want to demonstrate just how good 1966 Rudy Van Gelder All Tube Analog sound can be, this is the record that will do it! (more…)

Jimmy Smith – Any Number Can Win – Reviewed in 2010

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A distinguished member of the Better Records Jazz Hall of Fame.

This is one of Rudy Van Gelder’s TRIUMPHS and one of the best Jimmy Smith album I’ve ever heard. All of side one and the last cut of side two sound STUNNING! This is dynamic, big speaker sound.

Lots of old Verve’s weren’t mastered right, but this one was. It’s as good as it gets — it’s right up there with Bashin’.

RVG did not record this entire album. Some songs are recorded by other engineers and don’t have the dynamic slam that his do but the best tracks are amazing. (more…)

Jimmy Smith & Wes Montgomery – The Dynamic Duo

More Jimmy Smith

More Wes Montgomery

More The Dynamic Duo

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  • KILLER Triple Plus (A+++) grades or very close to it on both sides, this is a wonderful vintage stereo pressing of a classic jazz collaboration from 1966
  • Big, rich and lively, thanks to Oliver Nelson’s arrangements (and RVG’s engineering), this big group of top players is having a blast and we think you will too
  • 5 stars: “The romping, aggressive big band charts [represent] Oliver Nelson at his best… The results are incendiary — a near-ideal meeting of yin and yang… They are an amazing pair, complementing each other, driving each other, using their bop and blues taproots to fuse together a sound.”

The sound of this Verve stereo pressing is tonally correct and natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’60s jazz you cannot go wrong here. (more…)

Jimmy Smith – Christmas Cookin’ (2008)

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A distinguished member of the Better Records Jazz Hall of Fame.

This HOT STAMPER copy of the swingingest Christmas record ever made has SWINGING SOUND to match. It’s relaxed and musical, with lovely 3D openness. 

Mostly gone is the dull, smeary blare of RVG’s horns, replaced by real leading edge transients and air going through brass, while mostly avoiding the grit and grain that all too often passes for detail. Good extension on both ends helps a lot. Harmonics up top keep the sound open and airy, and plenty of bottom end lets the solid rhythm section come through the mix like gangbusters. (more…)

Jimmy Smith – Bashin’ Is a Masterpiece

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A distinguished member of the Better Records Jazz Hall of Fame.

Bashin’ is back after a two and a half year hiatus, and it’s back with a vengence — both sides here are Super Hot, with some of the best sound we have ever heard for the album. In the past we’ve complained about “Rudy Van Gelder’s somewhat over the top echo-drenched brass”, but on a copy such as this there is nothing to complain about!

All that reverb on the brass sounds RIGHT. If you have a top quality front end (and the system that goes with it), this recording will be amazingly spacious, three-dimensional, transparent, dynamic, and open.

With a bit more weight and whomp down low this copy would have been competitive with the best we played. Everything above two hundred cycles is here!

Copies of this album are sometimes so SOUR or dull (or both) that they go right in the trade pile. Add to that the difficulty of finding copies that are scratch-free and not too noisy and you have one tough shootout. Inner Groove Distortion caused by the non-anti-skate-equipped turntables of the day is a chronic problem with vintage jazz records, and this title is typically no exception — except in this case! The record has no IGD and plays mostly Mint Minus, as quiet an original as we have ever heard. (more…)