- An incredible copy of Dylan’s 1973 soundtrack album with Nearly Triple Plus (A++ to A+++) sound on both sides – just shy of our Shootout Winner
- This one is doing practically everything right – it’s bigger, bolder, richer and more clean, clear and open than almost anything else we played
- Includes the hit “Knockin’ on Heaven’s Door,” which charted on the Top 20 and would be famously covered in later years by the likes of Eric Clapton and Guns N’ Roses
- “This record also proved that Dylan could shoehorn his music within the requirements of a movie score without compromising its content or quality, something that only the Beatles, unique among rock artists, had really managed to do up to that time…”
Some time in the 2000s we reviewed this pressing from 1996.
We guarantee any Hot Stamper LP will make your MoFI pressing sound like the bad joke it was even as far back as 1996, the stone age in audio, or your money back including shipping.
As of 2015, this label may have entered a new and even more disgraceful era, but considering how bad their records have been from the very start, (something that should be obvious to any audiophile with a high quality playback system, the kind of system that should have no difficulty exposing the manifold shortcomings of their remastered pressings), how much lower can they possibly fall?
Only time will tell!
FURTHER READING on Half-Speeds
Here’s a good question:
To learn more about records that sound dramatically better than any Half-Speed ever made (with one rare exception, John Klemmer’s Touch), please consult our FAQs:
Below you will find our breakdown of the best and worst Half-Speed mastered records we have auditioned over the years.
New to the site? Start here.
The crowning glory of the Grateful Dead, this is their MASTERPIECE. Albums like this come along once in a band’s life — if they’re lucky. This is the zenith of the Grateful Dead. Workingman’s Dead is a good album. American Beauty is a great one.
If you don’t have a killer copy yet, it’s time to get on the bus. Stephen Barncard is the recording engineer responsible for this album, Deja Vu, Brewer and Shipley’s Tarkio, and a host of other amazingly rich, sweet and natural, mostly acoustic recordings that stand head and shoulders above the bulk of their contemporaries. American Beauty is one of them.
All the Elements Come Together for Once
All of the elements necessary to take this music to an entirely new level are here, my friends: smooth, sweet vocals; rich, meaty bass; an open and airy top end; top-notch presence and so forth. The sound is so spacious and transparent that you can easily pick out each of the instruments and follow them over the course of the songs.
The acoustic guitars sound magical on this one, and I can’t believe how wonderful these guys’ voices sound. The Tubey Magic and immediacy on this copy are going to STUN you.
You could choose any track you wanted to and find lovely sound here, but I’d recommend Ripple and Attics Of My Life for starters. Most copies suffer from a glaring lack of highs, but just listen to the ride cymbals on this one to find out that the top end is still alive and well here.
Here are some other records we’ve played that can often have No Real Top End.
- A truly outstanding early pressing, earning seriously good Double Plus (A++) grades or close to them on both sides
- This is as quiet as they come, folks – no marks play, and the vinyl is often quieter than Mint Minus Minus, exceptional for this title
- You will be floored by the huge, rich, Tubey Magical guitars exploding out from your speakers on Take It Easy
- One of the Best Sounding Rock Records Ever Made, a member of our Top Ten and without a doubt Glyn Johns’ engineering (and producing) Masterpiece
- A Top 100 Tubey Magical Demo Disc that is guaranteed to blow your mind on a pressing that sounds as good as this one does
Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.
It will not take the lucky owner of this record long to recognize what we’ve known for years: the Eagles first album is clearly and inarguably one of the Best Sounding Rock Recordings Ever Made. Almost all the qualities we look for on this album can be found on this very copy.
The Eagles first album is without a doubt Glyn Johns‘ masterpiece — rock records simply do not sound any better in our experience. It’s exactly the kind of record that makes virtually ANY Audiophile pressing pale in comparison. Everything you could ask for as an audiophile is here, and more.
We’ve been up on our soapbox for years telling people how amazing this record can be, and here’s a copy that backs up our position from start to finish. (more…)
- An outstanding British SYL copy with solid Double Plus (A++) sound for this criminally underrated California Country Rock Classic – exceptionally quiet vinyl for this album, because early UK pressings are almost impossible to find in audiophile playing condition
- If you’ve never heard one of these early pressings, you have simply never heard this album sound the way it should
- You Never Cry Like A Lover and The Best Of My Love (their first No. 1) offer Glyn Johns magically delicious DEMO DISC quality sound
- We’re HUGE fans of the album here at Better Records; it’s some of the most sophisticated, well-crafted, heartfelt music these guys ever made, and that’s saying a lot coming from us – we’ve been big fans for decades
- This killer album from 1974 belongs in your collection.
- The complete list of titles from 1974 that we’ve reviewed to date can be found here.
- We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. On the Border is a good example of a record most audiophiles don’t know well but should.
Many of you have probably forgotten how good this album is (assuming you were ever familiar with it in the first place) probably because the typical domestic copy you would have played back in the day is fairly hard on the ears. Most pressings, even the British ones, barely hint at the kind of sound you’ll hear on this vintage UK pressing (the only kind we sell of course).
The LIFE and ENERGY of this pressing are going to knock you right out of your seat. Most copies leave you with a headache, but this one will have you begging to turn up the volume.
Tubey Magical Acoustic Guitar reproduction is superb on the better copies of this album. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings). (more…)
- An outstanding copy of the band’s debut album – exceptionally quiet vinyl too
- This pressing is well balanced, yet big and lively, with such wonderful clarity in the mids and highs as well as an open and spacious soundfield
- “Whites Off Earth Now!! establishes the spare country blues sound that took the band to international fame with their next album.” – Wikipedia
- “… it’s fascinating to hear their signature country-on-valium sound develop. Margo Timmins sings beautifully.”
This vintage Latent Recordings pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
- Buffalo Springfield’s sophomore release is back on the site with INCREDIBLE Shootout Winning Triple Plus (A+++) Tubey Magical Analog sound or close to it from from start to finish – unusually quiet vinyl for an ATCO original as well
- Consistently brilliant songwriting and production: “Mr. Soul,” “A Child’s Claim To Fame,” “Expecting To Fly,” “Bluebird,” “Hung Upside Down,” “Rock & Roll Woman,” “Broken Arrow” and more!
- These days it takes us years to find enough clean copies of an album like this with which to do a shootout – nice originals are thin on the ground and getting thinner by the day
- A true Desert Island Disc – 5 stars: “…this record stands as their greatest triumph… its classic status cannot be denied.”
- If you’re a fan of The Buffalo Springfield, this early pressing from 1967 surely belong in your collection
- The complete list of titles from 1967 that we’ve reviewed to date can be found here.
- We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. This band’s second and third albums are both good examples of records many audiophiles may not know well but should.
Listen to the vocal harmonies — you can separate out all the parts much more clearly on these Hot Stamper pressings. You can really hear precisely who’s in there and what part they are playing in the vocal arrangement. I can’t remember ever hearing it sound so clear. The best copies really let you hear into the music. (more…)
- Tubey Magical, lively and clear, with three-dimensionality that will fill your listening room from wall to wall
- A pressing this good puts you front and center at these live performances, recorded on two dates, at the famous Orpheum Theatre in Boston and the incomparable Carnegie Hall
- 4 stars: “After a gorgeous yet subdued introduction by Loggins as a solo performer on a handful of numbers, Messina and the band take the stage and loft the proceedings into a bracing mix of folk- and country-rock.”
- If you’re a fan of the band, this 1974 release surely belongs in your collection
Without question the first Eagles album is still their best sounding release.
Hotel California is a classic, no argument there, but even the best sounding copies are a little “modern” for our tastes. I prefer both the music and the sound of On The Border to Hotel CA, but that should clearly be seen as a minority opinion. De gustibus and all that.
Let’s call them their second and third best, we’ll leave the order to you.
The third tier would have One of These Nights, followed by Desperado, The Long Run and Eagles Live.
The less said about any of their albums after 1980 the better.
You know the first album. You know Hotel California. The best Eagles album you don’t know is On The Border.
- Relaxed, rich and tubey, yet clear, this is the kind of sound you always wanted from The Buffalo Springfield but had no way to hear, until now
- Some of the best songs the band ever wrote are right here: I Am A Child, Kind Woman and too many more to list
- If Buffalo Springfield Again deserves a Five Star rating then Last Time Around does too – it’s equally brilliant, and a real Desert Island Disc for yours truly
These two sides are relaxed, rich and tubey, giving you exactly what you would expect from a Top Quality pressing — without the noise, veiling and distortion that you’re used to hearing on the copies you picked up locally, or the one you mistreated back in the day (didn’t we all?).
When you get hold of the right copy and know how to clean it right, you find that some of these pressings are a damn sight better than the most audiophiles think they are.
The kind of MIDRANGE MAGIC on this pressing let us hear into the music in a way we (and you too I’m guessing) never imagined was possible.
Most copies have no bass, no real top, and are compressed so badly they sound more like cardboard than vinyl. But not this copy. It breaks the mold, revealing to the world (well, our world anyway — the world at Better Records) that those badly recorded Buffalo Springfield records from the ’60s weren’t so badly recorded after all.